The Man From Uncle Based On The Mgm Television Series The Man From Uncle
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Author | : Jon Heitland |
Publisher | : Macmillan |
Total Pages | : 292 |
Release | : 1987-12-15 |
Genre | : Performing Arts |
ISBN | : 9780312000523 |
The behind-the-scenes story of a television classic, presenting a full illustrated account of the show's history, the program's remarkable surge in popularity, and the factors that led to the show's cancellation. Includes a complete episode guide. 80 black-and-white photographs.
Author | : Steven Bingen |
Publisher | : Santa Monica Press |
Total Pages | : 1157 |
Release | : 2011-02-25 |
Genre | : Performing Arts |
ISBN | : 1595808930 |
M-G-M: Hollywood’s Greatest Backlot is the illustrated history of the soundstages and outdoor sets where Metro-Goldwyn-Mayer produced many of the world’s most famous films. During its Golden Age, the studio employed the likes of Garbo, Astaire, and Gable, and produced innumerable iconic pieces of cinema such as The Wizard of Oz, Singin’ in the Rain, and Ben-Hur. It is estimated that a fifth of all films made in the United States prior to the 1970s were shot at MGM studios, meaning that the gigantic property was responsible for hundreds of iconic sets and stages, often utilizing and transforming minimal spaces and previously used props, to create some of the most recognizable and identifiable landscapes of modern movie culture. All of this happened behind closed doors, the backlot shut off from the public in a veil of secrecy and movie magic. M-G-M: Hollywood’s Greatest Backlot highlights this fascinating film treasure by recounting the history, popularity, and success of the MGM company through a tour of its physical property. Featuring the candid, exclusive voices and photographs from the people who worked there, and including hundreds of rare and unpublished photographs (including many from the archives of Warner Bros.), readers are launched aboard a fun and entertaining virtual tour of Hollywood’s most famous and mysterious motion picture studio.
Author | : Steven Bingen |
Publisher | : Rowman & Littlefield |
Total Pages | : 345 |
Release | : 2022-11-01 |
Genre | : Performing Arts |
ISBN | : 1493070894 |
Movies don’t exist in a vacuum. Each MGM movie is a tiny piece of a large, colorful (although often black-and-white) quilt, with threads tying it into all of the rest of that studio’s product, going forward, yes, but also backward, and horizontally, and three-dimensionally across its entire landscape. Not necessarily a “best of” compilation, this book discusses the films that for one reason or another (and not all of them good ones) changed the trajectory of MGM and the film industry in general, from the revolutionary use of “Cinerama” in 1962’s How the West Was Won to Director Alfred Hitchcock’s near-extortion of the profits from the 1959 hit thriller North by Northwest.And there are the studio’s on-screen self-shoutouts to its own past or stars, in films like Party Girl (1958), the That’s Entertainment series, Garbo Talks (1984), Rain Man (1955), and De-Lovely (2004), or the studio’s acquisition of other successful franchises such as James Bond. But fear not—what we consider MGM’s classic films all get their due here, often with a touch of irony or fascinating anecdote. Singin' in the Rain (1952), for example, was in its day neither a financial blockbuster nor critically acclaimed but rather an excuse for the studio to reuse some old songs it already owned. The Wizard of Oz (1939) cost almost as much to make as Gone With the Wind (also 1939) and took ten years to recoup its costs. But still, the MGM mystique endures. Like the popular Netflix series The Movies that Made Us, this is a fascinating look behind the scenes of the greatest—and at times notorious—films ever made.
Author | : John Buss |
Publisher | : Amberley Publishing Limited |
Total Pages | : 182 |
Release | : 2019-08-15 |
Genre | : Antiques & Collectibles |
ISBN | : 144568859X |
A remarkable array of different rare and unusual products that were issued in connection with this popular TV show.
Author | : Lincoln Geraghty |
Publisher | : Scarecrow Press |
Total Pages | : 255 |
Release | : 2009-04-02 |
Genre | : Performing Arts |
ISBN | : 0810869225 |
Though science fiction certainly existed prior to the surge of television in the 1950s, the genre quickly established roots in the new medium and flourished in subsequent decades. In Channeling the Future: Essays on Science Fiction and Fantasy Television, Lincoln Geraghty has assembled a collection of essays that focuses on the disparate visions of the past, present, and future offered by science fiction and fantasy television since the 1950s and that continue into the present day. These essays not only shine new light on often overlooked and forgotten series but also examine the 'look' of science fiction and fantasy television, determining how iconography, location and landscape, special effects, set design, props, and costumes contribute to the creation of future and alternate worlds. Contributors to this volume analyze such classic programs as The Twilight Zone, Voyage to the Bottom of the Sea, and The Man from U.N.C.L.E., as well as contemporary programs, including Star Trek: The Next Generation, Angel, Firefly, Futurama, and the new Battlestar Galactica. These essays provide a much needed look at how science fiction television has had a significant impact on history, culture, and society for the last sixty years.
