The Lost Late Antique Illustrated Terence

The Lost Late Antique Illustrated Terence
Author: David H. Wright
Publisher: Biblioteca Apostolica Vaticana
Total Pages: 252
Release: 2006
Genre: Art
ISBN:

An attempt to reconstruct a lost, late 4th-century manuscript of Terence's plays as fully as possibly, primarily by reproducing all the decoration in the Vatican Terence (Biblioteca apostolica vaticana ms. Vat. Lat. 3868).

Terence between Late Antiquity and the Age of Printing

Terence between Late Antiquity and the Age of Printing
Author:
Publisher: BRILL
Total Pages: 331
Release: 2015-05-19
Genre: History
ISBN: 9004289496

Terence between Late Antiquity and the Age of Printing investigates the Medieval and Early Renaissance reception of Terence in highly innovative ways, combining the diverse but interrelated strands of textual criticism, illustrative tradition, and performance. The plays of Terence seem to have remained unperformed until the Renaissance, but they were a central text for educators in Western Europe. Manuscripts of the plays contained scholarship and illustrations which were initially inspired by Late Antique models, and which were constantly transformed in response to contemporary thought. The contributions in this work deal with these topics, as well as the earliest printed editions of Terence, theatrical revivals in Northern Italy, and the readership of Terence throughout the Early Middle Ages.

The Lyon Terence

The Lyon Terence
Author: Giulia Torello-Hill
Publisher: BRILL
Total Pages: 312
Release: 2020-10-20
Genre: Literary Collections
ISBN: 900443240X

An interdisciplinary approach to establish the significance of the first illustrated edition of the plays of Terence, its commentary and iconographic traditions and legacy in sixteenth-century Italy and France.

The Illustrated Afterlife of Terence’s Comedies (800–1200)

The Illustrated Afterlife of Terence’s Comedies (800–1200)
Author: Beatrice Radden Keefe
Publisher: BRILL
Total Pages: 287
Release: 2021-08-30
Genre: History
ISBN: 9004463321

This is a book about Roman comedy, ancient theatre imagery, and seven medieval illustrated manuscripts of Terence’s six Latin comedies. These manuscript illustrations, made between 800 and 1200, enabled their medieval readers to view these comedies as “mirrors of life”.

Latin Christian Writers in Late Antiquity and their Texts

Latin Christian Writers in Late Antiquity and their Texts
Author: Mark Vessey
Publisher: Taylor & Francis
Total Pages: 324
Release: 2024-10-28
Genre: History
ISBN: 1040233937

By close engagement with both traditional and contemporary approaches to ancient Christian literature, Latin Christian Writers in Late Antiquity and their Texts seeks to delineate a historiographical problem, at the same time rendering patristics as part of the subject-matter of a new literary history. After preliminary essays marking out the field, the volume is organized in three sections by authors, forms of discourse, and disciplines. Released from the theological discipline of patristics, the writings of the church fathers have in recent decades become the common property of students of early Christianity, late antiquity and the classical tradition. In principle, they are now no more (nor less) than sources, documents and literary texts like others from their period and milieux. Yet when replaced in the longer history of Western textual and literary practices, the collective literary oeuvre of Latin clerics, monks and ascetic freelances of the Later Roman Empire may still seem to occupy a place of decisive, if not canonical importance. How does one now account for the abiding formativeness of Latin Christian writing of the fourth and fifth centuries CE? What demands does such writing lay on a modern history of literature? These are the questions asked here, in view of a new literary history of patristic texts.

The Oxford Handbook of Greek and Roman Comedy

The Oxford Handbook of Greek and Roman Comedy
Author: Michael Fontaine
Publisher: Oxford University Press
Total Pages: 913
Release: 2014-04
Genre: Drama
ISBN: 0199743541

The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain.

The Roman Vergil and the Origins of Medieval Book Design

The Roman Vergil and the Origins of Medieval Book Design
Author: David Herndon Wright
Publisher: University of Toronto Press
Total Pages: 84
Release: 2001-01-01
Genre: Language Arts & Disciplines
ISBN: 0802048196

The 5th century AD Roman Vergil is one of the most precious manuscripts in the Vatican Library. Wright presents a wide-ranging discussion of the influence of the manuscript on the history and development of medieval manuscript art and of book design.

After the Carolingians

After the Carolingians
Author: Beatrice Kitzinger
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 638
Release: 2019-07-08
Genre: Literary Criticism
ISBN: 3110578395

A volume that introduces new sources and offers fresh perspectives on a key era of transition, this book is of value to art historians and historians alike. From the dissolution of the Carolingian empire to the onset of the so-called 12th-century Renaissance, the transformative 10th–11th centuries witnessed the production of a significant number of illuminated manuscripts from present-day France, Belgium, Spain, and Italy, alongside the better-known works from Anglo-Saxon England and the Holy Roman Empire. While the hybrid styles evident in book painting reflect the movement and re-organization of people and codices, many of the manuscripts also display a highly creative engagement with the art of the past. Likewise, their handling of subject matter—whether common or new for book illumination—attests to vibrant artistic energy and innovation. On the basis of rarely studied scientific, religious, and literary manuscripts, the contributions in this volume address a range of issues, including the engagement of 10th–11th century bookmakers with their Carolingian and Antique legacies, the interwoven geographies of book production, and matters of modern politics and historiography that have shaped the study of this complex period.

Illuminating the Middle Ages

Illuminating the Middle Ages
Author: Laura Cleaver
Publisher: BRILL
Total Pages: 503
Release: 2020-03-31
Genre: History
ISBN: 9004422331

The twenty-eight essays in this collection showcase cutting-edge research in manuscript studies, encompassing material from late antiquity to the Renaissance. The volume celebrates the exceptional contribution of John Lowden to the study of medieval books. The authors explore some of the themes and questions raised in John’s work, tackling issues of meaning, making, patronage, the book as an object, relationships between text and image, and the transmission of ideas. They combine John’s commitment to the close scrutiny of manuscripts with an interrogation of what the books meant in their own time and what they mean to us now.

Canones: The Art of Harmony

Canones: The Art of Harmony
Author: Alessandro Bausi
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 458
Release: 2020-11-23
Genre: Literary Criticism
ISBN: 3110626446

The so-called ‘Canon Tables’ of the Christian Gospels are an absolutely remarkable feature of the early, late antique, and medieval Christian manuscript cultures of East and West, the invention of which is commonly attributed to Eusebius and dated to first decades of the fourth century AD. Intended to host a technical device for structuring, organizing, and navigating the Four Gospels united in a single codex – and, in doing so, building upon and bringing to completion previous endeavours – the Canon Tables were apparently from the beginning a highly complex combination of text, numbers and images, that became an integral and fixed part of all the manuscripts containing the Four Gospels as Sacred Scripture of the Christians and can be seen as exemplary for the formation, development and spreading of a specific Christian manuscript culture across East and West AD 300 and 800. In the footsteps of Carl Nordenfalk’s masterly publication of 1938 and few following contributions, this book offers an updated overview on the topic of ‘Canon Tables’ in a comparative perspective and with a precise look at their context of origin, their visual appearance, their meaning, function and their usage in different times, domains, and cultures.