The Life Of Robert Ferguson With A Critique On His Works
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Kierkegaard
Author | : Robert Ferguson |
Publisher | : Simon and Schuster |
Total Pages | : 73 |
Release | : 2015-07-15 |
Genre | : Philosophy |
ISBN | : 1605988057 |
Soren Kierkegaard was a Danish philosopher, theologian, literary stylist and social critic. Born in 1813 in Copenhagen, his philosophical work addressed living as a single individual and the importance of personal choice. A famously fierce critic of the idealist thinkers of his time, including Hegel, Goethe, and Hans Christian Anderson, he is regarded as the first existentialist philosopher, and his Fear and Trembling is one of the classics of modern philosophy. Here you will find insights from his greatest works, in the "Great Thinkers on Modern Life" series, which highlights ideas most relevant to ordinary, everyday dilemmas.
Law and Letters in American Culture
Author | : Robert A. Ferguson |
Publisher | : Harvard University Press |
Total Pages | : 456 |
Release | : 1984 |
Genre | : Law |
ISBN | : 9780674514652 |
The role of religion in early American literature has been endlessly studied; the role of the law has been virtually ignored. Robert A. Ferguson's book seeks to correct this imbalance. With the Revolution, Ferguson demonstrates, the lawyer replaced the clergyman as the dominant intellectual force in the new nation. Lawyers wrote the first important plays, novels, and poems; as gentlemen of letters they controlled many of the journals and literary societies; and their education in the law led to a controlling aesthetic that shaped both the civic and the imaginative literature of the early republic. An awareness of this aesthetic enables us to see works as diverse as Jefferson's Notes on the State of Virginia and Irving's burlesque History of New York as unified texts, products of the legal mind of the time. The Declaration of Independence, the Constitution, and the great political orations were written by lawyers, and so too were the literary works of Trumbull, Tyler, Brackenridge, Charles Brockden Brown, William Cullen Bryant, Richard Henry Dana, Jr., and a dozen other important writers. To recover the original meaning and context of these writings is to gain new understanding of a whole era of American culture. The nexus of law and letters persisted for more than a half-century. Ferguson explores a range of factors that contributed to its gradual dissolution: the yielding of neoclassicism to romanticism; the changing role of the writer; the shift in the lawyer's stance from generalist to specialist and from ideological spokesman to tactician of compromise; the onslaught of Jacksonian democracy and the problems of a country torn by sectional strife. At the same time, he demonstrates continuities with the American Renaissance. And in Abraham Lincoln he sees a memorable late flowering of the earlier tradition.
Aberrations in Black
Author | : Roderick A. Ferguson |
Publisher | : U of Minnesota Press |
Total Pages | : 196 |
Release | : 2013-11-30 |
Genre | : Literary Criticism |
ISBN | : 1452942463 |
A hard-hitting look at the regulation of sexual difference and its role in circumscribing African American culture The sociology of race relations in America typically describes an intersection of poverty, race, and economic discrimination. But what is missing from the picture—sexual difference—can be as instructive as what is present. In this ambitious work, Roderick A. Ferguson reveals how the discourses of sexuality are used to articulate theories of racial difference in the field of sociology. He shows how canonical sociology—Gunnar Myrdal, Ernest Burgess, Robert Park, Daniel Patrick Moynihan, and William Julius Wilson—has measured African Americans’s unsuitability for a liberal capitalist order in terms of their adherence to the norms of a heterosexual and patriarchal nuclear family model. In short, to the extent that African Americans’s culture and behavior deviated from those norms, they would not achieve economic and racial equality. Aberrations in Black tells the story of canonical sociology’s regulation of sexual difference as part of its general regulation of African American culture. Ferguson places this story within other stories—the narrative of capital’s emergence and development, the histories of Marxism and revolutionary nationalism, and the novels that depict the gendered and sexual idiosyncrasies of African American culture—works by Richard Wright, Ralph Ellison, James Baldwin, Audre Lorde, and Toni Morrison. In turn, this book tries to present another story—one in which people who presumably manifest the dysfunctions of capitalism are reconsidered as indictments of the norms of state, capital, and social science. Ferguson includes the first-ever discussion of a new archival discovery—a never-published chapter of Invisible Man that deals with a gay character in a way that complicates and illuminates Ellison’s project. Unique in the way it situates critiques of race, gender, and sexuality within analyses of cultural, economic, and epistemological formations, Ferguson’s work introduces a new mode of discourse—which Ferguson calls queer of color analysis—that helps to lay bare the mutual distortions of racial, economic, and sexual portrayals within sociology.
