The Literary Monster On Film
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Author | : Abigail Burnham Bloom |
Publisher | : McFarland |
Total Pages | : 219 |
Release | : 2014-01-10 |
Genre | : Performing Arts |
ISBN | : 0786457597 |
Many monsters in Victorian British novels were intimately connected with the protagonists, and representative of both the personal failings of a character and the failings of the society in which he or she lived. By contrast, more recent film adaptations of these novels depict the creatures as arbitrarily engaging in senseless violence, and suggest a modern fear of the uncontrollable. This work analyzes the dichotomy through examinations of Shelley's Frankenstein, Stoker's Dracula, H. Rider Haggard's She, Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde and Wells's The Island of Dr. Moreau, and consideration of the 20th century film adaptations of the works.
Author | : Lisa Wenger Bro |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 412 |
Release | : 2018-07-27 |
Genre | : Performing Arts |
ISBN | : 1527514838 |
Monsters are a part of every society, and ours is no exception. They are deeply embedded in our history, our mythos, and our culture. However, treating them as simply a facet of children’s stories or escapist entertainment belittles their importance. When examined closely, we see that monsters have always represented the things we fear: that which is different, which we can’t understand, which is dangerous, which is Other. But in many ways, monsters also represent our growing awareness of ourselves and our changing place in a continually shrinking world. Contemporary portrayals of the monstrous often have less to do with what we fear in others than with what we fear about ourselves, what we fear we might be capable of. The nineteen essays in this volume explore the place and function of the monstrous in a variety of media – stories and novels like Baum’s Oz books or Gibson’s Neuromancer; television series and feature films like The Walking Dead or Edward Scissorhands; and myths and legends like Beowulf and The Loch Ness Monster – in order to provide a closer understanding of not just who we are and who we have been, but also who we believe we can be – for better or worse.
Author | : Maria Beville |
Publisher | : Routledge |
Total Pages | : 218 |
Release | : 2013-10-30 |
Genre | : Literary Criticism |
ISBN | : 1135052301 |
This book visits the 'Thing' in its various manifestations as an unnameable monster in literature and film, reinforcing the idea that the very essence of the monster is its excess and its indeterminacy. Tied primarily to the artistic modes of the gothic, science fiction, and horror, the unnameable monster retains a persistent presence in literary forms as a reminder of the sublime object that exceeds our worst fears. Beville examines various representations of this elusive monster and argues that we must looks at the monster, rather than through it, at ourselves. As such, this book responds to the obsessive manner in which the monsters of literature and culture are ‘managed’ in processes of classification and in claims that they serve a social function by embodying all that is horrible in the human imagination. The book primarily considers literature from the Romantic period to the present, and film that leans toward postmodernism. Incorporating disciplines such as cultural theory, film theory, literary criticism, and continental philosophy, it focuses on that most difficult but interesting quality of the monster, its unnameability, in order to transform and accelerate current readings of not only the monsters of literature and film, but also those that are the focus of contemporary theoretical discussion.
Author | : Barry Keith Grant |
Publisher | : Rutgers University Press |
Total Pages | : 159 |
Release | : 2018-04-16 |
Genre | : Art |
ISBN | : 0813588820 |
Monster Cinema introduces readers to a vast menagerie of movie monsters, from gigantic beasts to microscopic parasites, from grotesque demons to normal-looking serial killers. Film expert Barry Keith Grant considers what each type of movie monster might reveal about how we regard the natural, the supernatural, and the human.
Author | : Andrea Wood |
Publisher | : Cambria Press |
Total Pages | : 397 |
Release | : 2014-08-28 |
Genre | : Literary Criticism |
ISBN | : 1604978805 |
Much has been written about gender and the monstrous, but sustained engagement with textual manifestations of cultural and unconscious fears and anxieties about "unnatural" reproduction has been limited. This book expands the current discourse on the monstrous reproductive potential of bodies-as well as minds-from a more interdisciplinary and transhistorical framework. While scholarly interest in monsters and the monstrous is certainly not new, studies on monstrous reproduction and birth have tended to be either discipline or period specific, and many are now dated. Drawing from diverse interdisciplinary perspectives in film and media studies, literary studies, history, medicine and women's and gender studies, Unnatural Reproductions and Monstrosity builds upon pre-existing work while engaging more directly with monstrous progeny, as well as with unnatural reproduction(s), which threaten to eclipse the future, cast uncertainty on the present, and reimagine the past. Ultimately, then, the primary contribution of this book lies not only with its extensive treatment of reproductive monstrosity and unnatural parturition, but with the breadth and intriguing continuity that only a wide lens can provide. This book does not attempt to provide a complete historical assessment or catalog of the enduring cultural fascination with the reproductive origins and potential of monsters. Rather, it provides diverse interdisciplinary and transhistorical perspectives with single unifying theme of unnatural reproduction(s), which is unique to the collection, remaining central to the concept of monstrosity and its evolving narrative incarnations. This interdisciplinary collection spanning the areas of history, literature, medical humanities, and film and media studies explores the transhistorical textual fascination with reproductive monstrosity and unnatural parturition. The collection's four sections provide perspective on hyperbolic and monstrous representations of reproduction and birth that speak to anxieties and fears about gender and sexuality, codified through "unnatural" manifestations and their progeny. By focusing not only on the effect of the monstrous, but also on its reproduction in a variety of genres and modes from science to cinema, the essays in this collection offer critical insight into enduring questions about the genesis of monsters and their reproductive potential that have long haunted the world and continue to shape many fears about the future. This book analyzes how fears about unnatural reproduction and monstrous offspring-and their frequent connections to the feminine-have proliferated and propagated across the very texts which are repetitively created and consumed. Unnatural Reproductions and Monstrosity is an important interdisciplinary book for university library collections and scholars working in women's and gender studies, film and media studies, history, literature, and medical humanities.
