The Man Of Wiles In Popular Arabic Literature
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| Author | : M. C. Lyons |
| Publisher | : Edinburgh University Press |
| Total Pages | : 264 |
| Release | : 2012-01-13 |
| Genre | : Literary Criticism |
| ISBN | : 0748645039 |
The Man of Wiles - terrorist or saint? The Man of Wiles (otherwise known as the Master Thief, the Trickster or the Fool) appears in every hero cycle within classical Arabic literature - proof of this figure's popularity with the audiences of Arab story-tellers. He embodies views acceptable to an otherwise inarticulate part of the population, allowing Islam to be treated in a paradoxical and sometimes humorous light in contrast to conventional piety. And he shares with Odysseus not only his wiles but his function as 'the sacker of cities', redressing the idea that classical Arabic literature is unrelated to anything outside its own borders. The study of this popular form sets out in detail the recorded lives of these Men of Wiles for those to whom the original texts are not available.
| Author | : Malcolm Cameron Lyons |
| Publisher | : |
| Total Pages | : 254 |
| Release | : 2012 |
| Genre | : Folk literature, Arabic |
| ISBN | : 9780748654208 |
| Author | : Salwá Bakr |
| Publisher | : University of Texas Press |
| Total Pages | : 204 |
| Release | : 1993-01-01 |
| Genre | : Fiction |
| ISBN | : 9780292708006 |
"Here, finally, is some writing with a genuine purchase on things of worth. The collection of pithy short stories, filled with a sad wonder, tells of contemporary Egyptians . . . timorously rebelling against the conformism of life along the Nile." —Observer ". . . Bakr emerges as a fine observer of her country's times, with a vision which remains, for all its engagement, quirky and distinctively personal." — Times Literary Supplement Set among the poor of contemporary Cairo, these thirteen stories and one short novella tell of women struggling to provide themselves with the basic necessities of life. They explore the limits of self-awareness, the pressures to conform, and some of the strange paths to escape that women resort to in a conservative society shot through with social and sexual prejudice and preconceptions.
| Author | : Remke Kruk |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 299 |
| Release | : 2013-11-19 |
| Genre | : History |
| ISBN | : 0857726285 |
Colloquial Arabic storytelling is most commonly associated with The Thousandvand One Nights. But few people are aware of a much larger corpus of narrative texts known as popular epic. These heroic romantic tales, originating in the Middle Ages, form vast cycles of adventure stories whose most remarkable feature is their portrayal of powerful and memorable women. Wildly appreciated by medieval audiences, and spread by professional storytellers throughout the cities of the Muslim world, these fictions were printed and reprinted over the centuries and comprise a vital part of Arab culture. Yet virtually none are available in translation, and so remain almost unknown to a non-Arab public. Remke Kruk at last makes these neglected romances available to a Western audience. She recounts the story of Princess Dhat al-Himma, brave and undefeated leader of the Muslim army in its wars against the Byzantines; of Ghamra, brought up as a boy to become a fearless leader of men; and of cool-headed Qannasa, raiding from her mountain fortress to capture and seduce her enemies before putting them pitilessly to the sword. The Warrior Women of Islam puts a bold new complexion on gender roles and the wider perception of women in the Middle East.
| Author | : Helen Blatherwick |
| Publisher | : BRILL |
| Total Pages | : 345 |
| Release | : 2016-05-09 |
| Genre | : Literary Criticism |
| ISBN | : 9004314806 |
This book is a literary, intertextual study of an Egyptian popular epic. In this innovative study, Helen Blatherwick investigates how various sources, including Islamic qiṣaṣ al-anbiyāʾ (‘tales of the prophets’), Pharaonic, Graeco-Roman and Coptic Egyptian myths and narratives, and recensions of the Alexander Romance function as intertexts within Sīrat Sayf. Blatherwick argues that these intertexts are deployed as narrative devices which are readily recognisable to the story's audience, and that they are significant carriers of meaning and theme. Crucially, these intertexts also interact within Sīrat Sayf to bring a conceptual continuity to its discussion of kingship and society that stretches from this late-medieval epic back to ancient Egyptian narratives.
| Author | : Selove Emily Selove |
| Publisher | : Edinburgh University Press |
| Total Pages | : 159 |
| Release | : 2016-02-12 |
| Genre | : Literary Collections |
| ISBN | : 1474411584 |
Hikayat Abu al-Qasim, probably written in the 11th century by the otherwise unknown al-Azdi, tells the story of a gate-crasher from Baghdad named Abu al-Qasim, who shows up uninvited at a party in Isfahan. Dressed as a holy man and reciting religious poetry, he soon relaxes his demeanour, and, growing intoxicated on wine, insults the other dinner guests and their Iranian hometown. Widely hailed as a narrative unique in the history of Arabic literature, a ikA yah also reflects a much larger tradition of banquet texts. Painting a picture of a party-crasher who is at once a holy man and a rogue, he is a figure familiar to those who have studied the ancient cynic tradition or other portrayals of wise fools, tricksters and saints in literatures from the Mediterranean and beyond. This study therefore compares a ikA yah, a mysterious text surviving in a single manuscript, to other comical banquet texts and party-crashing characters, both from contemporary Arabic literature and from Ancient Greece and Rome.