Author | : William Froug |
Publisher | : Popular Press |
Total Pages | : 361 |
Release | : 2005 |
Genre | : Biography & Autobiography |
ISBN | : 0879728736 |
In the early 1950s writers were leaving radio en masse to try their hand at another promising medium—television. William Froug was in the thick of that exodus, a young man full of ideas in a Hollywood bursting with opportunities. In his forty-year career Froug would write and/or produce many of the shows that America has grown up with. From the drama of Playhouse 90 and the mind-bending premises of The Twilight Zone to the escapist scenarios of Adventures in Paradise, Gilligan’s Island, Bewitched, and Charlie’s Angels, Froug played a role in shaping his trade. He crossed paths with some of the memorable personalities in the industry, including Jack Benny, Lucille Ball, Agnes Moorehead, Elizabeth Montgomery, Robert Blake, Rod Serling, Gene Roddenberry, Aaron Spelling, and Sherwood Schwartz. Froug reveals a post-WWII America giddy with the success of its newest medium—yet sobered at moments by strikes and union politics, McCarthyism and anti-Semitism. It was a world of hastily written scripts, sudden firings, thwarted creativity, and fickle tastes. And yet, while clearly exasperated with many aspects of Hollywood, Froug was a man utterly in his element, his frustration with the industry ultimately eclipsed by his dedication to his craft.
Author | : Danny Biederman |
Publisher | : Chronicle Books |
Total Pages | : 184 |
Release | : 2004-10-14 |
Genre | : Performing Arts |
ISBN | : 9780811842242 |
Captures four decades of our favorite spies and their impressive cache of gadgets.
Author | : Graham Andrews |
Publisher | : McFarland |
Total Pages | : 266 |
Release | : 2023-02-22 |
Genre | : Performing Arts |
ISBN | : 1476647631 |
This is a critical history of spy fiction, film and television in the United States, with a particular focus on the American fictional spies that rivaled (and were often influenced by) Ian Fleming's James Bond. James Fenimore Cooper's Harvey Birch, based on a real-life counterpart, appeared in his novel The Spy in 1821. While Harvey Birch's British rivals dominated spy fiction from the late 1800s until the mid-1930s, American spy fiction came of age shortly thereafter. The spy boom in novels and films during the 1960s, spearheaded by Bond, heavily influenced the espionage genre in the United States for years to come, including series like The Man from U.N.C.L.E. and Matt Helm. The author demonstrates that, while American authors currently dominate the international spy fiction market, James Bond has cast a very long shadow, for a very long time.
Author | : Michael Kackman |
Publisher | : U of Minnesota Press |
Total Pages | : 278 |
Release | : |
Genre | : |
ISBN | : 145290538X |
Looking at secret agents on television in the 1950s and 1960s, Michael Kackman explores how Americans see themselves in times of political and cultural crisis. From parodies such as The Man from U.N.C.L.E. and Get Smart to the more complicated situations of I Spy and Mission: Impossible, Kackman situates espionage television within the culture of the civil rights and women's movements and the war in Vietnam.
Author | : Thom “Beefstew” Shubilla |
Publisher | : McFarland |
Total Pages | : 242 |
Release | : 2022-04-26 |
Genre | : Performing Arts |
ISBN | : 1476645027 |
The year 1966 was when many TV viewers all over America discovered the wonders of "in living color." The 1966-1967 primetime television lineup was remarkable not only for the legendary shows that aired, but also because it was the first season in which every show on primetime, across all three major networks, was broadcast entirely in color. Celebrating this iconic year of television, this book covers every scripted episodic show that aired on the ABC, CBS, and NBC networks during the 1966-1967 season in primetime. It includes longtime favorites such as Batman, Bonanza, Voyage to the Bottom of the Sea, and The Lucy Show and the notable shows that premiered that year such as Star Trek, The Monkees, Green Hornet, Mission: Impossible, It's About Time, and the color revival of Dragnet. Organized by genre, each entry examines a show from conception to cancelation (and sometimes beyond), ratings, critical and fan reactions, and the show's use of color.