The Mark Of Criminality
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| Author | : Bryan J. McCann |
| Publisher | : University of Alabama Press |
| Total Pages | : 209 |
| Release | : 2017-06-06 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0817319484 |
Illustrates the ways that the “war on crime” became conjoined—aesthetically, politically, and rhetorically—with the emergence of gangsta rap as a lucrative and deeply controversial subgenre of hip-hop In The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era, Bryan J. McCann argues that gangsta rap should be viewed as more than a damaging reinforcement of an era’s worst racial stereotypes. Rather, he positions the works of key gangsta rap artists, as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. At the center of this era—when politicians sought to prove their “tough-on-crime” credentials—was the mark of criminality, a set of discourses that labeled members of predominantly poor, urban, and minority communities as threats to the social order. Through their use of the mark of criminality, public figures implemented extremely harsh penal polices that have helped make the United States the world’s leading jailer of its adult population. At the same time when politicians like Ronald Reagan, George H. W. Bush, and Bill Clinton and television shows such as COPS and America’s Most Wanted perpetuated images of gang and drug-filled ghettos, gangsta rap burst out of the hip-hop nation, emanating mainly from the predominantly black neighborhoods of South Central Los Angeles. Groups like NWA and solo artists (including Dr. Dre, Snoop Dogg, and Tupac Shakur) became millionaires by marketing the very discourses political and cultural leaders used to justify their war on crime. For these artists, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning. Furthermore, by underscoring the nimble rhetorical character of criminality, we can learn lessons that may inform efforts to challenge our nation’s failed policies of mass incarceration.
| Author | : M. Colvin |
| Publisher | : Springer |
| Total Pages | : 221 |
| Release | : 2000-09-01 |
| Genre | : Social Science |
| ISBN | : 0312292775 |
In a major new theory of criminal behavior, Mark Colvin argues that chronic criminals emerge from a developmental process characterized by recurring, erratic episodes of coercion. Colvin's differential coercion theory, which integrates several existing criminological perspectives, lays out a compelling argument that coercive forces create social and psychological dynamics that lead to chronic criminal behavior. While Colvin's presentation focuses primarily on chronic street criminals, the theory is also applied to exploratory offenders and white-collar criminals. In addition, Colvin presents a critique of current crime control measures, which rely heavily on coercion, and offers in their place a comprehensive crime reduction program based on consistent, non-coercive practices.
| Author | : Ronald D. Hunter |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Criminal behavior |
| ISBN | : 9781588267733 |
Intended to bridge the gap between theory and the real world of crime and criminal justice, discussing what crime is, why criminologists think people commit crime, and how society feels it should handle these digressions.
| Author | : Tuesday Reitano |
| Publisher | : Hurst Publishers |
| Total Pages | : 172 |
| Release | : 2021-07-01 |
| Genre | : Social Science |
| ISBN | : 1787386163 |
Covid-19 is reshaping and challenging governments, societies and economies in previously unimaginable ways—but gangsters and profiteers have adapted. They have found new routes for illegal commodities, from narcotics to people. Shortages, lockdowns and public attitudes have brought the underworld and upperworld closer together, as criminals strive to meet needs, maximise opportunities and fill governance vacuums. Unscrupulous fraudsters are touting fake remedies to desperate people: counterfeit drugs, and trafficked wildlife used in traditional medicine. Social distancing and restrictions have seen online transactions and cyber-ops replacing or supplementing physical shipments, opening opportunities for scammers and hackers. Heavy-handed state responses have created new illicit markets by prohibiting the sale of particular goods and services, while some elites have capitalised on the pandemic for personal or political gain. Covid has cast a long shadow over the rule of law. Criminal Contagion uncovers its extraordinary impacts on the global illicit economy, and their long-term implications.
| Author | : Daniel Mark Vyleta |
| Publisher | : Berghahn Books |
| Total Pages | : 266 |
| Release | : 2007-01-01 |
| Genre | : History |
| ISBN | : 085745594X |
Crimes committed by Jews, especially ritual murders, have long been favorite targets in the antisemitic press. This book investigates popular and scientific conceptualizations of criminals current in Austria and Germany at the turn of the last century and compares these to those in the contemporary antisemitic discourse. It challenges received historiographic assumptions about the centrality of criminal bodies and psyches in late nineteenth- and early twentieth-century criminology and argues that contemporary antisemitic narratives constructed Jewish criminality not as a biologico-racial defect, but rather as a coolly manipulative force that aimed at the deliberate destruction of the basis of society itself. Through the lens of criminality this book provides new insight into the spread and nature of antisemitism in Austria-Hungary around 1900. The book also provides a re-evaluation of the phenomenon of modern Ritual Murder Trials by placing them into the context of wider narratives of Jewish crime.
