The Making Of Taxi Driver
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Author | : Geoffrey Macnab |
Publisher | : Unanimous, Limited |
Total Pages | : 200 |
Release | : 2005-01-01 |
Genre | : Motion pictures |
ISBN | : 9781903318829 |
In Travis Bickle (Robert De Niro), the Vietnam vet turned New York taxi driver, Scorsese created a character who summed up perfectly the seething discontents of an American still traumatised by Vietnam and Watergate. In the context of director Martin Scorsese's many influences that led to Taxi Driver, from Dostoevsky novels to John Ford westerns and film noir thrillers, and the film's subsequent impact on the work of countless later directors, The Making Of Taxi Driver explores how this modern classic came together. And, looking at some of the myths surrounding the movie, asks why, 30 years on it still has such resonance with contemporary audiences.
Author | : Amy Taubin |
Publisher | : Bloomsbury Publishing |
Total Pages | : 88 |
Release | : 2019-07-25 |
Genre | : Art |
ISBN | : 1838718451 |
Paul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script, but when Martin Scorsese and Robert De Niro, who were flying high after the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse. Scorsese transformed the script into what is now considered one of the two or three definitive films of the 1970s. De Niro is mesmerising as Travis Bickle – pent-up, bigoted, steadily slipping into psychosis, the personification of American masculinity post-Vietnam. Cybill Shepherd and Jodie Foster give fine support and Scorsese brought in Bernard Herrmann, the greatest of film composers, to write what turned out to be his last score. Crucially, Scorsese rooted Taxi Driver in its New York locations, tuning the film's violence into the hard reality of the city. Technically thrilling though it is, Taxi Driver is profoundly disturbing – finding, as Amy Taubin shows, racism, misogyny and gun fetishism at the heart of American culture. In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Amy Taubin considers Taxi Driver anew in the context of contemporary politics of race and masculinity in the US, and draws on an exclusive interview with Robert De Niro about his memories of making the film.
Author | : Amy Taubin |
Publisher | : British Film Institute |
Total Pages | : 88 |
Release | : 2012-09-04 |
Genre | : Art |
ISBN | : 9781844574995 |
Paul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script, but when Martin Scorsese and Robert De Niro, who were flying high after the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse. Scorsese transformed the script into what is now considered one of the two or three definitive films of the 1970s. De Niro is mesmerising as Travis Bickle – pent-up, bigoted, steadily slipping into psychosis, the personification of American masculinity post-Vietnam. Cybill Shepherd and Jodie Foster give fine support and Scorsese brought in Bernard Herrmann, the greatest of film composers, to write what turned out to be his last score. Crucially, Scorsese rooted Taxi Driver in its New York locations, tuning the film's violence into the hard reality of the city. Technically thrilling though it is, Taxi Driver is profoundly disturbing – finding, as Amy Taubin shows, racism, misogyny and gun fetishism at the heart of American culture. In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Amy Taubin considers Taxi Driver anew in the context of contemporary politics of race and masculinity in the US, and draws on an exclusive interview with Robert De Niro about his memories of making the film.
Author | : Eugene Salomon |
Publisher | : HarperCollins UK |
Total Pages | : 398 |
Release | : 2013-01-31 |
Genre | : Biography & Autobiography |
ISBN | : 0007500963 |
Driving a cab for more than 30 years Gene Salomon has collected a remarkable selection of stories. He shares the very best in this unforgettable memoir.
Author | : Risa Mickenberg |
Publisher | : Chronicle Books |
Total Pages | : 179 |
Release | : 2016-07-19 |
Genre | : Humor |
ISBN | : 1452158207 |
“Insights on love, pleasure, fate, and other topics” collected from conversations with New York City cabbies (AM New York). The worse a town’s economy is, the better looking the guys who work at the local gas station are. I see more of what is going on around me because I am not concerned with finding a parking place. There is no chivalry. For that you have to go upstate. Real taxi drivers know more than how to get you there without a GPS—often, they know how to get you there in life. This twentieth anniversary edition of the wise and hilarious classic, as true now as ever, is a celebration of the witty, philosophical perspective on human nature culled from real quotations from real cab drivers who’ve been around the block.
