The Masque Of Love
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For Love of the King
Author | : Oscar Wilde |
Publisher | : BoD – Books on Demand |
Total Pages | : 22 |
Release | : 2018-04-05 |
Genre | : Fiction |
ISBN | : 3732652521 |
Reproduction of the original: For Love of the King by Oscar Wilde
The Masque of the Black Tulip
Author | : Lauren Willig |
Publisher | : Penguin |
Total Pages | : 403 |
Release | : 2005-12-29 |
Genre | : Fiction |
ISBN | : 1101210818 |
...But now she has a million questions about the Pink Carnation's deadly French nemesis, the Black Tulip. And she's pretty sure that her handsome onagain, off-again crush, Colin Selwick, has the answers somewhere in his archives. But what she discovers in an old codebook is something juicier than she ever imagined.
The Original Version of "Love's Labour's Lost"
Author | : Henry David Gray |
Publisher | : Stanford University Press |
Total Pages | : 60 |
Release | : 1918 |
Genre | : |
ISBN | : |
Theatre and Government Under the Early Stuarts
Author | : J. R. Mulryne |
Publisher | : Cambridge University Press |
Total Pages | : 296 |
Release | : 1993-07-08 |
Genre | : Drama |
ISBN | : 9780521401593 |
This collection of commissioned essays by established scholars, responds to critical debate on political theatre of the turbulent early years of the seventeenth century. Theatre is widely interpreted. The authors discuss censorship, the social implications of pageantry, Reformation ideals, popular theatre and the politics of the masque throughout the period. An early chapter discusses political theatre in the light of work by revisionist and post-revisionist historians. The drama of Jonson, Dekker, Middleton, Massinger, Chapman, Heywood and Rowley is given detailed attention, while Shakespeare's plays are considered in the introductory chapter.
Beyond a Common Joy
Author | : Paul A. Olson |
Publisher | : U of Nebraska Press |
Total Pages | : 376 |
Release | : 2008-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780803215740 |
?Soul of the age!? Ben Jonson eulogized Shakespeare, and in the next breath, ?He was not of an age but for all time.? That he was both ?of the age? and ?for all time? is, this book suggests, the key to Shakespeare?s comic genius. In this engaging introduction to the First Folio comedies, Paul A. Olson gives a persuasive and thoroughly engrossing account of the playwright?s comic transcendence, showing how Shakespeare, by taking on the great themes of his time, elevated comedy from a mere mid-level literary form to its own form of greatness?on par with epic and tragedy. Like the best tragic or epic writers, Shakespeare in his comedies goes beyond private and domestic matters in order to draw on the whole of the commonwealth. He examines how a ruler?s or a court?s community at the household and local levels shapes the politics of empire?existing or nascent empires such as England, the Holy Roman Empire, Spain, Venice, and the Ottoman Empire or part empires such as Rome and Athens?where all their suffering and silliness play into how they govern. In Olson?s work we also see how Shakespeare?s appropriation of his age?s ideas about classical myth and biblical scriptures bring to his comic action a sort of sacral profundity in keeping with notions of poetry as ?inspired? and comic endings as more than merely happy but as, in fact, uncommonly joyful.
Criticism and Compliment
Author | : Kevin Sharpe |
Publisher | : Cambridge University Press |
Total Pages | : 330 |
Release | : 1987 |
Genre | : History |
ISBN | : 9780521386616 |
Criticism and Compliment examines the poems, plays and masques of the three figures who succeeded Ben Jonson as authors of court entertainments in the England of Charles I. The courtly literature of Caroline England has been dismissed by critics and characterised by historians as propaganda for Charles I's absolutism penned by sycophantic hirelings. Kevin Sharpe questions the assumptions on which these evaluations have been based. Challenging the traditional argument for a polarity between court and country cultures in early Stuart England, he re-reads the plays, poems and masques as primary documents of political attitudes articulated at court. Far from being confined to a decade or a party, the courtly literature of the 1630s is relocated within the broader humanist tradition of counsel. Through the language of love - a language, it is argued, that was part of the discourse of politics in Caroline England - the court poets criticised fundamental premises of the King's political ideology, and counselled traditional and moderate modes of government.