The Man Who Wrote Mozart The Extraordinary Life Of Lorenzo Da Ponte
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Author | : Anthony Holden |
Publisher | : Plunkett Lake Press |
Total Pages | : 266 |
Release | : 2024-06-24 |
Genre | : Biography & Autobiography |
ISBN | : |
“During his picaresque, chameleon career, [Da Ponte] was always on the move. Jew and Catholic, priest and womaniser, poet and bankrupt, shopkeeper and university professor, he began his long life in and around Venice and ended it in New York. It is hard to imagine a more flamboyant personal history, a gift to the biographer Anthony Holden, who relishes his subject’s sheer exuberance.” — Lucasta Miller, The Guardian “Lorenzo da Ponte was, at various times, a Catholic priest, a gambler, a philanderer, an entrepreneur, a poet, a friend of Casanova, an enemy of the Venetian state, a teacher, a shopkeeper, a courtier and a troublemaker. The tangled yarn of his life would be worth spinning even had he not also written the libretto for Mozart’s three greatest operas. In The Man Who Wrote Mozart, Anthony Holden unravels the full nine decades of Da Ponte’s picaresque life, eight of which did not involve his friend Wolfgang... Holden’s narrative verve spans continents and centuries. His life of Da Ponte is engrossing and bound to be definitive.” — Rafael Behr, The Guardian “[T]he writer who evokes Mozart’s world most vividly - albeit obliquely - is the journalist and music critic Anthony Holden... Da Ponte’s life... is certainly a rollicking yarn... a riproaring read.” — Hugh Canning, Sunday Times “Anthony Holden writes extremely well, telling the racy story energetically... He provides a rattlingly good read, filled with vivid anecdotes.” — Spectator “Anthony Holden steers through this incredible picaresque story with elan, well paced gusto and a gentle, if not uncritical, eye... Anthony Holden’s book is a fine achievement.” — The Oldie “Anthony Holden’s... biography, brings assiduous new research to Da Ponte’s early and late life and tells his story in journalistic deadpan.” — The Tablet “Holden’s companionable new biography is a refreshing take on an old story.” — Mail on Sunday “[E]ntertaining.” — The Herald “He writes with a sincere enthusiasm about the creative partnership with Mozart.” — Sunday Telegraph “The trajectory of Lorenzo Da Ponte’s life was remarkable.” — London Review of Books “This is a tale of a literary adventurer, full of mystery... Holden does his readers a favour by making his subject interesting to an audience beyond opera lovers.” — Sunday Business Post “[A] genuine pleasure. At turns amusing, poignant and instructive, it engagingly captures the chemistry between librettist and composer that produced those masterpieces of the operatic repertoire.” — Irish Times “Phew! The only problem with this sparkling biography is keeping up with the headlong pace set by what was really an extraordinary life.” — Classic FM Magazine “Anything biographical or musical that Anthony Holden writes is automatically worth reading, and this exquisitely written book sees him discourse eruditely on both topics.” — Observer “Clear, impartial, accessible and concise.” — The Times “An enjoyable biography of a remarkable man.” — The Sunday Times “Anthony Holden’s compelling narrative does justice to the man and to the highs and lows of his unusually varied career.” — Waterstone’s Books Quarterly
Author | : Rodney Bolt |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 460 |
Release | : 2008-12-11 |
Genre | : Biography & Autobiography |
ISBN | : 1596919825 |
In 1805, Lorenzo Da Ponte was the proprietor of a small grocery store in New York. But since his birth into an Italian Jewish family in 1749, he had already been a priest, a poet, the lover of many women, a scandalous Enlightenment thinker banned from teaching in Venice, the librettist for three of Mozart's most sublime operas, a collaborator with Salieri, a friend of Casanova, and a favorite of Emperor Joseph II. He would go on to establish New York City's first opera house and be the first professor of Italian at Columbia University. An inspired innovator but a hopeless businessman, who loved with wholehearted loyalty and recklessness, Da Ponte was one of the early immigrants to live out the American dream. In Rodney Bolt's rollicking and extensively researched biography, Da Ponte's picaresque life takes readers from Old World courts and the back streets of Venice, Vienna, and London to the New World promise of New York City. Two hundred and fifty years after Mozart's birth, the life and legacy of his librettist Da Ponte are as astonishing as ever.