| Author | : Elliott Rabin |
| Publisher | : U of Nebraska Press |
| Total Pages | : 328 |
| Release | : 2020-03-01 |
| Genre | : Religion |
| ISBN | : 0827613245 |
Approaching the Bible in an original way—comparing biblical heroes to heroes in world literature—Elliott Rabin addresses a core biblical question: What is the Bible telling us about what it means to be a hero? Focusing on the lives of six major biblical characters—Moses, Samson, David, Esther, Abraham, and Jacob—Rabin examines their resemblance to hero types found in (and perhaps drawn from) other literatures and analyzes why the Bible depicts its heroes less gloriously than do the texts of other cultures: * Moses founds the nation of Israel—and is short-tempered and weak-armed. * Samson, arrogant and unhinged, can kill a thousand enemies with his bare hands. * David establishes a centralized, unified, triumphal government—through pretense and self-deception. * Esther saves her people but marries a murderous, misogynist king. * Abraham's relationships are wracked with tension. * Jacob fathers twelve tribes—and wins his inheritance through deceit. In the end, is God the real hero? Or is God too removed from human constraints to even be called a “hero”? Ultimately, Rabin excavates how the Bible’s unique perspective on heroism can address our own deep-seated need for human-scale heroes.
| Author | : Michelle Karnes |
| Publisher | : University of Chicago Press |
| Total Pages | : 259 |
| Release | : 2022-07-12 |
| Genre | : Literary Criticism |
| ISBN | : 0226819752 |
"It is a commonplace that marvels like enchanted rings and sorcerers' stones were topics of fascination in the Middle Ages, not only in romance and travel literature, but also in the period's philosophic writing: magical objects with hard-to-explain powers abound. This is the first book to analyze these different bodies of writing alongside one another, comparing texts from both the Latin West (including writings in English, French, Italian, and Spanish) and in Arabic on the topic, attempting a unifying theory of marvels across different disciplines and cultures. Michelle Karnes tells an untold story of the parallels between Arabic and Latin thought, reminding us that the strange and the unfamiliar travel unusually well across a range of genres, spanning geographical and conceptual space, and offers an ideal vantage point from which to understand Arabic and Latin intercultural exchange. Employing the notion of the near-impossibility, Karnes traverses this diverse archive, marking the outer boundaries of both nature's capabilities and human creativity. Imagination, she shows, invests marvels with their character and, ultimately, their power. Skirting the distinction between the real and unreal, the true and the false, imagination, for Karnes, endows marvels with indeterminacy and import, imbuing them with inherently interdisciplinary, boundary-resistant, perplexing properties. These near-impossibilities cannot be conclusively discounted; rather, they challenge readers to discover the highest capabilities of both nature and the human intellect. Karnes offers here a rare, comparative perspective and a new methodology to study a topic long recognized to be central to medieval culture"--
| Author | : Laura K. Morreale |
| Publisher | : Fordham Univ Press |
| Total Pages | : 314 |
| Release | : 2018-04-10 |
| Genre | : History |
| ISBN | : 0823278174 |
The establishment of feudal principalities in the Levant in the wake of the First Crusade (1095-1099) saw the beginning of a centuries-long process of conquest and colonization of lands in the eastern Mediterranean by French-speaking Europeans. This book examines different aspects of the life and literary culture associated with this French-speaking society. It is the first study of the crusades to bring questions of language and culture so intimately into conversation. Taking an interdisciplinary approach to the study of the crusader settlements in the Levant, this book emphasizes hybridity and innovation, the movement of words and people across boundaries, seas and continents, and the negotiation of identity in a world tied partly to Europe but thoroughly embedded in the Mediterranean and Levantine context.
| Author | : Rachel Schine |
| Publisher | : University of Chicago Press |
| Total Pages | : 327 |
| Release | : 2024-11-19 |
| Genre | : Literary Criticism |
| ISBN | : 0226836185 |
A new account of racial logics in premodern Islamic literature. In Black Knights, Rachel Schine reveals how the Arabic-speaking world developed a different form of racial knowledge than their European neighbors during the Middle Ages. Unlike in European vernaculars, Arabic-language ideas about ethnic difference emerged from conversations extending beyond the Mediterranean, from the Sahara to the Indian Ocean. In these discourses, Schine argues, racialized blackness became central to ideas about a global, ethnically inclusive Muslim world. Schine traces the emergence of these new racial logics through popular Islamic epics, drawing on legal, medical, and religious literatures from the period to excavate a diverse and ever-changing conception of blackness and race. The result is a theoretically nuanced case for the existence and malleability of racial logics in premodern Islamic contexts across a variety of social and literary formations.
