The Kings Cabinet Opened
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The Kings Cabinet Opened: Or, Certain Packets of Secret Letters & Papers, Written with the Kings Own Hand, and Taken in His Cabinet at Nasby-Field, June 14. 1645
Author | : Charles I (King of England) |
Publisher | : |
Total Pages | : 56 |
Release | : 1645 |
Genre | : Great Britain |
ISBN | : |
Reports from Commissioners
Author | : Great Britain. Parliament. House of Commons |
Publisher | : |
Total Pages | : 876 |
Release | : 1871 |
Genre | : |
ISBN | : |
The Kings Cabinet Opened, Or, Certain Packets of Secret Letters & Papers
Author | : England and Wales. Sovereign (1625-1649 : Charles I) |
Publisher | : |
Total Pages | : 0 |
Release | : 1645 |
Genre | : Great Britain |
ISBN | : |
Gender and the English Revolution
Author | : Ann Hughes |
Publisher | : Routledge |
Total Pages | : 217 |
Release | : 2011-08-18 |
Genre | : History |
ISBN | : 113664248X |
In this fascinating and unique study, Ann Hughes examines how the experience of civil war in seventeenth-century England affected the roles of women and men in politics and society; and how conventional concepts of masculinity and femininity were called into question by the war and the trial and execution of an anointed King. Ann Hughes combines discussion of the activities of women in the religious and political upheavals of the revolution, with a pioneering analysis of how male political identities were fractured by civil war. Traditional parallels and analogies between marriage, the family and the state were shaken, and rival understandings of sexuality, manliness, effeminacy and womanliness were deployed in political debate. In a historiography dominated by military or political approaches, Gender and the English Revolution reveals the importance of gender in understanding the events in England during the 1640s and 1650s. It will be an essential resource for anyone interested in women’s history, feminism, gender or British History.
Politicizing Domesticity from Henrietta Maria to Milton's Eve
Author | : Laura Lunger Knoppers |
Publisher | : Cambridge University Press |
Total Pages | : 241 |
Release | : 2011-09-29 |
Genre | : Biography & Autobiography |
ISBN | : 1107007887 |
Knoppers examines the domestic image of the royal family as a contested propaganda tool in the English Revolution and beyond.
Epistolary Histories
Author | : Amanda Gilroy |
Publisher | : University of Virginia Press |
Total Pages | : 252 |
Release | : 2000 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780813919737 |
This innovative collection of essays participates in the ongoing debate about the epistolary form, challenging readers to rethink the traditional association between the letter and the private sphere. It also pushes the boundaries of that debate by having the contributors respond to each other within the volume, thus creating a critical community between covers that replicates the dialogic nature of epistolarity itself, with all its dissonances and differences as well as its connections. Focusing mainly on Anglo-American texts from the seventeenth century to the present day, these nine essays and their "postscripts" engage the relationship between epistolary texts and discourses of gender, class, politics, and commodification. Ranging from epistolary histories of Mary Queen of Scots to Turkish travelogues, from the making of the modern middle class and the correspondence of Melville and Hawthorne to new epistolary innovators such as Kathy Acker and Orlan, the contributions are divided into three parts: part 1 addresses the "feminocentric" focus of the letter; part 2, the boundaries between the fictional and the real; and part 3 the ways in which the epistolary genre may help us think more clearly about questions of critical address and discourse that have preoccupied theorists in recent years. In sum, Epistolary Histories is a defining contribution to epistolary studies. Contributors: Nancy Armstrong, Brown University Anne L. Bower, Ohio State University, Marion Clare Brant, King's College, London Amanda Gilroy, University of Groningen Richard Hardack, Haverford and Bryn Mawr Colleges Linda S. Kauffman, University of Maryland, College Park Donna Landry, Wayne State University Gerald MacLean, Wayne State University Martha Nell Smith, University of Maryland, College Park W. M. Verhoeven, University of Groningen
The Secret History of Domesticity
Author | : Michael McKeon |
Publisher | : JHU Press |
Total Pages | : 919 |
Release | : 2006-12-26 |
Genre | : History |
ISBN | : 0801896452 |
Winner, Association of American Publishers’ Professional and Scholarly Publishing Awards in Communication and Cultural Studies Taking English culture as its representative sample, The Secret History of Domesticity asks how the modern notion of the public-private relation emerged in the seventeenth and eighteenth centuries. Treating that relation as a crucial instance of the modern division of knowledge, Michael McKeon narrates its pre-history along with that of its essential component, domesticity. This narrative draws upon the entire spectrum of English people's experience. At the most "public" extreme are political developments like the formation of civil society over against the state, the rise of contractual thinking, and the devolution of absolutism from monarch to individual subject. The middle range of experience takes in the influence of Protestant and scientific thought, the printed publication of the private, the conceptualization of virtual publics—society, public opinion, the market—and the capitalization of production, the decline of the domestic economy, and the increase in the sexual division of labor. The most "private" pole of experience involves the privatization of marriage, the family, and the household, and the complex entanglement of femininity, interiority, subjectivity, and sexuality. McKeon accounts for how the relationship between public and private experience first became intelligible as a variable interaction of distinct modes of being—not a static dichotomy, but a tool to think with. Richly illustrated with nearly 100 images, including paintings, engravings, woodcuts, and a representative selection of architectural floor plans for domestic interiors, this volume reads graphic forms to emphasize how susceptible the public-private relation was to concrete and spatial representation. McKeon is similarly attentive to how literary forms evoked a tangible sense of public-private relations—among them figurative imagery, allegorical narration, parody, the author-character-reader dialectic, aesthetic distance, and free indirect discourse. He also finds a structural analogue for the emergence of the modern public-private relation in the conjunction of what contemporaries called the "secret history" and the domestic novel. A capacious and synthetic historical investigation, The Secret History of Domesticity exemplifies how the methods of literary interpretation and historical analysis can inform and enrich one another.
The Oxford English Literary History
Author | : Margaret J. M. Ezell |
Publisher | : Oxford University Press |
Total Pages | : 599 |
Release | : 2017-09-15 |
Genre | : Literary Criticism |
ISBN | : 0192537822 |
The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these thirteen groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. This volume covers the period 1645-1714, and removes the traditional literary period labels and boundaries used in earlier studies to categorize the literary culture of late seventeenth-century England. It invites readers to explore the continuities and the literary innovations occurring during six turbulent decades, as English readers and writers lived through unprecedented events including a King tried and executed by Parliament and another exiled, the creation of the national entity 'Great Britain', and an expanding English awareness of the New World as well as encounters with the cultures of Asia and the subcontinent. The period saw the establishment of new concepts of authorship and it saw a dramatic increase of women working as professional, commercial writers. London theatres closed by law in 1642 reopened with new forms of entertainments from musical theatrical spectaculars to contemporary comedies of manners with celebrity actors and actresses. Emerging literary forms such as epistolary fictions and topical essays were circulated and promoted by new media including newspapers, periodical publications, and advertising and laws were changing governing censorship and taking the initial steps in the development of copyright. It was a period which produced some of the most profound and influential literary expressions of religious faith from John Milton's Paradise Lost and John Bunyan's Pilgrim's Progress, while simultaneously giving rise to a culture of libertinism and savage polemical satire, as well as fostering the new dispassionate discourses of experimental sciences and the conventions of popular romance.