The Legend of the Decadents
Author | : Gustave Leopold Van Roosbroeck |
Publisher | : |
Total Pages | : 148 |
Release | : 1927 |
Genre | : French poetry |
ISBN | : |
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Author | : Gustave Leopold Van Roosbroeck |
Publisher | : |
Total Pages | : 148 |
Release | : 1927 |
Genre | : French poetry |
ISBN | : |
Author | : Stephen Romer |
Publisher | : OUP Oxford |
Total Pages | : 289 |
Release | : 2013-05-09 |
Genre | : Fiction |
ISBN | : 0191645818 |
'He had become the dandy of the unpredictable.' A quest for new sensations, and an avowed desire to shock possessed the Decadent writers of fin-de-siècle Paris. The years 1880-1900 saw an extraordinary, hothouse flowering of talent, that produced some of the most exotic, stylized, and cerebral literature in the French language. While 'Decadence' was a European movement, its epicentre was the French capital. On the eve of Freud's early discoveries, writers such as Gourmont, Lorrain, Maupassant, Mirbeau, Richepin, Schwob, and Villiers engaged in a species of wild analysis of their own, perfecting the art of short fiction as they did so. Death and Eros haunt these pages, and a polymorphous perversity by turns hilarious and horrifying. Their stories teem with addicts, maniacs, and murderers as they strive to outdo each other. This newly translated selection brings together the very best writing of the period, from lesser known figures as well as famous names. Provocative and unsettling, these extraordinary, corrosive little tales continue to cast a cold eye on the modern world. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Author | : Robert Ervin Howard |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 0 |
Release | : 2014-08-31 |
Genre | : |
ISBN | : 9781501019067 |
"Spear and Fang" is a short story by Robert Ervin Howard. Robert Ervin Howard (January 22, 1906 - June 11, 1936) was an American author who wrote pulp fiction in a diverse range of genres. He is well known for his character Conan the Barbarian and is regarded as the father of the sword and sorcery subgenre. Howard was born and raised in the state of Texas. He spent most of his life in the town of Cross Plains with some time spent in nearby Brownwood. A bookish and intellectual child, he was also a fan of boxing and spent some time in his late teens bodybuilding, eventually taking up amateur boxing. From the age of nine he dreamed of becoming a writer of adventure fiction but did not have real success until he was 23. Thereafter, until his death at the age of 30 by suicide, Howard's writings were published in a wide selection of magazines, journals, and newspapers, and he had become successful in several genres. Although a Conan novel was nearly published into a book in 1934, his stories never appeared in book form during his lifetime. The main outlet for his stories was in the pulp magazine Weird Tales. Howard's suicide and the circumstances surrounding it have led to varied speculation about his mental health. His mother had been ill with tuberculosis his entire life, and upon learning that she had entered a coma from which she was not expected to wake, he walked out to his car and shot himself in the head. In the pages of the Depression-era pulp magazine Weird Tales, Howard created Conan the Barbarian, a character whose cultural impact has been compared to such icons as Tarzan, Count Dracula, Sherlock Holmes, Batman, and James Bond. With Conan and his other heroes, Howard created the genre now known as sword and sorcery, spawning many imitators and giving him a large influence in the fantasy field. Howard remains a highly read author, with his best works still reprinted. Howard spent his late teens working odd jobs around Cross Plains; all of which he hated. In 1924, Howard returned to Brownwood to take a stenography course at Howard Payne College, this time boarding with his friend Lindsey Tyson instead of his mother. Howard would have preferred a literary course but was not allowed to take one for some reason. Biographer Mark Finn suggests that his father refused to pay for such a non-vocational education. In the week of Thanksgiving that year, and after years of rejection slips and near acceptances, he finally sold a short caveman tale titled "Spear and Fang", which netted him the sum of $16 and introduced him to the readers of a struggling pulp called Weird Tales. Now that his career in fiction had begun, Howard dropped out of Howard Payne College at the end of the semester and returned to Cross Plains. Shortly afterwards, he received notice that another story, "The Hyena," had been accepted by Weird Tales. During the same period, Howard made his first attempt to write a novel, a loosely autobiographical book modeled on Jack London's Martin Eden and titled Post Oaks & Sand Roughs. The book was otherwise of middling quality and was never published in the author's lifetime but it is of interest to Howard scholars for the personal information it contains. Howard's alter ego in this novel is Steve Costigan, a name he would use more than once in the future. The novel was finished in 1928 but not published until long after his death.