| Author | : Alan Bogg |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 593 |
| Release | : 2020-02-27 |
| Genre | : Law |
| ISBN | : 0198836996 |
From the Master and Servant legislation to the Factories Acts of the 19th century, the criminal law has always had a vital yet normatively complex role in the regulation of work relations. Even in its earliest forms, it operated both as a tool to repress collective organizations and enforce labour discipline, while policing the worst excesses of industrial capitalism. Recently, governments have begun to rediscover criminal law as a regulatory tool in a diverse set of areas related to labour law: 'modern slavery', penalizing irregular migrants, licensing regimes for labour market intermediaries, wage theft, supporting the enforcement of general labour standards, new forms of hybrid preventive orders, harassment at work, and industrial protest. This volume explores the political and regulatory dimensions of the new 'criminality at work' from a wide range of disciplinary perspectives, including labour law, immigration law, and health and safety regulations. The volume provides an overview of the regulatory terrain of 'criminality at work', exploring whether these different regulatory interventions represent politically legitimate uses of the criminal law. The book also examines whether these recent interventions constitute a new pattern of criminalization that operates in preventive mode and is based upon character and risk-based forms of culpability. The volume concludes by reflecting upon the general themes of 'criminality at work' comparatively, from Australian, Canadian, and US perspectives. Criminality at Work is a timely, rich and ambitious piece of scholarship that examines the many intersections between criminal law and work relations from a historical and contemporary vantage-point.
| Author | : Bryan John McCann |
| Publisher | : |
| Total Pages | : 574 |
| Release | : 2009 |
| Genre | : |
| ISBN | : |
This dissertation situates the emergence of gangsta rap from 1988-1997 within the historical trajectory of the American criminal justice system and the mass incarceration of African Americans. Specifically, it examines how the genre enacted the mark of criminality as a gesture of resistance in a period of sustained moral panic surrounding race and criminality in the United States. The mark of criminality refers to a regime of signifiers inscribed upon African American bodies that imagines black subjects as fundamental threats to social order. Drawing upon the theoretical resources of historical materialism and cultural studies, the project locates the mark of criminality within the social structures of capitalism, arguing that hegemonic fantasies of racialized criminality protect oppressive and exploitative social relations. The project concludes that while gangsta rap has many significant limitations associated with violence, misogyny, and commercialism, it nonetheless represents a salient expression of resistance that can inform broader interventions against the American prisons system. A number of questions guide this project. Chief among them are the following: In what ways does the criminal justice system operate as a site of rhetorical invention and hegemonic struggle? To what extent does gangsta rap enable and disable rhetorical and political agency? To what extent does it enable and disable interracial political practice? What are the implications of gangsta rap for a gendered politics of criminality? Three case studies demonstrate how specific gangsta rap artists inverted the mark of criminality toward the constitution of affirmative and resistant fantasies of black criminality. While the work of these artists, I argue, was significantly limited in its emancipatory potential, it nonetheless offered important insights into the contingency of race and crime in America. The project also considers how other rhetors responded to gangsta discourse, frequently toward the end of supporting hegemonic notions of race and criminality. The dissertation concludes that criminality functions as a vibrant site of rhetorical invention and resistance provided it is articulated to broader movements for social justice. While the often-problematic discourses of gangsta rap do not constitute politically progressive rhetorics in their own rights, they provide resources for the articulation of righteous indignation and utopian desires capable of challenging the prison-industrial complex.
| Author | : Jonathan Paul Eburne |
| Publisher | : Cornell University Press |
| Total Pages | : 348 |
| Release | : 2008 |
| Genre | : Authors |
| ISBN | : 9780801446740 |
Corpses mark surrealism's path through the twentieth century, providing material evidence of the violence in modern life. Though the shifting group of poets, artists, and critics who made up the surrealist movement were witness to total war, revolutionary violence, and mass killing, it was the tawdry reality of everyday crime that fascinated them. Jonathan P. Eburne shows us how this focus reveals the relationship between aesthetics and politics in the thought and artwork of the surrealists and establishes their movement as a useful platform for addressing the contemporary problem of violence, both individual and political. In a book strikingly illustrated with surrealist artworks and their sometimes gruesome source material, Eburne addresses key individual works by both better-known surrealist writers and artists (including André Breton, Louis Aragon, Aimé Césaire, Jacques Lacan, Georges Bataille, Max Ernst, and Salvador Dalí) and lesser-known figures (such as René Crevel, Simone Breton, Leonora Carrington, Benjamin Péret, and Jules Monnerot). For Eburne "the art of crime" denotes an array of cultural production including sensationalist journalism, detective mysteries, police blotters, crime scene photos, and documents of medical and legal opinion as well as the roman noir, in particular the first crime novel of the American Chester Himes. The surrealists collected and scrutinized such materials, using them as the inspiration for the outpouring of political tracts, pamphlets, and artworks through which they sought to expose the forms of violence perpetrated in the name of the state, its courts, and respectable bourgeois values. Concluding with the surrealists' quarrel with the existentialists and their bitter condemnation of France's anticolonial wars, Surrealism and the Art of Crime establishes surrealism as a vital element in the intellectual, political, and artistic history of the twentieth century.
