The Latin Image In America Film
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Author | : Rielle Navitski |
Publisher | : Indiana University Press |
Total Pages | : 391 |
Release | : 2017-06-19 |
Genre | : Performing Arts |
ISBN | : 0253026555 |
Cosmopolitan Film Cultures in Latin America examines how cinema forged cultural connections between Latin American publics and film-exporting nations in the first half of the twentieth century. Predating today's transnational media industries by several decades, these connections were defined by active economic and cultural exchanges, as well as longstanding inequalities in political power and cultural capital. The essays explore the arrival and expansion of cinema throughout the region, from the first screenings of the Lumière Cinématographe in 1896 to the emergence of new forms of cinephilia and cult spectatorship in the 1940s and beyond. Examining these transnational exchanges through the lens of the cosmopolitan, which emphasizes the ethical and political dimensions of cultural consumption, illuminates the role played by moving images in negotiating between the local, national, and global, and between the popular and the elite in twentieth-century Latin America. In addition, primary historical documents provide vivid accounts of Latin American film critics, movie audiences, and film industry workers' experiences with moving images produced elsewhere, encounters that were deeply rooted in the local context, yet also opened out onto global horizons.
Author | : Gisela Cánepa Koch |
Publisher | : transcript Verlag |
Total Pages | : 243 |
Release | : 2016-05-31 |
Genre | : Social Science |
ISBN | : 3839433177 |
Historical photographs taken in Latin America have now become key sites for memory politics, ethnographic imagination, and the negotiation of identity. This volume opens up a set of questions relating to the contemporaneous agency of images as well as their current appropriation via new technologies. Case studies of pictures taken in Mexico, Colombia, Peru and Brazil analyze these processes by tracing how the images have been resignified over time and space. The contributions examine photographs that have been recently rediscovered by such diverse actors as European museums, human rights organizations, anthropologists, shamans, local historians, and communities of internet users.
Author | : Allen L. Woll |
Publisher | : Los Angeles : UCLA Latin American Center Publications, University of California |
Total Pages | : 152 |
Release | : 1977 |
Genre | : Performing Arts |
ISBN | : |
Author | : Charles Ramírez Berg |
Publisher | : University of Texas Press |
Total Pages | : 329 |
Release | : 2009-09-15 |
Genre | : Performing Arts |
ISBN | : 0292783000 |
The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady—these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping. In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as Raúl Julia, Rosie Pérez, José Ferrer, Lupe Vélez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyzes Hollywood's portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert Rodríguez. He also presents an exclusive interview in which Rodríguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system.
Author | : Allen L. Woll |
Publisher | : University of California, Latin American Center |
Total Pages | : 156 |
Release | : 1980 |
Genre | : Performing Arts |
ISBN | : |
Author | : Donald F. Stevens |
Publisher | : Rowman & Littlefield Publishers |
Total Pages | : 265 |
Release | : 1998-07-01 |
Genre | : History |
ISBN | : 058534826X |
Combining history with discussions of dramatic cinema, Based on a True Story: Latin American History at the Movies examines how film has portrayed Latin America from the late fifteenth century to the present. The book opens with an introduction on the visual presentation of the past in the movies, while the rest of the book consists of essays that explore the best feature films on Latin America from the professional historian's perspective.
Author | : Stephen M. Hart |
Publisher | : Reaktion Books |
Total Pages | : 225 |
Release | : 2014-10-15 |
Genre | : Art |
ISBN | : 1780234031 |
From El Megano and Black God, White Devil to City of God and Babel, Latin American films have a rich history. In this concise but comprehensive account, Stephen M. Hart traces Latin American cinema from its origins in 1896 to the present day, along the way providing original views of major films and mini-biographies of major film directors. Describing the broad contours of Latin American film and its connections to major historical developments, Hart guides readers through the story of how Hollywood dominance succumbed to the emergence of the Nuevo Cine Latinoamericano and how this movement has led to the “New” New Latin American Cinema of the twenty-first century. He offers a fresh analysis of the effects of major changes in film technology, revealing how paradigm shifts such as the move to digital preceded new cinematographic techniques and visions. He also looks closely at the films themselves, examining how filmmakers express their messages. Finally, he considers the decision by a group of directors to film in English, which enhanced the visibility of Latin American cinema around the world. Featuring 120 illustrations, this clear, cogent guide to the history of this region’s cinema will appeal to fans of Central Station and Like Water for Chocolate alike.
Author | : Rosa Linda Fregoso |
Publisher | : U of Minnesota Press |
Total Pages | : 196 |
Release | : 1993 |
Genre | : Performing Arts |
ISBN | : 9781452901008 |
Explores Chicana and Chicano popular culture through contemporary representations in both Hollywood commercial and independent cinema. Rosa Linda Fregoso's The Bronze Screen opens the way for international debate on the new critical field of Chicano/a cinema. Fregoso provides an incisive articulation of the ways in which narrative codes in film can telescope complex versions of Mexican and American culture and history. The often violent impact of 'first' (U.S.) and 'third' (Mexico) world cultures and geographies is channeled through the very term Chicano/a as well as its cinematic representation. Fregoso's masterful critique brings out with great clarity the irony, paradox, and contradictions of such historical collisions. --Norma Alarcón, University of California, Berkeley
Author | : Charles Ramírez Berg |
Publisher | : University of Texas Press |
Total Pages | : 329 |
Release | : 2002-08-15 |
Genre | : Performing Arts |
ISBN | : 0292709072 |
Publisher Fact Sheet Berg analyzes the intersection of Hollywood stereotyping and Latino self-representation, and explores how Latino actors and filmmakers have subverted and resisted stereotyping.
Author | : Julianne Burton-Carvajal |
Publisher | : University of Pittsburgh Pre |
Total Pages | : 474 |
Release | : 1990-09-15 |
Genre | : History |
ISBN | : 0822974444 |
Twenty essays by major filmmakers and critics provide the first survey of the evolution of documentary film in Latin America. While acknowledging the political and historical weight of the documentary, the contributors are also concerned with the aesthetic dimensions of the medium and how Latin American practitioners have defined the boundaries of the form.