The later works, 1925 - 1953. 10. 1934 : [art as experience]
Author | : John Dewey |
Publisher | : SIU Press |
Total Pages | : 498 |
Release | : 1987 |
Genre | : Education |
ISBN | : 9780809328208 |
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Author | : John Dewey |
Publisher | : SIU Press |
Total Pages | : 498 |
Release | : 1987 |
Genre | : Education |
ISBN | : 9780809328208 |
Author | : John Dewey |
Publisher | : SIU Press |
Total Pages | : 500 |
Release | : 1981 |
Genre | : Art |
ISBN | : 9780809312665 |
John Dewey's Experience and Nature has been considered the fullest expression of his mature philosophy since its eagerly awaited publication in 1925. Irwin Edman wrote at that time that "with monumental care, detail and completeness, Professor Dewey has in this volume revealed the metaphysical heart that beats its unvarying alert tempo through all his writings, whatever their explicit themes." In his introduction to this volume, Sidney Hook points out that "Dewey's Experience and Nature is both the most suggestive and most difficult of his writings." The meticulously edited text published here as the first volume in the series The Later Works of John Dewey, 1925-1953 spans that entire period in Dewey's thought by including two important and previously unpublished documents from the book's history: Dewey's unfinished new introduction written between 1947 and 1949, edited by the late Joseph Ratner, and Dewey's unedited final draft of that introduction written the year before his death. In the intervening years Dewey realized the impossibility of making his use of the word 'experience' understood. He wrote in his 1951 draft for a new introduction: "Were I to write (or rewrite) Experience and Nature today I would entitle the book Culture and Nature and the treatment of specific subject-matters would be correspondingly modified. I would abandon the term 'experience' because of my growing realization that the historical obstacles which prevented understanding of my use of 'experience' are, for all practical purposes, insurmountable. I would substitute the term 'culture' because with its meanings as now firmly established it can fully and freely carry my philosophy of experience."
Author | : Nicola Triscott |
Publisher | : Arts Catalyst |
Total Pages | : 92 |
Release | : 2018-05-22 |
Genre | : |
ISBN | : 9780992777647 |
'The Live Creature and Ethereal Things: Physics in Culture' is a collection of essays, images and short texts that present fundamental physics and the physics of the universe as human activities and cultural endeavours. Contributions by artists, curators and physicists examine the role of personality, power and culture in physics and discuss the value of cross-pollination between the practices of contemporary art and physics. These reflections shed light on the people and the material practices of physics: from the vast underground particle physics laboratory at CERN, Geneva, used by half of the world's particle physicists, and deep underground neutrino observatories in the UK, Italy and Antarctica, to super-computers that construct astonishing visualisations of the evolution of the universe. Contributors: Dr Nicola Triscott, Professor Fiona Crisp, Tavares Strachan, Semiconductor (Ruth Jarman and Joe Gerhardt), Dr Suchitra Sebastian, Professor Tara Shears, Dr Chamkaur Ghag, Ansuman Biswas, Nahum, Professor Roger Malina, Dr Mark Neyrinck, Tomás Saraceno, Dr Flaviu Cipcigan, Annie Carpenter, Dr Marek Kukula, Harry Lawson, Dr Massimo Mannarelli, Phil Coy, Mónica Bello, Jol Thomson, and Blanca Pujals. Foreword by Johanna Kieniewicz, Institute of Physics
Author | : Stephen David Ross |
Publisher | : State University of New York Press |
Total Pages | : 590 |
Release | : 1984-06-30 |
Genre | : Philosophy |
ISBN | : 1438417888 |
The philosophy of art, including the theory of interpretation, has been among the most generative branches of philosophy in the latter half of the twentieth century. Remarkable, interesting, and important work has emerged on both sides of the Atlantic, from all the major sources of philosophic thought. For the first time, Stephen David Ross brings together the best of recent writing with the major historical texts and the most influential works of the past century to provide valuable insight into the nature of art and how we are to understand it. The selections in this collection comprise a remarkably wide array of positions on the nature and importance of art in human experience. A wealth of material is divided into four parts. Part I from the history of philosophy includes selections by the essential writers: Plato, Aristotle, Kant, Hegel, Nietzsche. In Part II there are significant selections from Dewey, Langer, Goodman, Heidegger, and Merleau-Ponty. The major selections in Part III are from Hirsch and Gadamer on the nature of interpretation, supplemented by selections from Pepper, Derrida, and Foucault. Selections in Part IV sharpen the issues that emerge from the more theoretical discussions in the preceeding sections. Part IV includes important psychological theories, seminal proclamations by twentieth century artists, and selections from Bullough on aesthetic distance, as well as from Marcuse, who develops an important variation on the Marxist view of art.
