The Language Of Renaissance Poetry
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| Author | : Tom Jones |
| Publisher | : Edinburgh University Press |
| Total Pages | : 240 |
| Release | : 2012-07-04 |
| Genre | : Literary Criticism |
| ISBN | : 0748656189 |
The first study of poetic language from a historical and philosophical perspectiveIn a series of 12 chapters, exemplary poems - by Walter Ralegh, John Milton,William Cowper, William Wordsworth, Gerard Manley Hopkins, Wallace Stevens, Ezra Pound, Frank O'Hara, Robert Creeley, W. S. Graham, Tom Raworth, Denise Riley and Thomas A. Clark - are read alongside theoretical discussions of poetic language. The discussions provide a jargon-free account of a wide range of historical and contemporary schools of thought about poetic language, and an organised, coherent critique of those schools (including analytical philosophy, cognitive poetics, structuralism and post-structuralism). Via close readings of poems from 1600 to the present readers are taken through a wide range of styles including modernist, experimental and innovative poetries. Paired chapters within a chronological structure allow lecturers and students to approach the material in a variety of ways (by individual chapters, paired historical periods) that are appropriate to different courses.
| Author | : David Norbrook |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 356 |
| Release | : 2002 |
| Genre | : History |
| ISBN | : 9780199247196 |
This title establishes the radical currents of thought shaping Renaissance poetry: civic humanism and apocalyptic Protestantism. The author shows how Elizabethan poets like Sidney and Spenser, often seen as conservative monarchists, responded powerfully if sometimes ambivalently to radical ideas.
| Author | : Isabel Rivers |
| Publisher | : Routledge |
| Total Pages | : 243 |
| Release | : 2003-09-02 |
| Genre | : Literary Criticism |
| ISBN | : 1134844174 |
Since publication in 1979 Isabel Rivers' sourcebook has established itself as the essential guide to English Renaissance poetry. It: provides an account of the main classical and Christian ideas, outlining their meaning, their origins and their transmission to the Renaissance; illustrates the ways in which Renaissance poetry drew on classical and Christian ideas; contains extracts from key classical and Christian texts and relates these to the extracts of the English poems which draw on them; includes suggestions for further reading, and an invaluable bibliographical appendix.
| Author | : Virginia Cox |
| Publisher | : JHU Press |
| Total Pages | : 473 |
| Release | : 2013-07-31 |
| Genre | : History |
| ISBN | : 1421408880 |
This is an amazing book, a major achievement in the field of women's studies.--Renaissance Quarterly, reviewing Women's Writing in Italy, 1400-1650
| Author | : Elias L. Rivers |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1998 |
| Genre | : |
| ISBN | : |
| Author | : Stephen Guy-Bray |
| Publisher | : |
| Total Pages | : 250 |
| Release | : 2022-02-18 |
| Genre | : Literary Criticism |
| ISBN | : 9781785279096 |
This book looks at how Renaissance poets ended their poetic lines. It considers a range of strategies and argues that line endings are crucial to our understanding of the poems. I'll begin with an introduction summarizing the work that has already been done in this area and demonstrating my own method. The main part of the book will be divided into three chapters: one on rhyme; one on enjambment; and one on the sestina. These are the most significant kinds of line endings used by English Renaissance poets. The book ends with a brief afterword, in which I'll summarize my findings and sketch out some new areas for research.
| Author | : Michael Hattaway |
| Publisher | : John Wiley & Sons |
| Total Pages | : 792 |
| Release | : 2008-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 0470998725 |
This is a one volume, up-to-date collection of more than fifty wide-ranging essays which will inspire and guide students of the Renaissance and provide course leaders with a substantial and helpful frame of reference. Provides new perspectives on established texts. Orientates the new student, while providing advanced students with current and new directions. Pioneered by leading scholars. Occupies a unique niche in Renaissance studies. Illustrated with 12 single-page black and white prints.
| Author | : Andrew Hui |
| Publisher | : Fordham Univ Press |
| Total Pages | : 360 |
| Release | : 2017-01-02 |
| Genre | : Art |
| ISBN | : 0823273369 |
The Renaissance was the Ruin-naissance, the birth of the ruin as a distinct category of cultural discourse, one that inspired voluminous poetic production. For humanists, the ruin became the material sign that marked the rupture between themselves and classical antiquity. In the first full-length book to document this cultural phenomenon, Andrew Hui explains how the invention of the ruin propelled poets into creating works that were self-aware of their absorption of the past as well as their own survival in the future.
| Author | : Michael Payne |
| Publisher | : Wiley-Blackwell |
| Total Pages | : 1184 |
| Release | : 2003-02-14 |
| Genre | : Literary Criticism |
| ISBN | : 9780631198987 |
Responding to the broadening of the canon in recent years, this accessible anthology balances a generous selection of familiar Renaissance figures with important texts by women writers. Includes important texts by women writers alongside more familiar Renaissance masters. Offers many key works of the period in their entirety. Introductions and annotations to the texts reflect the developments in critical and cultural theory as well as the current state of Renaissance scholarship. One of the first anthologies to include cross-references to materials available on the Internet.
| Author | : Walter Pater |
| Publisher | : |
| Total Pages | : 276 |
| Release | : 1910 |
| Genre | : Art, Renaissance |
| ISBN | : |
