The Masters Of Wood Engraving Classic Reprint
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Author | : William James Linton |
Publisher | : Forgotten Books |
Total Pages | : 356 |
Release | : 2018-09-24 |
Genre | : Art |
ISBN | : 9781396367946 |
Excerpt from The Masters of Wood-Engraving Not copies, but reproductions, by one or other process, have been given by Sotheby, Humphreys. And others: nevertheless I am bold to say that in no work on engraving in wood have 1 yet found any signs of choice or sufficient judgment. Good cuts and bad have been confounded together: and exact reproductions made from foul impressions, the ink over the sides of the lines too often supposed to be a portion of the engraving. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Barry Moser |
Publisher | : David R. Godine Publisher |
Total Pages | : 122 |
Release | : 2006 |
Genre | : Relief printing |
ISBN | : 9781567922790 |
" From the artist whom Nicholas Basbanes calls "the most important book illustrator working in America today" comes a primer on the art of wood engraving, a pursuit which one can "learn" in less than an hour but which one can master only through years of persistence, dedication, and indefatigable energy. Learning to engrave a block, says Barry Moser, is like learning to play the piano: it is all practice, practice, practice, all teaching the muscles how to perform the basics. At first your every gesture will be halting, labored, and self-conscious; then at last will come the moment when, like Ashkenazy at the keyboard, you can forget about "process," about "technique," and focus all your mental energy on making art. "There are no shortcuts," warns Moser. "Mastery comes only with time, work, and repetition. A great number of bad wood engravings must be made before one can expect to make a good one. Once your muscles know how to do their work, once they know how to carve thin white lines into boxwood, your mind will be free to invent." There is a lifetime of knowledge in this book: how to prepare a printing block; how to think in the medium's properties of line, shape, and ink; how to transfer a drawing onto a block. There is advice, too, on tools: not only on gravers (burins, scorpers, stipplers, and spitzstickers) but also on lights (you'll need a good strong one) and engraving bags (the leather pillows that cradle the blocks as you carve). Here is how to ink, how to choose paper, and how to print. Here is how to fail, how to move on, and how to acquire the habit of work that leads to real achievement. Wood Engraving is an art lesson and a life lesson. And because it's a book by Barry Moser, it is also a gallery of prints and beautiful to behold."--Publisher's website.
Author | : George Edward Woodberry |
Publisher | : |
Total Pages | : 218 |
Release | : 1883 |
Genre | : Wood-engraving |
ISBN | : |
Author | : Joseph Cundall |
Publisher | : |
Total Pages | : 152 |
Release | : 1895 |
Genre | : Wood-engraving |
ISBN | : |
Author | : Alfred Whitman |
Publisher | : |
Total Pages | : 538 |
Release | : 1912 |
Genre | : Collectors and collecting |
ISBN | : |
Author | : Albrecht Dürer |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2022-10-27 |
Genre | : |
ISBN | : 9781018093420 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : |
Publisher | : |
Total Pages | : 260 |
Release | : 1858 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 276 |
Release | : 1921 |
Genre | : Bibliography |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 562 |
Release | : 1906 |
Genre | : Electronic journals |
ISBN | : |
Author | : Museum of Fine Arts, Boston |
Publisher | : |
Total Pages | : 104 |
Release | : 1915 |
Genre | : Art |
ISBN | : |