Author | : Kostas Boyiopoulos |
Publisher | : Edinburgh University Press |
Total Pages | : 551 |
Release | : 2014-12-09 |
Genre | : Literary Collections |
ISBN | : 0748692169 |
This wide-ranging anthology showcases for the first time the short story as the most attractive genre for British writers who experimented with Decadent themes and styles. The selections represent the important role that magazine culture played in th
Author | : Karl Beckson |
Publisher | : Chicago Review Press |
Total Pages | : 406 |
Release | : 2005-08-30 |
Genre | : Poetry |
ISBN | : 1613734352 |
The Aesthetic and Decadent Movement of the late 19th century spawned the idea of "Art for Art's Sake," challenged aesthetic standards and shocked the bourgeosie. From Walter Pater's study, "The Renaissance to Salome, the truly decadent collaboration between Oscar Wilde and Aubrey Beardsley, Karl Beckson has chosen a full spectrum of works that chronicle the British artistic achievement of the 1890s. In this revised edition of a classic anthology, "The Ballad of Reading Gaol" has been included in its entirety; the bibliography has been completely updated; Professor Beckson's notes and commentary have been expanded from the first edition published in 1966. The so-called Decadent or Aesthetic period remains one of the most interesting in the history of the arts. The poetry and prose of such writers as Yeats, Wilde, Symons, Johnson, Dowson, Barlas, Pater and others are included in this collection, along with sixteen of Aubrey Beardsley's drawings.
Author | : Ross Douthat |
Publisher | : Avid Reader Press / Simon & Schuster |
Total Pages | : 272 |
Release | : 2021-03-16 |
Genre | : Political Science |
ISBN | : 1476785252 |
From the New York Times columnist and bestselling author of Bad Religion, a “clever and stimulating” (The New York Times Book Review) portrait of how our turbulent age is defined by dark forces seemingly beyond our control. The era of the coronavirus has tested America, and our leaders and institutions have conspicuously failed. That failure shouldn’t be surprising: Beneath social-media frenzy and reality-television politics, our era’s deep truths are elite incompetence, cultural exhaustion, and the flight from reality into fantasy. Casting a cold eye on these trends, The Decadent Society explains what happens when a powerful society ceases advancing—how the combination of wealth and technological proficiency with economic stagnation, political stalemate, and demographic decline creates a unique civilizational crisis. Ranging from the futility of our ideological debates to the repetitions of our pop culture, from the decline of sex and childbearing to the escapism of drug use, Ross Douthat argues that our age is defined by disappointment—by the feeling that all the frontiers are closed, that the paths forward lead only to the grave. Correcting both optimism and despair, Douthat provides an enlightening explanation of how we got here, how long our frustrations might last, and how, in renaissance or catastrophe, our decadence might ultimately end.
Author | : Alex Murray |
Publisher | : Oxford University Press |
Total Pages | : 299 |
Release | : 2023-06-14 |
Genre | : Literary Criticism |
ISBN | : 0192673963 |
British Decadent literature was a radical attack on conventional morality and middle-class taste, its insistence on the autonomy of art and its exploration of sexuality, dissipation, and depravity at odds with the literary and social establishment. Yet this counter-cultural narrative has obscured the often reactionary and elitist tendencies of Decadent writers and artists of the fin de siècle. Decadent Conservatism offers the first in-depth examination of the intersection of Decadence and conservatism, arguing that underpinning both was the desire to find alternatives to liberal modernity. Both Decadents and conservatives turned to the past to uncover values and models of social organisation that could offer stability in a chaotic world. From well-known figures such as Oscar Wilde and W.B. Yeats, through to the forgotten editors of short-lived periodicals, important female aesthetes such as Michael Field, and politicians such as Arthur Balfour, Decadent Conservatism challenges conventional understandings of the relationship between aesthetics, politics, and the past in late-Victorian Britain. Through a series of thematic chapters exploring the alternative communities created by little magazines, the politics of Individualism, investments in monarchy and religion, Folk Decadence, and jingoistic and nationalist responses to the Second Anglo-Boer war, this study offers a new, and much messier, picture of fin-de-siècle literary politics. It will be of interest to those working on Victorian literature and modernism, as well as social, political, and cultural history of the period 1880-1920.