Author | : Lorenzo Da Ponte |
Publisher | : New York Review of Books |
Total Pages | : 516 |
Release | : 2000-05-31 |
Genre | : Biography & Autobiography |
ISBN | : 9780940322356 |
Plot and counterplot lie at the heart of Don Giovanni, Così fan tutte, and The Marriage of Figaro, the three brilliant libretti that Lorenzo Da Ponte prepared for Mozart. They were also central to Da Ponte's own extraordinary life. His Memoirs record a fantastic variety of romantic, political, and professional intrigues, and tell of meetings with a host of remarkable men. In a life that took him from the canals of Venice to the streets of New York, Da Ponte was at different times priest, professional gambler, proprietor of a bordello, political agitator, court poet, impresario, grocery store owner, and the first professor of Italian literature at Columbia University. His Memoirs, a minor classic of Italian literature, are the picaresque and engrossing story of a man of enormous talent and unsurpassed flair who was, above all, an indefatigable survivor. "I shall speak of things . . . so singular in their oddity as in some manner to instruct, or at least entertain, without wearying." —Lorenzo da Ponte
Author | : Lorenzo Da Ponte |
Publisher | : |
Total Pages | : |
Release | : 1983-07 |
Genre | : |
ISBN | : 9780844619453 |
1929. Edited and annotated by Arthur Livingston. The fascinating memoirs of the Italian poet, librettist, and pioneer in spreading Italian culture in the United States. Forced to leave Venice and Vienna due to scandals, he wandered through Europe, lived in London and then came to the US where he spent the rest of his life as a celebrated teacher of Italian language and culture (except for an unsuccessful period spent in Pennsylvania selling medicines). He taught nearly 2,000 private pupils and was appointed professor of Italian language and literature at Columbia in 1830.
Author | : Sheila Isenberg |
Publisher | : iUniverse |
Total Pages | : 385 |
Release | : 2005 |
Genre | : Holocaust, Jewish (1939-1945) |
ISBN | : 0595348823 |
"Fry was the American Schindler with desperate exiles, menacing Nazis, forged documents and midnight escapes [think] Casablanca." -New York Times Varian Fry, the only American honored at Yad Vashem, Israel's Holocaust memorial, was a young New Yorker who rescued more than 1,500 Europeans from the Nazi's including Marc Chagall, Max Ernst, Hannah Arendt, and other intellectuals, political activists, and "degenerative" artists, many of them Jews. This moving Holocaust rescue story is set against the backdrop of American isolationism and anti-Semitism. "The drama here is in the thrill of rescue, the realistic portrait of a complex leader, and the decidedly nonheroic truths about WWII at home." -American Library Association "One of the BEST BOOKS of 2001" -St. Louis Post-Dispatch
Author | : Wolfgang Amadeus Mozart |
Publisher | : Alma Books |
Total Pages | : 131 |
Release | : 2018-01-01 |
Genre | : Music |
ISBN | : 0714545333 |
John Wells introduces the opera with a high-spirited account of the action-packed career of the author, in many respects the prototype of Figaro himself. Basil Deane explores the score: he shows that Mozart's characters are illuminated here not so much in soliloquies but in their reactions to each other. Composer Stephen Oliver discusses how the comedy exists not just in the words but, essentially, in the music. The full Italian text is given, with a note on the order of scenes in Act Three and the alternative passages Mozart wrote for the 1789 revival. The classic translation of E.J. Dent is an excellent way to get to know the twists and turns of the plot and the stylish wit of da Ponte's innuendos.Contents: A Society Marriage, John Wells; A Musical Commentary, Basil Deane; Music and Comedy in 'The Marriage of Figaro, Stephen Oliver; Beaumarchais's Characters; Le nozze di Figaro: Libretto by Lorenzo da Ponte; The Marriage of Figaro: English version by Edward J. Dent
Author | : Howard Jay Smith |
Publisher | : |
Total Pages | : 432 |
Release | : 2020-12-10 |
Genre | : Fiction |
ISBN | : 9781950154388 |
Meeting Mozart is a rich historical novel that spans generations and brings to light the incredible life story of Mozart's librettist, Lorenzo Da Ponte, a Jewish-born priest.
