The Machinery of the Nineteenth Century
Author | : George Drysdale Dempsey |
Publisher | : |
Total Pages | : 106 |
Release | : 1852 |
Genre | : Great Exhibition |
ISBN | : |
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Author | : George Drysdale Dempsey |
Publisher | : |
Total Pages | : 106 |
Release | : 1852 |
Genre | : Great Exhibition |
ISBN | : |
Author | : Jamie L. Bronstein |
Publisher | : Stanford University Press |
Total Pages | : 248 |
Release | : 2008 |
Genre | : History |
ISBN | : 9780804700085 |
Caught In the Machinery examines the social, legal, cultural and political history of workplace accidents and injured workers in 19th-century Britain and in the broader Anglo-American context.
Author | : William Rowe |
Publisher | : Dover Publications |
Total Pages | : 80 |
Release | : 1987 |
Genre | : Art |
ISBN | : |
Collection of collages of 19th century engravings of machinery.
Author | : United States. Bureau of Labor |
Publisher | : |
Total Pages | : 1206 |
Release | : 1899 |
Genre | : Industries |
ISBN | : |
Author | : D. Coleman |
Publisher | : Springer |
Total Pages | : 242 |
Release | : 2011-04-11 |
Genre | : Literary Criticism |
ISBN | : 0230307531 |
It is during the nineteenth-century, the age of machinery, that we begin to witness a sustained exploration of the literal and discursive entanglements of minds, bodies, machines. This book explores the impact of technology upon conceptions of language, consciousness, human cognition, and the boundaries between materialist and esoteric sciences.
Author | : Judith A. McGaw |
Publisher | : Princeton University Press |
Total Pages | : 458 |
Release | : 2019-01-15 |
Genre | : History |
ISBN | : 0691194645 |
On a visit to a Berkshire paper mill, the narrator of Herman Melville's "The Tartarus of Maids" views the "wonderful" papermaking machine with awe and calls it a "miracle of inscrutable intricacy." Manifesting in their factories and towns such nineteenth-century fascination with machinery, paper mill owners and workers made an industrial revolution in Berkshrie County, Massachusetts. This book examines their experiences from the era of craft production through several generations of sustained technological change to answer two major questions: What accounts for the widespread and rapid adoption of machines in nineteenth-century America? And how did the new technology help to transform America socially and culturally? Rejecting technological determinism, Judith McGaw effectively integrates labor, business, social, and women's history with technological history to bring to life the human decisions that made mechanization possible. In compelling detail the author offers new explanations of how change in the craft era paved the way for industrialization and how paternalism worked in small-scale industry. She also provides a thoughtful discussion of the interaction between evangelical culture and the emerging industrial order, and a close analysis of how nineteenth-century gender distinctions fostered mechanization. Judith A. McGaw is Assistant Professor of History of Technology at the University of Pennsylvania. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Sudhir Mahadevan |
Publisher | : State University of New York Press |
Total Pages | : 258 |
Release | : 2015-10-06 |
Genre | : Performing Arts |
ISBN | : 1438458304 |
In A Very Old Machine, Sudhir Mahadevan shows how Indian cinema's many origins in the technologies and practices of the nineteenth century continue to play a vital and broad function in its twenty-first-century present. He proposes that there has never been a singular cinema in India; rather, Indian cinema has been a multifaceted phenomenon that was (and is) understood, experienced, and present in everyday life in myriad ways. Employing methods of media archaeology, close textual analysis, archival research, and cultural theory, Mahadevan digs into the history of photography, print media, practices of piracy and showmanship, and contemporary everyday imaginations of the cinema to offer an understanding of how the cinema came to be such a dominant force of culture in India. The result is an open-ended and innovative account of Indian cinema's "many origins."