Author | : Emma Westwood |
Publisher | : Pocket Essentials (Paperback) |
Total Pages | : 0 |
Release | : 2008 |
Genre | : Performing Arts |
ISBN | : 9781842432518 |
Monsters are the manifestation of our fears and social paranoias, and an effective watchdog for making sure we all toe the line. Through literature, the monster has found a lasting legacy but, through cinema, it has developed from black & white into full Technicolor glory, making the Monster Movie an enduring document of social times, movements, fears and desires. This book peels back the flesh on a few of the monsters that have tingled our spines and caused more than a nightmare over the past 100 years.
Author | : Gerrie McCall |
Publisher | : Amber Books Ltd |
Total Pages | : 97 |
Release | : 2012-12-14 |
Genre | : Juvenile Fiction |
ISBN | : 1908696869 |
Illustrated throughout with outstanding new full-colour annotated artworks, easy-to-follow accounts of the characters’ stories and factfile boxes, this book will appeal to any child interested in tales, monsters and movies.
Author | : E. Michael Jones |
Publisher | : |
Total Pages | : 322 |
Release | : 2000 |
Genre | : Literary Criticism |
ISBN | : |
Jones uncovers the origins of horror in the suffering inflicted by political and sexual revolution. The avenging monster, a mainstay of horror, emerged from the sexual dissolution of the French Revolution (Frankenstein) and thrived in the syphilitic underworld of Victorian England (Dracula). From Nosferatu and Psycho to Alien and Interview with the Vampire, the twentieth century has spawned new monsters of unprecedented horror. -- What is the connection between sex and horror? -- Why are vampires and nameless or faceless monsters so common in horror? -- Why do we need horror -- yet fail to understand it?
Author | : Jeff Rovin |
Publisher | : |
Total Pages | : 390 |
Release | : 1989 |
Genre | : Fiction |
ISBN | : 9780816018246 |
A guide to more than one thousand beasts, specters, and other monsters, from the Bible's Leviathan to Hollywood's Alien, arranged alphabetically and cross-referenced by subject
Author | : James L Neibaur |
Publisher | : Rowman & Littlefield |
Total Pages | : 245 |
Release | : 2023-06-14 |
Genre | : Performing Arts |
ISBN | : 144227817X |
This history and critique of classic scary films “honors Universal’s horror legacy. . . . an excellent resource for film students and monster movie fanatics” (Library Journal). In 1931 Universal Studios released Dracula starring Bela Lugosi. This box office success was followed by a string of films featuring macabre characters and chilling atmospherics, including Frankenstein, The Mummy, and The Invisible Man. With each new film, Universal established its place in the Hollywood firmament as the leading producer of horror films, a status it enjoyed for more than twenty years. In The Monster Movies of Universal Studios, James L. Neibaur examines the key films produced by the studio from the early 1930s through the mid-1950s. In each entry, Neibaur recounts the movie’s production, provides critical commentary, considers the film’s commercial reception, and offers an overall assessment of the movie’s significance. Neibaur also examines the impact these films had on popular culture, an influence that resonates in the cinema of fear today. From the world premiere of Dracula to the 1956 release of The Creature Walks among Us, Universal excelled at scaring viewers of all ages—and even elicited a few chuckles along the way by pitting their iconic creatures against the comedic pair of Abbott and Costello. The Monster Movies of Universal Studios captures the thrills of these films, making this book a treat for fans of the golden age of horror cinema. “Studio stills and trade ads for several of the films add a suitably scary touch to this treat for fans and scholars alike. ― Booklist “An impressive work of film scholarship.” ― Cinema Retro