The Lover, the Lunatic, the Poet- Thoughts of a Native Queen

The Lover, the Lunatic, the Poet- Thoughts of a Native Queen
Author: Satin S. Johnson
Publisher: AuthorHouse
Total Pages: 146
Release: 2011-01-26
Genre: Poetry
ISBN: 1456731149

This is my debut of talent to the world. If you love the art of expression and the art that vocabuary can release through a creative flow of stanzas then this is especially for you. Poetry in this day and age isn't fully appreciated. Most of our music today is simple and shallow to say the least but this is the exact opposite. This digs a hole where a hole should be dug, It asks questions that should be asked, It challenges the heart and mind to think different and BE different. I'm proud to have completed it and send this collection of poetry your way. A mind is as deep and artistic as we allow it to be so allow yours to rome here today as you read this, ENJOY!

Writing Renaissance Queens

Writing Renaissance Queens
Author: Lisa Hopkins
Publisher: University of Delaware Press
Total Pages: 228
Release: 2002
Genre: History
ISBN: 9780874137866

This book examines writing both by and about Renaissance women rulers. It offers detailed analyses of poems, letters, and other writings by both Elizabeth I and Mary, Queen of Scots, and situates these firmly within the context of other literary figurings of Renaissance queens and queenship. It looks at a range of texts, ranging from the polemical (and largely ephemeral) treatises on the questions of female rule which were prompted by the sudden explosion of women rulers, to works by Shakespeare, Milton, and Elizabeth Cary, as well as the anonymous Arden of Faversham. The book as a whole thus explores both how Renaissance queens wrote themselves and how they were written by others.

Shakespeare, Catholicism, and Romance

Shakespeare, Catholicism, and Romance
Author: Velma Bourgeois Richmond
Publisher: Bloomsbury Publishing
Total Pages: 262
Release: 2015-12-17
Genre: Literary Criticism
ISBN: 1474247490

This book assesses William Shakespeare in the context of political and religious crisis, paying particular attention to his Catholic connections, which have heretofore been underplayed by much Protestant interpretation. Bourgeois Richmond's most important contribution is to study the genre of romance in its guise as a 'cover' for recusant Catholicism, drawing on a long tradition of medieval-religious plays devoted to the propagation of Catholic religious faith.

THE INDIAN LISTENER

THE INDIAN LISTENER
Author: All India Radio (AIR),New Delhi
Publisher: All India Radio (AIR),New Delhi
Total Pages: 76
Release: 1938-04-07
Genre: Antiques & Collectibles
ISBN:

The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artistS. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-04-1938 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 76 VOLUME NUMBER: Vol. III, No.8. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 503-560 ARTICLE: 1. Jacques Offenbach 2. Indo-European Music 3. 'There And Back Again' (A Talk Broadcast From Delhi In March) 4. New Stations On Old Receivers - II By "Trouble Shooter" 5. A Doctor Looks Back…(In A Talk Recently Broadcast From Bombay) 6. Lucknow On The Air 7. Rural Primary Schools (A Talk Broadcast From Delhi in March) 8. Three Great Spring Festivals (Easter-Holi-Moharram) AUTHOR: 1. J. G. N. Brown 2. Unknown 3. F. E. Edwards 4. Unknown 5. M. D. Gilder 6. J. E. Parkinson 7. Unknown 8. Unknown KEYWORDS: 1. Opara House, Universal Entertainer, The Tales Of Hoffman, Jacques Offenbach 2. Anti-Tuberculosis Fund, Indo-European Concert, Delhi Regal Theatre, Western Music, Indian Music 3. India, Europe, Returning Home, Towel Of Babe, League Of Nations 4. Delhi, Old Radio Sets, Tuning The Receiver, Oscillator Frequency, Signal Frequency 5. Mental Hospital, Cure For Depression, T. D. Welankar, Quackery In Medicine 6. Rural Primary Schools, Vidya Mandir Scheme, Women Teachers, Central Advisory Board Of Education 7. All India Radio, April 2, College Of Music, Lucknow Broadcasting Station, Gobind Ballabh Pant 8. Hindus, Muslims, Christians, Holi, Easter, Festival, Moharram Document ID: INL - 1938 ( J-D) Vol -I (08)

The Definitive Shakespeare Companion [4 volumes]

The Definitive Shakespeare Companion [4 volumes]
Author: Joseph Rosenblum
Publisher: Bloomsbury Publishing USA
Total Pages: 2069
Release: 2017-06-22
Genre: Drama
ISBN: 1440834458

This expansive four-volume work gives students detailed explanations of Shakespeare's plays and poems and also covers his age, life, theater, texts, and language. Numerous excerpts from primary source historical documents contextualize his works, while reviews of productions chronicle his performance history and reception. Shakespeare's works often served to convey simple truths, but they are also complex, multilayered masterpieces. Shakespeare drew on varied sources to create his plays, and while the plays are sometimes set in worlds before the Elizabethan age, they nonetheless parallel and comment on situations in his own era. Written with the needs of students in mind, this four-volume set demystifies Shakespeare for today's readers and provides the necessary perspective and analysis students need to better appreciate the genius of his work. This indispensable ready reference examines Shakespeare's plots, language, and themes; his use of sources and exploration of issues important to his age; the interpretation of his works through productions from the Renaissance to the present; and the critical reaction to key questions concerning his writings. The book provides coverage of each key play and poems in discrete sections, with each section presenting summaries; discussions of themes, characters, language, and imagery; and clear explications of key passages. Readers will be able to inspect historical documents related to the topics explored in the work being discussed and view excerpts from Shakespeare's sources as well as reviews of major productions. The work also provides a comprehensive list of print and electronic resources suitable for student research.

A Midsummer-night's Dream

A Midsummer-night's Dream
Author: William Shakespeare
Publisher:
Total Pages: 72
Release: 1734
Genre: English drama (Comedy)
ISBN:

National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.

Shakespeare and the Elizabethan Reformation

Shakespeare and the Elizabethan Reformation
Author: Dennis Taylor
Publisher: Rowman & Littlefield
Total Pages: 495
Release: 2022-07-18
Genre: Literary Criticism
ISBN: 1666902098

Shakespeare and the Elizabethan Reformation: Literary Negotiation of Religious Difference explores how Shakespeare’s plays dramatize key issues of the Elizabethan Reformation, the conflict between the sacred, the critical, and the disenchanted; alternatively, the Catholic, the Protestant, and the secular. Each play imagines their reconciliation or the failure of reconcilation. The Catholic sacred is shadowed by its degeneration into superstition, Protestant critique by its unintended (fissaparous) consequences, the secular ordinary by stark disenchantment. Shakespeare shows how all three perspectives are needed if society is to face its intractable problems, thus providing a powerful model for our own ecumenical dialogues. Shakespeare begins with history plays contrasting the saintly but impractical King Henry VI, whose assassination is the ”primal crime,” with the pragmatic and secular Henry IV, until imagining in the later 1590’s how Hal can reconnect with sacred sources. At the same time in his comedies, Shakespeare imagines cooperative ways of resolving the national ”comedy of errors,” of sorting out erotic and marital and contemplative confusions by applying his triple lens. His late Elizabethan comedies achieve a polished balance of wit and devotion, ordinary and the sacred, old and new orders. Hamlet is Shakespeare’s ultimate Elizabethan consideration of these issues, its so-called lack of objective correlation a response to the unsorted trauma of the Reformation.