Michigan in the Novel, 1816-1996

Michigan in the Novel, 1816-1996
Author:
Publisher: Wayne State University Press
Total Pages: 390
Release: 1998
Genre: Literary Criticism
ISBN: 9780814327128

Michigan in the Novel records 1,735 novels published from 1816 through 1996 that are set wholly or partially in the state of Michigan. Consulting literally thousands of novels and visiting scores of libraries, Robert Beasecker spent more than twenty years researching this exhaustive bibliography. Works included are mainstream fiction, mystery and romance novels, juveniles, religious tracts, dime novels, and other marginal or popular genre literature. Omitted are short stories, poetry, drama, screenplays and pageants, and serially published novels with no subsequent separate publication. Through its six indexes, Michigan in the Novel provides literary and cultural access to Michigan novels, classifying novels by to title, series, setting, chronology, subject and genre, and Michigan imprints. Intended to serve as a guide for students, teachers, scholars, and readers to explore Michigan's vast, varied, and rich literary landscape, Michigan in the Novel is the most expansive compilation of its kind.

A Place of Darkness

A Place of Darkness
Author: Kendall R. Phillips
Publisher: University of Texas Press
Total Pages: 339
Release: 2018-03-01
Genre: Performing Arts
ISBN: 1477315535

“An illuminating history . . . it’s clear that the right story can still terrify us; A Place of Darkness is a primer on how the movies learned to do it.” —NPR Horror is one of the most enduringly popular genres in cinema. The term “horror film” was coined in 1931 between the premiere of Dracula and the release of Frankenstein, but monsters, ghosts, demons, and supernatural and horrific themes have been popular with American audiences since the emergence of novelty cinematographic attractions in the late 1890s. A Place of Darkness illuminates the prehistory of the horror genre by tracing the way horrific elements and stories were portrayed in films prior to the introduction of the term “horror film.” Using a rhetorical approach that examines not only early films but also the promotional materials for them and critical responses to them, Kendall R. Phillips argues that the portrayal of horrific elements was enmeshed in broader social tensions around the emergence of American identity and, in turn, American cinema. He shows how early cinema linked monsters, ghosts, witches, and magicians with Old World superstitions and beliefs, in contrast to an American way of thinking that was pragmatic, reasonable, scientific, and progressive. Throughout the teens and twenties, Phillips finds, supernatural elements were almost always explained away as some hysterical mistake, humorous prank, or nefarious plot. The Great Depression of the 1930s, however, constituted a substantial upheaval in the system of American certainty and opened a space for the reemergence of Old-World gothic within American popular discourse in the form of the horror genre, which has terrified and thrilled fans ever since. “[A] fascinating read.” —Sublime Horror

The Nation

The Nation
Author:
Publisher:
Total Pages: 522
Release: 1900
Genre: Current events
ISBN:

The Late Dr. Sedgwick and the Spirit Medium (Based Upon Facts)

The Late Dr. Sedgwick and the Spirit Medium (Based Upon Facts)
Author: Edward Hamilton Caylor
Publisher: Forgotten Books
Total Pages: 104
Release: 2017-11-28
Genre: Body, Mind & Spirit
ISBN: 9780332133836

Excerpt from The Late Dr. Sedgwick and the Spirit Medium (Based Upon Facts): A Fascinating Narrative Revealing in Story a Comprehensive and Concise Outline of Spirit Philosophy and the Methods Employed by Mediums to Foist It Upon a Credulous Public, Together With a Chapter on Psychic Law The narrative, or story, presenting the sub jcet of spiritualism in this book, is based upon incidents and observation in the experience of the writer, so grouped as to entertain the reader in a continuous recital, until he has thoroughly covered that comprehensive and fascinating field frequented by so large a class of inquisi tive and credulous minds. The writer makes no apology for entering the field of fiction to convey so important a truth, involved in so alluring a subject, but reminds the reader that this has been a legitimate field of thought in all ages on all subjects. The reader, on finishing, will find himself posted with a volume of information on this modern delusion that should fortify him against any of its approaches. The chapter on psychic force, or mental law, is intended to interest the student in the state ment of some now well-established facts in the realm of mind. Appended is a convenient table of definitions of psychic terms, suggestive also of the complex and comprehensive field outlying a solution of the mysteries of human life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.