Author | : Deborah Miles |
Publisher | : Harlequin |
Total Pages | : 264 |
Release | : 2012-02-15 |
Genre | : Fiction |
ISBN | : 1459231724 |
A case of mistaken identity… Young widow Miranda Fitzgibbon arrives in England to meet her late husband’s family, only to find she has been mistaken for her scandalous stepmother, the decadent countess. Playing up to the in-laws’ expectations, Miranda revels in her new role as the notoriously outspoken coquette. But then she clashes with her handsome, aloof brother-in-law Leo, the Duke of Belford. As Miranda’s confidence begins to falter, revealing a glimpse of the intriguing naiveté beneath her bravado, Leo is torn between pursuing this bewitching beauty and preserving his family’s reputation….
Author | : Matthew Potolsky |
Publisher | : University of Pennsylvania Press |
Total Pages | : 242 |
Release | : 2012-10-15 |
Genre | : Literary Criticism |
ISBN | : 0812207335 |
While scholars have long associated the group of nineteenth-century French and English writers and artists known as the decadents with alienation, escapism, and withdrawal from the social and political world, Matthew Potolsky offers an alternative reading of the movement. In The Decadent Republic of Letters, he treats the decadents as fundamentally international, defined by a radically cosmopolitan ideal of literary sociability rather than an inward turn toward private aesthetics and exotic sensation. The Decadent Republic of Letters looks at the way Charles Baudelaire, Théophile Gautier, and Algernon Charles Swinburne used the language of classical republican political theory to define beauty as a form of civic virtue. The libertines, an international underground united by subversive erudition, gave decadents a model of countercultural affiliation and a vocabulary for criticizing national canon formation and the increasing state control of education. Decadent figures such as Joris-Karl Huysmans, Walter Pater, Vernon Lee, Aubrey Beardsley, and Oscar Wilde envisioned communities formed through the circulation of art. Decadents lavishly praised their counterparts from other traditions, translated and imitated their works, and imagined the possibility of new associations forged through shared tastes and texts. Defined by artistic values rather than language, geography, or ethnic identity, these groups anticipated forms of attachment that are now familiar in youth countercultures and on social networking sites. Bold and sophisticated, The Decadent Republic of Letters unearths a pervasive decadent critique of nineteenth-century notions of political community and reveals the collective effort by the major figures of the movement to find alternatives to liberalism and nationalism.
Author | : George C. Schoolfield |
Publisher | : Yale University Press |
Total Pages | : 432 |
Release | : 2003-01-01 |
Genre | : Literary Criticism |
ISBN | : 0300047142 |
During the final decades of the nineteenth century, a common mind-set emerged among many intellectuals--"la decadence." Many novels and novellas of the period were populated with protagonists who were fragile, refined, self-absorbed, and preoccupied with a trivially exquisite aesthetic. A Baedeker of Decadence presents thirty-two international works of literary decadence written between 1884 and 1927. George C. Schoolfield, a world authority on the decadent novel, offers an entertaining and wide-ranging commentary on this highly significant literary and cultural phenomenon. Schoolfield tracks down the symptoms of decadence in narrative works written in more than a dozen languages, providing synopses and passages in English translation to give a sense of each author's style and tone. Schoolfield throws new light on the close intellectual kinship of authors from August Strindberg to Bram Stoker to Thomas Mann, and on the ingredients, themes, motifs, and preconceptions that characterized decadent literature.