Author | : Jim Garrison |
Publisher | : IAP |
Total Pages | : 248 |
Release | : 2010-06-01 |
Genre | : Education |
ISBN | : 1617350532 |
"We become what we love," states Jim Garrison in Dewey and Eros: Wisdom and Desire in the Art of Teaching. This provocative book represents a major new interpretation of Dewey's education philosophy. It is also an examination of what motivates us to teach and to learn, and begins with the idea of education of eros (i.e., passionate desire)-"the supreme aim of education" as the author puts it-and how that desire results in a practical philosophy that guides us in recognizing what is essentially good or valuable. Garrison weaves these threads of ancient wisdom into a critical analysis of John Dewey's writings that reveal an implicit theory of eros in reasoning, and the central importance of educating eros to seek "the Good." Chapters: Plato's Symposium: Eros, the Beautiful, and the Good • Care, Sympathy, and Community in Classroom Teaching: Feminist Reflections on the Expansive Self • Play-Doh, Poetry, and "Ethereal Things" • The Aesthetic Context of Inquiry and the Teachable Moment • The Education of Eros: Critical and Creative Value Appraisal • Teaching and the Logic of Moral Perception This book can be used in graduate courses in foundations, teacher education, philosophy of education, qualitative research, arts and education, language and literacy, and women and education. Jim Garrison is Professor of Philosophy of Education at Virginia Tech in Blacksburg, VA. He is pastpresident of the John Dewey Society and a winner of the Society's Outstanding Achievement Award.
Author | : John Vinycomb |
Publisher | : Library of Alexandria |
Total Pages | : 348 |
Release | : 2020-09-28 |
Genre | : Fiction |
ISBN | : 1465552553 |
Author | : Albert Hofstadter |
Publisher | : University of Chicago Press |
Total Pages | : 730 |
Release | : 2009-02-04 |
Genre | : Philosophy |
ISBN | : 0226348113 |
This anthology is remarkable not only for the selections themselves, among which the Schelling and the Heidegger essays were translated especially for this volume, but also for the editors' general introduction and the introductory essays for each selection, which make this volume an invaluable aid to the study of the powerful, recurrent ideas concerning art, beauty, critical method, and the nature of representation. Because this collection makes clear the ways in which the philosophy of art relates to and is part of general philosophical positions, it will be an essential sourcebook to students of philosophy, art history, and literary criticism.
Author | : Steven M. Cahn |
Publisher | : John Wiley & Sons |
Total Pages | : 853 |
Release | : 2020-06-22 |
Genre | : Philosophy |
ISBN | : 1118948327 |
A revised second edition of the bestselling anthology on the major figures and themes in aesthetics and philosophy of art, the ideal resource for a comprehensive introduction to the study of aesthetics Aesthetics: A Comprehensive Anthology offers a well-rounded and thorough introduction to the evolution of modern thought on aesthetics. In a collection of over 60 readings, focused primarily on the Western tradition, this text includes works from key figures such as Plato, Hume, Kant, Nietzsche, Danto, and others. Broad in scope, this volume also contains contemporary works on the value of art, frequently-discussed continental texts, modern perspectives on feminist philosophy of art, and essays by authors outside of the community of academic philosophy, thereby immersing readers in an inclusive and balanced survey of aesthetics. The new second edition has been updated with contemporary essays, expanding the volume’s coverage to include the value of art, artistic worth and personal taste, questions of aesthetic experience, and contemporary debates on and new theories of art. This edition also incorporates new and more standard translations of Kant's Critique of the Power of Judgment and Schopenhauer's The World as Will and Representation, as well as texts by Rousseau, Hegel, DuBois, Alain Locke, Budd, Robinson, Saito, Eaton and Levinson. Presents a comprehensive selection of introductory readings on aesthetics and philosophy of art Helps readers gain a deep historical understanding and clear perspective on contemporary questions in the field Offers new essays specifically selected to promote inclusivity and to highlight contemporary discussions Introduces new essays on topics such as environmental and everyday aesthetics, evolutionary aesthetics, and the connections between aesthetics and ethics Appropriate for both beginning and advanced students of philosophical aesthetics, this selection of texts initiates readers into the study of the foundations of and central developments in aesthetic thought.
Author | : Llewellyn Vaughan-Lee |
Publisher | : The Golden Sufi Center |
Total Pages | : 172 |
Release | : 2002-05-02 |
Genre | : Religion |
ISBN | : 1890350052 |
Humanity has been given access to the secrets of oneness, but we need to learn how to work with them. Working with Oneness brings mysticism into the center of the marketplace, into the world of business and technology, and shows how we can work with it in everyday life. The dynamic energy of oneness has the potential to heal the planet and revolutionize life more than we can imagine, but it requires our individual participation and awareness to become fully alive. The energy of oneness is already present but waiting to be lived, and Llewellyn Vaughan-Lee provides a blueprint for working consciously with this energy. As we understand how our consciousness affects the whole fabric of life, the potential for real global change comes alive. Llewellyn Vaughan-Lee stresses the need to change from hierarchical, patriarchal power structures to organic patterns that allow for the free flow of energy and ideas. Through these patterns the dynamic energy of oneness can become part of everyday life. Working with Oneness includes a number of additional important topics, including: the changing energy structure of the planet and how to work with it; the power of individual consciousness; the danger of the desire for spiritual security; the return of joy to everyday life; the awakening of the heart of the world; a new understanding of magic; the use of the imagination; and mystical participation in life with the energy of oneness. Working with Oneness offers guidance on how to work with the energy of oneness, to learn how to participate in life free of the patterns of the past, so that the divine can come alive in every moment of every day. Working with Oneness is mystical activism at its most potent. “There is a growing and eager audience waiting for a vision of unity consciousness... Working with Oneness offers a salutary antidote to worn-out antagonisms. It challenges readers to join other kindred souls in a mystical activism that can bring new hope to humanity.” —Spirituality & Health “A book filled with wonder and the kind of insights that can leap out to your heart and gladden you for having read them. It's words are simple and straightforward—always a blessing—but its message it the most vital and important for the time in which we live. I recommend it.” —David Spangler, author, Blessings: the Art and the Practice