Latin American & Caribbean Art
Author | : Museum of Modern Art (New York, N.Y.) |
Publisher | : |
Total Pages | : 188 |
Release | : 2004 |
Genre | : Art |
ISBN | : |
Katalog til udstilling på El Museo del Barrio, New York. March 4-July 25, 2004
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Author | : Museum of Modern Art (New York, N.Y.) |
Publisher | : |
Total Pages | : 188 |
Release | : 2004 |
Genre | : Art |
ISBN | : |
Katalog til udstilling på El Museo del Barrio, New York. March 4-July 25, 2004
Author | : Stephanie D'Alessandro |
Publisher | : Yale University Press |
Total Pages | : 385 |
Release | : 2017-01-01 |
Genre | : Art |
ISBN | : 0300228619 |
An exploration of the innovative, quintessentially Brazilian painter who merged modernism with the brilliant energy and culture of her homeland Tarsila do Amaral (1886-1973) was a central figure at the genesis of modern art in her native Brazil, and her influence reverberates throughout 20th- and 21st-century art. Although relatively little-known outside Latin America, her work deserves to be understood and admired by a wide contemporary audience. This publication establishes her rich background in European modernism, which included associations in Paris with artists Fernand Léger and Constantin Brancusi, dealer Ambroise Vollard, and poet Blaise Cendrars. Tarsila (as she is known affectionately in Brazil) synthesized avant-garde aesthetics with Brazilian subjects, creating stylized, exaggerated figures and landscapes inspired by her native country that were powerful emblems of the Brazilian modernist project known as Antropofagía. Featuring a selection of Tarsila's major paintings, this important volume conveys her vital role in the emerging modern-art scene of Brazil, the community of artists and writers (including poets Oswald de Andrade and Mário de Andrade) with whom she explored and developed a Brazilian modernism, and how she was subsequently embraced as a national cultural icon. At the same time, an analysis of Tarsila's legacy questions traditional perceptions of the 20th-century art world and asserts the significant role that Tarsila and others in Latin America had in shaping the global trajectory of modernism.
Author | : Antonio Castro Leal |
Publisher | : |
Total Pages | : 200 |
Release | : 2013-10 |
Genre | : |
ISBN | : 9781494041571 |
This is a new release of the original 1940 edition.
Author | : Barry Bergdoll |
Publisher | : Museum of Modern Art, New York |
Total Pages | : 320 |
Release | : 2015 |
Genre | : Architecture |
ISBN | : 9780870709630 |
In 1955 The Museum of Modern Art staged Latin American Architecture since 1945, a landmark survey of modern architecture in Latin America. Published in conjunction with a new exhibition that revisits the region on the 60th anniversary of that important show, Latin America in Construction: Architecture 1955-1980 offers a complex overview of the positions, debates, and architectural creativity from Mexico and Cuba to the Southern Cone between 1955 and the early 1980s. The publication features a wealth of original materials that have never before been brought together to illustrate a period of self-questioning, exploration and complex political shifts that saw the emergence of the notion of Latin America as a landscape of development. Richly illustrated with architectural drawings, vintage photographs, sketches and newly commissioned photographs, the catalogue presents the work of architects who met the challenges of modernization with innovative formal, urbanistic and programmatic solutions. Today, when Latin America is again providing exciting and challenging architecture and urban responses, Latin America in Construction brings this vital post-war period to light.
Author | : Edward J. Sullivan |
Publisher | : Penn State University Press |
Total Pages | : 0 |
Release | : 2018 |
Genre | : Art, Latin American |
ISBN | : 9780271079523 |
Explores the formation of public and private collections of Spanish Colonial and modern Latin American art throughout the United States, and the impact of the ever-changing political landscape of Latin American countries.
Author | : Michele Greet |
Publisher | : Routledge |
Total Pages | : 333 |
Release | : 2018-03-08 |
Genre | : Art |
ISBN | : 1351777904 |
Since the late nineteenth century, art museums have played crucial social, political, and economic roles throughout Latin America because of the ways that they structure representation. By means of their architecture, collections, exhibitions, and curatorial practices, Latin American art museums have crafted representations of communities, including nation states, and promoted particular group ideologies. This collection of essays, arranged in thematic sections, will examine the varying and complex functions of art museums in Latin America: as nation-building institutions and instruments of state cultural politics; as foci for the promotion of Latin American modernities and modernisms; as sites of mediation between local and international, private and public interests; as organizations that negotiate cultural construction within the Latin American diaspora and shape constructs of Latin America and its nations; and as venues for the contestation of elitist and Eurocentric notions of culture and the realization of cultural diversity rooted in multiethnic environments.
Author | : César Aira |
Publisher | : New Directions Publishing |
Total Pages | : 97 |
Release | : 2006-05-25 |
Genre | : Fiction |
ISBN | : 0811219801 |
An astounding novel from Argentina that is a meditation on the beautiful and the grotesque in nature, the art of landscape painting, and one experience in a man's life that became a lightning rod for inspiration. An Episode in the Life of a Landscape Painter is the story of a moment in the life of the German artist Johan Moritz Rugendas (1802-1858). Greatly admired as a master landscape painter, he was advised by Alexander von Humboldt to travel West from Europe to record the spectacular landscapes of Chile, Argentina, and Mexico. Rugendas did in fact become one of the best of the nineteenth-century European painters to venture into Latin America. However this is not a biography of Rugendas. This work of fiction weaves an almost surreal history around the secret objective behind Rugendas' trips to America: to visit Argentina in order to achieve in art the "physiognomic totality" of von Humboldt's scientific vision of the whole. Rugendas is convinced that only in the mysterious vastness of the immense plains will he find true inspiration. A brief and dramatic visit to Mendosa gives him the chance to fulfill his dream. From there he travels straight out onto the pampas, praying for that impossible moment, which would come only at an immense pricean almost monstrously exorbitant price that would ultimately challenge his drawing and force him to create a new way of making art. A strange episode that he could not avoid absorbing savagely into his own body interrupts the trip and irreversibly and explosively marks him for life.
Author | : Alexandra Schwartz |
Publisher | : The Museum of Modern Art |
Total Pages | : 266 |
Release | : 2010 |
Genre | : Art, Modern |
ISBN | : 0870706608 |
This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives.
Author | : Smithsonian American Art Museum |
Publisher | : Giles |
Total Pages | : 374 |
Release | : 2014 |
Genre | : Art |
ISBN | : |
Explores how one group of Latin American artists express their relationship to American art, history and culture.
Author | : Patricio del Real |
Publisher | : |
Total Pages | : 320 |
Release | : 2022-05-24 |
Genre | : Architecture |
ISBN | : 9780300254563 |
A nuanced look at how the Museum of Modern Art's carefully curated treatment of Latin American architecture promoted U.S. political, economic, and cultural interests In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using modern architecture to imagine a Latin America under postwar U.S. leadership, MoMA presented blockbuster shows, including Brazil Builds (1943) and Latin American Architecture since 1945 (1955), that deployed racially coded aesthetics and emphasized the confluence of "Americanness" and "modernity" in a globalizing world. Delving into the heated debates of the period and presenting never-before-published internal documents and photos from the museum and the Nelson A. Rockefeller archives, Patricio del Real is the first to fully address MoMA's role in U.S. cultural imperialism and its consequences through its exhibitions on Latin American art and architecture.