Enigma
Author | : Robert Ferguson |
Publisher | : Faber & Faber |
Total Pages | : 472 |
Release | : 2010-07 |
Genre | : |
ISBN | : 9780571271368 |
The beginning of Robert Ferguson's introduction is arresting. 'If they've heard of him at all, people tend to know two things about Knut Hamsun: that he wrote Hunger, and that he met Hitler. Those who know a little more know that in Hunger, Mysteries and Pan, he produced novels that have had a decisive effect on European and American literature of the twentieth century. Ernest Hemingway tried to write like him; so did Henry Miller, who called him 'the Dickens of my generation'; 'never has the Nobel Prize been awarded to one worthier of it.' Thomas Mann wrote in 1929. Hermann Hesse called him 'my favourite author'. Russian writers like Andre Bely and Boris Pasternak read him keenly in their youth, and Andre Gide thought him arguable superior to Dostoevsky. They all read him - Kafka, Brecht, Gorky, Wells, Musil. Rebecca West described him as the possessor of 'qualities that belong to the very great - the completest omniscience about human nature'. And Isaac Bashevis Singer stated that Hamsun was quite simply 'the father of the modern school of literature in his every aspect - his subjectiveness, his fragmentariness, his use of flashbacks, his lyricism'. Singer, in his foreword to Hunger, goes on to say that 'The whole modern school of fiction in the twentieth century stems from Hamsun.' Yet in discussions of the history of modern literature, Hamsun's name is rarely mentioned. His reputation, which probably reached its height around 1929 with the world celebrations of his seventieth birthday, was in ruins by the end of the Second World War. Alone among the major European writers, he had supported Hitler. Brazenly alone, he had hailed he rise and bemoaned the fall of the epitome of spiritual tyranny in recent history.' What a subject, and in this, the first biography, Robert Ferguson brilliantly gets the measure of this awkward, paradoxical writer, or, as he calls him 'a multiple paradox, a living riddle; a human question-mark'. 'Enigma is scholarly, very readable, warm, intelligent, shrewd, refreshingly unpretentious, invaluable, essential. A magnificent achievement.' Martin Seymour-Smith, Washington Post 'Enigma is simply a pleasure to read. When Ferguson writes of the demonic muse that haunted Hamsun throughout his life, we glimpse something profound about the creative act of writing, and we come very close to the exalted emotion that every writer feels - or hopes to feel. Indeed, the highest praise that can be bestowed on Ferguson's work is to declare that Enigma is one of the most moving, inspiring and exciting books on the subject of writing that I have ever encountered.' Jonathan Kirsch, Los Angeles Times 'Robert Ferguson's is the first full length English biography of Knut Hamsun and no one could ahve done a more expert job.' John Carey, Sunday Times
The life of Robert Burns, with a criticism on his writings to which are prefixed some observations on the Scottish peasantry
Author | : Robert Burns |
Publisher | : |
Total Pages | : 416 |
Release | : 1800 |
Genre | : Poets, Scottish |
ISBN | : |
Scandinavians
Author | : Robert Ferguson |
Publisher | : Abrams |
Total Pages | : 429 |
Release | : 2017-09-20 |
Genre | : History |
ISBN | : 1468314831 |
“An engaging, layered look into a culture complex enough both to produce stylish rain gear and to embrace the foul weather that necessitates it.” —The New York Times Book Review We fill our homes with Nordic furniture; we envy their humane social welfare system and healthy outdoor lifestyle; we devour their crime fiction. Even their strangely attractive melancholia seems to express a stoic, commonsensical acceptance of life’s vicissitudes. But how valid is this outsider’s view of Scandinavia, and how accurate is our picture of life in Scandinavia today? Scandinavians follows a chronological progression across the Northern centuries: the Vendel era of Swedish prehistory; the age of the Vikings; the Christian conversions of Denmark, Norway, Sweden and Iceland; the unified Scandinavian state of the late Middle Ages; the sea-change of the Reformation; the kingdom of Denmark-Norway; King Gustav Adolphus and the age of Sweden’s greatness; the cultural golden age of Ibsen, Strindberg, and Munch; the impact of the Second World War; Scandinavia’s postwar social democratic nirvana; and the terror attack of Anders Behring Breivik. Scandinavians is also a personal investigation, with award-winning author Robert Ferguson as the ideal companion as he explores not only the region’s society, politics, culture, and temperament, but also wide-ranging topics such as the power and mystique of Scandinavian women, from the Valkyries to the Vikings; from Nora and Hedda to Garbo and Bergman. “A delightful history in which the author truly captures ‘the soul of the North.’ ”—Kirkus Reviews
Reading the Early Republic
Author | : Robert A. FERGUSON |
Publisher | : Harvard University Press |
Total Pages | : 374 |
Release | : 2009-06-30 |
Genre | : Literary Criticism |
ISBN | : 9780674036802 |
Reading the Early Republic focuses attention on the forgotten dynamism of thought in the founding era. In every case, the documents, novels, pamphlets, sermons, journals, and slave narratives of the early American nation are richer and more intricate than modern readers have perceived. Rebellion, slavery, and treason--the mingled stories of the Revolution--still haunt national thought. Robert Ferguson shows that the legacy that made the country remains the idea of what it is still trying to become. He cuts through the pervading nostalgia about national beginnings to recapture the manic-depressive tones of its first expression. He also has much to say about the reconfiguration of charity in American life, the vital role of the classical ideal in projecting an unthinkable continental republic, the first manipulations of the independent American woman, and the troubled integration of civic and commercial understandings in the original claims of prosperity as national virtue. Reading the Early Republic uses the living textual tradition against history to prove its case. The first formative writings are more than sacred artifacts. They remain the touchstones of the durable promise and the problems in republican thought
Henrik Ibsen
Author | : Robert Ferguson |
Publisher | : Faber & Faber |
Total Pages | : 496 |
Release | : 2010 |
Genre | : Dramatists, Norwegian |
ISBN | : 9780571274819 |
A biography that provides insight into Henrik Ibsen's personal life, his creative work, and the world in which he lived. It paints the portrait of a complex, emotionally tormented artist - not one who is necessarily likable, but one whom we can understand and appreciate