The Laurel Hardy Movie Scripts 20 Original Short Subject Screenplays 1926 1934
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Author | : Randy Skretvedt |
Publisher | : Bonaventure Press |
Total Pages | : 288 |
Release | : 2018-06-18 |
Genre | : Performing Arts |
ISBN | : 9781937878078 |
Stan Laurel and Oliver Hardy improvised many of the scenes for their classic comedies while the cameras were rolling, which meant that some excellent material in their scripts was lost - until now. Twenty complete, original screenplays for their short subjects are presented here for the the very first time. They include a treasure trove of unused but hilarious comedy routines. Among them is the entire script for a proposed 1926 comedy, never filmed, which would have been the comedians' first film as a team. The scripts are illustrated with 150 rare photos; many of them vividly depict the process of making the films. Introductions for each entry detail the fascinating differences between the scripts and the movies made from them. Full cast and credit information is also included. This collection of fabulous rarities is essential for any admirer of Stan and Ollie.
Author | : Randy Skretvedt |
Publisher | : |
Total Pages | : 0 |
Release | : 1987 |
Genre | : Biography & Autobiography |
ISBN | : 9780940410787 |
Author | : Robert Riskin |
Publisher | : Univ of California Press |
Total Pages | : 772 |
Release | : 1997 |
Genre | : Performing Arts |
ISBN | : 9780520205253 |
Screenwriter Robert Riskin (1897-1955) was a towering figure even among the giants of Hollywood's Golden Age. Known for his unique blend of humor and romance, wisecracking and idealism, Riskin teamed with director Frank Capra to produce some of his most memorable films. Pat McGilligan has collected six of the best Riskin scripts: Platinum Blonde (1931), American Madness (1932), It Happened One Night (1934), Mr. Deeds Goes to Town (1936), Lost Horizon (1937), and Meet John Doe (1941). All of them were directed by Capra, and although Capra's work has been amply chronicled and celebrated, Riskin's share in the collaboration has been overlooked since his death. McGilligan provides the "backstory" for the forgotten half of the team, indispensable counterpoint to the director's self-mythologizing autobiography--and incidentally the missing link in any study of Capra's career. Riskin's own career, although interrupted by patriotic duty and cut short by personal tragedy, produced as consistent, entertaining, thoughtful, and enduring a body of work as any Hollywood writer's. Those who know and love these vintage films will treasure these scripts. McGilligan's introduction offers new information and insights for fans, scholars, and general readers.
Author | : Jude Rawlins |
Publisher | : |
Total Pages | : 140 |
Release | : 2022-02-06 |
Genre | : |
ISBN | : 9781716127236 |
FAUST Jude Rawlins follows in the cinematic tradition of Fellini, Jodorowsky, Ken Russell, Derek Jarman, and Sally Potter, with one of the most acerbic literary deviations ever attempted, re-imagining Faust's little known sequel as an irreverent Medieval poetic heresy. Faust, now female, returns to the wilderness to seek Mephistopheles' help to find his lost love Margret. But when they find her, grief has made her a shadow of her former self. After ending her suffering, Faust and Mephisto travel to London, where the goddess Venus plunges them into a world of vice and debauchery, which ends in tragedy for one of them and sexual awakening for the other. Or does it? Perhaps it doesn't. Or doesn't it? RED Red is Jude Rawlins' long-gestating tribute to English artist and filmmaker Derek Jarman. The experimental film was made during the Covid-19 lockdown and consists of a complex soundtrack of music and sounds interwoven with stream-of-consciousness dialogue, set against a blank red screen. Jude describes the film is a kind of "spiritual sequel" to Derek Jarman's 1993 film Blue, a deeply immersive emotional journey. Blue was made when Jarman was terminally ill with Aids. "We all knew he didn't have long left," remembers Rawlins, "and in one conversation I tried ham-fistedly to lighten the mood by saying that he shouldn't die, he should live and make a sequel to Blue. Which he turned around on me and said that I should do it, and that as Blue was essentially a film about the pain of dying, any sequel should be called Red and be a film about the pain of living. Almost thirty years on, and I have come to understand that concept very well."
Author | : Ronald Bergan |
Publisher | : DK Publishing (Dorling Kindersley) |
Total Pages | : 0 |
Release | : 2021 |
Genre | : Biography & Autobiography |
ISBN | : 9780241484838 |
Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.