| Author | : J. Reid Miller |
| Publisher | : Oxford University Press |
| Total Pages | : 240 |
| Release | : 2016-11-01 |
| Genre | : Philosophy |
| ISBN | : 0190648309 |
Martin Luther King, Jr. famously expressed his dream that his children would "one day not be judged by the color of their skin, but by the content of their character." In his vision, a person's ethical qualities would be understood in spite of his or her body rather than through it. In general, we think that a person's actions should not be judged according to their physical features, such as race. In fact, we see evaluations based on a subject's race or other bodily traits as illegitimate. But Stain Removal argues that our perception of a person's actions always entails judgments of the body. It therefore challenges modern moral theory's premise that a subject's deeds and not its bodily traits count as primary objects of evaluation. Drawing on modern and pre-modern accounts of how ethical knowledge originates, from the Biblical story of Ham, to Socrates, Immanuel Kant, Alain Locke, Frantz Fanon, Langston Hughes, Onora O'Neill, and Louis Althusser, the book suggests that our recognition of both a person and that person's deeds demands an evaluative context. From this it proposes that all perception is "evaluative perception." Through the metaphor of the stain, J. Reid Miller traces the long history of thought suggesting that embodiments like race can and do signify ethical qualities. He argues that these qualities do not "attach" to subjects from the outside-like a stain on innocent and unraced beings-but are instead what allow us to see people as distinct ethical individuals. The objective of ethics, he shows, is not to determine whether race is good or bad but to illustrate how our "unique" personal traits emerge through our multiple relations to others. The consequence is that, contrary to King's vision, it is only through judgments of "skin" and other bodily features that the ethical "content" of subjects can be recognized.
| Author | : Reuben Jonathan Miller |
| Publisher | : Little, Brown |
| Total Pages | : 267 |
| Release | : 2021-02-02 |
| Genre | : Social Science |
| ISBN | : 0316451495 |
A "persuasive and essential" (Matthew Desmond) work that will forever change how we look at life after prison in America through Miller's "stunning, and deeply painful reckoning with our nation's carceral system" (Heather Ann Thompson). Each year, more than half a million Americans are released from prison and join a population of twenty million people who live with a felony record. Reuben Miller, a chaplain at the Cook County Jail in Chicago and now a sociologist studying mass incarceration, spent years alongside prisoners, ex-prisoners, their friends, and their families to understand the lifelong burden that even a single arrest can entail. What his work revealed is a simple, if overlooked truth: life after incarceration is its own form of prison. The idea that one can serve their debt and return to life as a full-fledge member of society is one of America's most nefarious myths. Recently released individuals are faced with jobs that are off-limits, apartments that cannot be occupied and votes that cannot be cast. As The Color of Law exposed about our understanding of housing segregation, Halfway Home shows that the American justice system was not created to rehabilitate. Parole is structured to keep classes of Americans impoverished, unstable, and disenfranchised long after they've paid their debt to society. Informed by Miller's experience as the son and brother of incarcerated men, captures the stories of the men, women, and communities fighting against a system that is designed for them to fail. It is a poignant and eye-opening call to arms that reveals how laws, rules, and regulations extract a tangible cost not only from those working to rebuild their lives, but also our democracy. As Miller searchingly explores, America must acknowledge and value the lives of its formerly imprisoned citizens. PEN America 2022 John Kenneth Galbraith Award for Nonfiction Finalist Winner of the 2022 PROSE Award for Excellence in Social Sciences 2022 PROSE Awards Finalist 2022 PROSE Awards Category Winner for Cultural Anthropology and Sociology An NPR Selected 2021 Books We Love As heard on NPR’s Fresh Air