Author | : Paul Johnson |
Publisher | : Penguin |
Total Pages | : 161 |
Release | : 2013-11-14 |
Genre | : Music |
ISBN | : 1101638125 |
Eminent historian Paul Johnson dazzles with a rich, succinct portrait of Mozart and his music As he’s done in Napoleon, Churchill, Jesus, and Darwin, acclaimed historian and author Paul Johnson here offers a concise, illuminating biography of Mozart. Johnson’s focus is on the music—Mozart’s wondrous output of composition and his uncanny gift for instrumentation. Liszt once said that Mozart composed more bars than a trained copyist could write in a lifetime. Mozart’s gift and skill with instruments was also remarkable as he mastered all of them except the harp. For example, no sooner had the clarinet been invented and introduced than Mozart began playing and composing for it. In addition to his many insights into Mozart’s music, Johnson also challenges the many myths that have followed Mozart, including those about the composer’s health, wealth, religion, and relationships. Always engaging, Johnson offers readers and music lovers a superb examination of Mozart and his glorious music, which is still performed every day in concert halls and opera houses around the world.
Author | : Garry Boulard |
Publisher | : iUniverse |
Total Pages | : 918 |
Release | : 2019-11-19 |
Genre | : Biography & Autobiography |
ISBN | : 1532088442 |
The name Daniel Sickles and the word controversy are synonymous. Any student of 19th century American political history is familiar with Sickles’ 1859 murder of Philip Barton Key, the son of Francis Scott Key, who had seduced Sickles’ young wife. That murder, because Sickles was at the time a New York Congressman and Key a district attorney for Washington, captured the country’s imagination, a front-page event that inevitably ensnarled President James Buchanan, a close Sickles friend, inviting in the process explorations of what was seen as a sordid Washington society of the late 1850s. Civil War historians know Sickles as the General who led the men of the Union’s III Corps out onto the exposed expanse of the Peach Orchard at Gettysburg, a decision many scholars have regarded as disastrous, and one that nearly led to an overall Union defeat at the famous battlefield, while losing for Sickles his right leg from Confederate shelling. But these two singular, if spectacular events, in a very real sense represent only two days out of an extraordinary lifetime of 94 years. The rest of Sickles’ career was made up of his rise as a young stalwart of New York’s notorious Tammany Hall; his two terms in Congress leading up to the Civil War; his contentious service as a military governor of the Carolinas after the War; his newsworthy tenure as U.S. Minister to Spain in the late 1860s and early 70s; and even his stint, at the age of 70, as the sheriff of the county encompassing New York City. Beyond the headlines were Sickles’ relationships with presidents ranging from Franklin Pierce to Abraham Lincoln and Ulysses S. Grant, not to mention an improbable friendship with Theodore Roosevelt at the turn of the century. Daniel Sickles: A Life is the first full-length published treatment looking in depth at the entirely of one man’s almost unbelievably colorful and contentious career. Garry Boulard is the author of The Expatriation of Franklin Pierce—The Story of a President and the Civil War (iUniverse, 2006), and The Worst President—The Story of James Buchanan (iUniverse, 2015). Boulard’s essays and reviews have appeared in the Journal of Southern History, Journal of Ethnic Studies, Louisiana History, Journal of Mississippi History, and Florida Historical Quarterly, among many other publications.
Author | : Scott L. Balthazar |
Publisher | : Scarecrow Press |
Total Pages | : 564 |
Release | : 2013-07-05 |
Genre | : Music |
ISBN | : 0810879433 |
Opera has been around ever since the late 16th century, and it is still going strong in the sense that operas are performed around the world at present, and known by infinitely more persons than just those who attend performances. On the other hand, it has enjoyed periods in the past when more operas were produced to greater acclaim. Those periods inevitably have pride of place in this Historical Dictionary of Opera, as do exceptional singers, and others who combine to fashion the opera, whether or not they appear on stage. But this volume looks even further afield, considering the cities which were and still are opera centers, literary works which were turned into librettos, and types of pieces and genres. While some of the former can be found on the web or in other sources, most of the latter cannot and it is impossible to have the whole picture without them. Indeed, this book has an amazingly broad scope. The dictionary section, with about 340 entries, covers the topics mentioned above but obviously focuses most on composers, not just the likes of Mozart, Verdi and Wagner, but others who are scarcely remembered but made notable contributions. Of course, there are the divas, but others singers as well, and some of the most familiar operas, Don Giovanni, Tosca and more. Technical terms also abound, and reference to different genres, from antimasque to zarzuela. Since opera has been around so long, the chronology is rather lengthy, since it has a lot of ground to cover, and the introduction sets the scene for the rest. This book should not be an end but rather a beginning, so it has a substantial bibliography for readers seeking more specific or specialized works. It is an excellent access point for readers interested in opera.