Author | : Chris Wade |
Publisher | : Lulu.com |
Total Pages | : 106 |
Release | : 2017-09-14 |
Genre | : Art |
ISBN | : 9780244633141 |
This book celebrates one of the most acclaimed, enduring and powerful films of the past fifty years, Martin Scorsese's 1976 masterpiece, Taxi Driver, an undisputed movie staple which seems to grow in popularity as the decades go by. Though a condensed, personal, ""small"" film about one man in a big city, it has en epic feel about it. It is an odyssey, a journey into the mind of Travis Bickle, the darkest depths of his soul and, whether we like it or not, ours too. Chris Wade explores the making of Taxi Driver, as well as the film's themes, the subtext, the way it has often crossed over into our real world, and its long lasting legacy. There is also an interview with the man who played Doughboy in the film, Harry Northup, an acclaimed actor and poet who takes us inside life on the set of a classic.
Author | : Taylor Downing |
Publisher | : Bloomsbury Publishing |
Total Pages | : 128 |
Release | : 2017-10-07 |
Genre | : Performing Arts |
ISBN | : 1844575829 |
Leni Riefenstahl's Olympia (1938) is one of the most controversial films ever made. Capitalising on the success of Triumph of the Will (1935), her propaganda film for the Nazi Party, Riefenstahl secured Hitler's approval for her grandiose plans to film the 1936 Berlin Olympics. The result was a work as notorious for its politics as celebrated for its aesthetic power. This revised edition includes new material on Riefenstahl's film-making career before Olympia and her close relationship with Hitler. Taylor Downing also discusses newly-available evidence on the background to the film's production that conclusively proves that the film was directly commissioned by Hitler and funded through Goebbels's Ministry of Propaganda and not, as Riefenstahl later claimed, commissioned independently from the Nazi state by the Olympic authorities. In writing this edition, Taylor Downing has been given access to a magnificent new restoration of the original version of the film by the International Olympic Committee.
Author | : Arthur H. Bremer |
Publisher | : HarperCollins Publishers |
Total Pages | : 168 |
Release | : 1973 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : Robert Phillip Kolker |
Publisher | : Oxford University Press, USA |
Total Pages | : 532 |
Release | : 2000 |
Genre | : Performing Arts |
ISBN | : 9780195123500 |
In this 20th anniversary edition, Kolker continues and expands his inquiry into the phenomenon of cinematic representation of culture by updating and revising the chapters on Kubrick, Scorsese, Altman and Spielberg.
Author | : Graham Russell Gao Hodges |
Publisher | : JHU Press |
Total Pages | : 281 |
Release | : 2020-03-17 |
Genre | : History |
ISBN | : 1421437805 |
Why the cabdriver is the real victim of the false promises of Uber and the gig economy. 2007 Noteworthy Book in Industrial Relations and Labor Economics, Princeton University Industrial Relations Section Hailed in its first edition as a classic study of New York City's history and people, Graham Russell Gao Hodges's Taxi! is a remarkable evocation of the forgotten history of the taxi driver. This deftly woven narrative captures the spirit of New York City cabdrivers and their hardscrabble struggle to capture a piece of the American dream. From labor unrest and racial strife to ruthless competition and political machinations, Hodges recounts this history through contemporary news accounts, Hollywood films, and the words of the cabbies themselves. A new preface recalls the author's five years of hacking in New York City in the early 1970s, and a new concluding chapter explores the rise of app-based ridesharing services with the arrival of companies like Uber and Lyft. Sharply criticizing the use of the independent contractor model that is the cornerstone of Uber and the gig economy, Hodges argues that the explosion of for-hire vehicles in Manhattan reversed decades of environmental anti-congestion efforts. He calls for a return to the careful regulations that governed taxicabs for decades and provided a modest yet secure living for cabbies. Whether or not you've ever hailed a cab on Broadway, Taxi! provides a fascinating perspective on New York's most colorful emissaries.