Author | : Bernard F. Dick |
Publisher | : University Press of Kentucky |
Total Pages | : 315 |
Release | : 2021-10-19 |
Genre | : Performing Arts |
ISBN | : 0813196132 |
Drawing on previously untapped archival materials including letters, interviews, and more, Bernard F. Dick traces the history of Columbia Pictures, from its beginnings as the CBC Film Sales Company, through the regimes of Harry Cohn and his successors, and ending with a vivid portrait of today's corporate Hollywood. The book offers unique perspectives on the careers of Rita Hayworth and Judy Holliday, a discussion of Columbia's unique brands of screwball comedy and film noir, and analyses of such classics as The Awful Truth, Born Yesterday, and From Here to Eternity. Following the author's highly readable studio chronicle are fourteen original essays by leading film scholars that follow Columbia's emergence from Poverty Row status to world class, and the stars, films, genres, writers, producers, and directors responsible for its transformation. A new essay on Quentin Tarantino's Once Upon a Time...in Hollywood rounds out the collection and brings this seminal studio history into the 21st century. Amply illustrated with film stills and photos of stars and studio heads, Columbia Pictures is the first book to integrate history with criticism of a single studio, and is ideal for film lovers and scholars alike.
Author | : David Koenig |
Publisher | : |
Total Pages | : |
Release | : 2021-09-15 |
Genre | : |
ISBN | : 9781937878115 |
Columbo was arguably the most popular and most unique television mystery series ever -even though, within two minutes of the titles, the audience already knew the murderer's identity. The show captivated tens of millions of viewers for 69 adventures produced over 35 years. Yet if star Peter Falk had gotten his way, it would have run far longer.Columbo was never formally canceled, just subtly killed off. Twice. Who was to blame? The temperamental lead who would rather work in movies? The budget-conscious studio, exhausted with the star's demands? Or was it the meddling television studios, searching for a younger, hipper replacement?Discover the solution in "Shooting Columbo: The Lives and Deaths of TV's Rumpled Detective." Author David Koenig takes you behind the scenes to witness the creation and making of every case, from the pilot "Prescription: Murder" (and its earlier incarnations on "The Chevy Mystery Show" and on stage) to the final special, "Columbo Likes the Nightlife."You'll discover the origins of the Lieutenant's unseen wife, the lethargic Dog, the wrinkled raincoat, the wheezing 1959 Peugeot, and "Just one more thing...." The narrative draws on scores of exclusive interviews with the show's writers, producers, directors and other creative personnel, as well as previously unpublished studio records, including scripts, memos, production reports, casting sheets, and business diaries. They will transport you to the harried story conferences, the heated confrontations, and take... after take... after take... of filming. The "shooting" of Columbo was filled with backstage intrigue and larger-than-life personalities who, through it all, created unforgettable classic television.
Author | : Wheeler Winston Dixon |
Publisher | : Rutgers University Press |
Total Pages | : 525 |
Release | : 2018-03-30 |
Genre | : Art |
ISBN | : 0813595169 |
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Author | : Roger Crittenden |
Publisher | : Taylor & Francis |
Total Pages | : 419 |
Release | : 2012-08-06 |
Genre | : Performing Arts |
ISBN | : 113605409X |
Roger Crittenden reveals the experiences of many of the greatest living European film editors through his warm and perceptive interviews which offer a unique insight into the art of editing - direct from masters of the craft. In their interviews the editors relate their experience to the directors they have worked with, including: Agnes Guillemot- (Godard, Truffaut, Catherine Breillat) Roberto Perpignani- (Welles, Bertolucci, Tavianni Brothers) Sylvia Ingemarsson- (Ingmar Bergman) Michal Leszczylowski- (Andrei Tarkovsky, Lukas Moodysson) Tony Lawson (Nic Roeg, Stanley Kubrick, Neil Jordan) and many more. Foreword by Walter Murch - three-time Oscar-winning Editor of 'Apocalypse Now', 'The English Patient', 'American Graffiti', 'The Conversation' and 'The Godfather Part II and III'.
Author | : Lloyd Llewellyn-Jones |
Publisher | : Edinburgh University Press |
Total Pages | : 440 |
Release | : 2018-07-13 |
Genre | : Performing Arts |
ISBN | : 0748675655 |