Author | : Daniel Pick |
Publisher | : Yale University Press |
Total Pages | : 308 |
Release | : 1996-01-01 |
Genre | : Technology & Engineering |
ISBN | : 9780300067194 |
This intriguing study examines Western perceptions of war in and beyond the nineteenth century, surveying the writings of novelists, anthropologists, psychiatrists, psychoanalysts, philosophers, poets, natural scientists, and journalists to trace the terms of modern thought on the nature of military conflict. Daniel Pick brings together philosophical and historical models of war with fictions of invasion, propaganda from the Great War, interpretations of shellshock and speculations about the biological value of conquest. He discusses the work of such familiar commentators as Clausewitz, Engels, and Treitschke, and examines little-known writings by Proudhon, De Quincey, Ruskin, Valery, and many others, culminating in the extraordinary dialogue between Freud and Einstein, Why War? He analyses Victorian fears of French contamination through the Channel Tunnel as well as the widespread continuing dread of German domination. And he charts the history of the pervasive European belief that war is beneficial or at least functionally necessary. A central theme of the book is the disturbing relationship between machinery and destruction. Visions of relentless technological 'progress' and the inexorable advance of the military-industrial complex often seem to distort our understanding of war, even to reduce it to a sophisticated game played out by high-precision automata. Pick explores both the reassuring and troubling aspects of such representations. Shorn of human agency or responsibility, war apparently threatens to become technologically unstoppable, the remorseless 'perfect abattoir' of the industrial age. War Machine explores the enduring historical fascination with - and recoil from -brutal mechanical slaughter, and the modern aquiescence in, and enthusiasm for (in Rilke's phrase), 'these days of monstrously accelerated dying'.
Author | : Gillian Cookson |
Publisher | : |
Total Pages | : 348 |
Release | : 2018 |
Genre | : Business & Economics |
ISBN | : |
An engagingly written account of textile engineering in its key northern centres, rich with historical narrative and analysis. The engineers who built the first generations of modern textile machines, between 1770 and 1850, pushed at the boundaries of possibility. This book investigates these pioneering machine-makers, almost all working within textile communities in northern England, and the industry they created. It probes their origins and skills, the sources of their inspiration and impetus, and how it was possible to develop a high-tech, factory-centred, world-leading marketin textile machinery virtually from scratch. The story of textile engineering defies classical assumptions about the driving forces behind the Industrial Revolution. The circumstances of its birth, and the personal affiliationsat work during periods of exceptional creativity, suggest that the potential to accelerate economic growth could be found within social assets and craft skills. Appreciating textile engineering within its own time and context challenges views inherited from Victorian thinkers, who tended to ascribe to it features of the fully fledged industry they saw before them. The Age of Machinery is an engagingly written account of the trade in its key northern centres, devoid of jargon and yet tightly argued, equally rich with historical narrative and analysis. It will be invaluable not only to students and scholars of British economic history and the Industrial Revolution but also tosocial scientists looking at human agency and its contribution to economic growth and innovation. GILLIAN COOKSON holds a DPhil in economic history and has been employed since 1995 in academic research and consultancy, including as county editor, Victoria County History of Durham.
Author | : Helmut Müller-Sievers |
Publisher | : Univ of California Press |
Total Pages | : 257 |
Release | : 2012-03-28 |
Genre | : Architecture |
ISBN | : 0520270770 |
The Cylinder investigates the surprising proliferation of cylindrical objects in the nineteenth century, such as steam engines, phonographs, panoramas, rotary printing presses, silos, safety locks, and many more. Examining this phenomenon through the lens of kinematics, the science of forcing motion, Helmut Müller-Sievers provides a new view of the history of mechanics and of the culture of the industrial revolution, including its literature, that focuses on the metaphysics and aesthetics of motion. Müller-Sievers explores how nineteenth-century prose falls in with the specific rhythm of cylindrical machinery, re-imagines the curvature of cylindrical spaces, and conjoins narrative progress and reflection in a single stylistic motion. Illuminating the intersection of engineering, culture, and literature, he argues for a concept of culture that includes an epoch’s relation to the motion of its machines.