The Judaic Nature of Israeli Theatre

The Judaic Nature of Israeli Theatre
Author: Dan Urian
Publisher: Routledge
Total Pages: 184
Release: 2013-12-19
Genre: Performing Arts
ISBN: 1134425902

Theatre has, since the time of the Jewish Enlightenment, served the secular community in its conflict with the religious. This book surveys the secular-religious rift and then describes the enhanced concern of the secular community in Israel for its own Jewishness and its expression in the theatre - especially following the 1967 War. It then moves on to a specific study of the play Bruira and finally reviews the phenomenon of the return to Orthodox Judaism by secular individuals.

The Judaic Nature of Israeli Theatre

The Judaic Nature of Israeli Theatre
Author: Dan Urian
Publisher: Routledge
Total Pages: 240
Release: 2013-12-19
Genre: Performing Arts
ISBN: 113442597X

Theatre has, since the time of the Jewish Enlightenment, served the secular community in its conflict with the religious. This book surveys the secular-religious rift and then describes the enhanced concern of the secular community in Israel for its own Jewishness and its expression in the theatre - especially following the 1967 War. It then moves on to a specific study of the play Bruira and finally reviews the phenomenon of the return to Orthodox Judaism by secular individuals.

Jewish Drama & Theatre

Jewish Drama & Theatre
Author: Eli Rozik
Publisher: Liverpool University Press
Total Pages: 301
Release: 2013-07-01
Genre: Performing Arts
ISBN: 178284094X

Jewish drama and theatre has followed a tortuous path from extreme rabbinical intolerance to eventual secular liberalism, with its openness to the heritages of both Judaism as a culture and prominent foreign cultures, to the extent of multicultural integration. No wonder, therefore, that since biblical times until the seventeenth century there are only examples of tangential theatre practices. This initial intolerance, shared by the Church, was rooted in pagan connotations of theatre rather than in the neutral nature of the theatre medium, capable of formulating and communicating contrasting thoughts. Whereas by the tenth century the Church understood that theatre could be harnessed to its own ends, Jewish theatre was only created seven centuries later through spontaneous and amateurish theatrical practices, such as the Yiddish purim-shpil and the purim-rabbi. Due to their carnivalesque and cathartic nature these practices were tolerated by the rabbinical establishment, albeit only during the Purim holiday. But as a result, Jewish drama and theatre were created and emerged despite rabbinical antagonism. Under the influence of the Jewish Enlightenment, Yiddish-speaking theatres were increasingly established, a trend that became central in the cultural enterprise of the Jews in Israel. This process involved a renewed use of Hebrew as a spoken language, and the transition from a profound religious identity to a secular Jewish one, characterised by a basic liberalism to the extent of openness to cultures traditionally perceived as archetypal enemies of Judaism. This book sets out to analyse play-scripts and performance-texts produced in the Israeli theatre in order to illustrate these trends, and concludes that only a liberal society can bring about the full realisation of theatre's potentialities.

The Oxford Handbook of Jewish Studies

The Oxford Handbook of Jewish Studies
Author: Martin Goodman
Publisher: Oxford Handbooks Online
Total Pages: 1060
Release: 2002
Genre: History
ISBN: 9780199280322

The Oxford Handbook of Jewish Studies reflects the current state of scholarship in the field as analyzed by an international team of experts in the different and varied areas represented within contemporary Jewish Studies. Unlike recent attempts to encapsulate the current state of Jewish Studies, the Oxford Handbook is more than a mere compendium of agreed facts; rather, it is an exhaustive survey of current interests and directions in the field.

Modern Jewish Mythologies

Modern Jewish Mythologies
Author: Glenda Abramson
Publisher: Hebrew Union College Press
Total Pages: 213
Release: 2000-04-01
Genre: Social Science
ISBN: 0878204741

Based on the Mason Lectures delivered at the Oxford Centre for Hebrew and Jewish Studies in the winter of 1995, the ten essays in this volume demonstrate the function and dynamic effect Jewish mythologies in social, political, and psychological life. Eli Yassif's introduction illustrates the complex relationship between myth and ritual in modern Jewish culture. In a separate essay, he focuses on the ancient Jewish tale of the Golem, a myth that presents an exemplary test case for the exploration of cultural continuity. Using the testimonies of Jewish immigrants from eastern Europe to Britain and the battle on the plain of Latrun in the Israeli War of Independence, David Cesarani and Anita Shapira demonstrate that the process of creating myth is related in one way or another to attempts by specific social and ethnic groups to shape their collective memory. Along these lines, Milton Shain and Sally Frankental interrogate the view that during the apartheid period in South African history, South African Jewry operated on a higher moral plane than most other white South Africans. And while Nurith Gertz examines the male superhero that dominated the early national Zionist cinema and reflected the center of gravity in the Zionist myth, Dan Urian analyzes two Israeli plays produced in the 1990s that examine the myth of the biblical Sarah, rewritten from a feminist perspective. Other essays examine widely held cultural beliefs of contemporary Western Jewry. Jonathan Webber questions whether memory is an essentially Jewish value and remembrance a Jewish moral duty. Tudor Parfitt explores Western and Israeli perceptions of the Yemenite Jews, and Sylvie Anne Goldberg, in examining the evolving role of the chevrah kaddisha in Prague, discusses changes in perceptions of communal institutions and traditional and modern Jewish attitudes with regard to death. Finally, Matthew Olshan offers an analysis of Kafka's animal fables as parables for the Jewish response to tradition.

Theatre and Judaism

Theatre and Judaism
Author: Yair Lipshitz
Publisher: Bloomsbury Publishing
Total Pages: 82
Release: 2019-03-16
Genre: Performing Arts
ISBN: 1350316261

This new title in the Theatre & series explores the intersections between theatre and Judaism, offering a uniquely nuanced approach as a counterpart to the more common discourse surrounding Jewish theatre. Arguing that theatre allows for a subtle engagement with religious heritage that does not easily fall into a religious/secular dichotomy, it examines the ways in which Jewish tradition lends itself to theatrical performance. With rigorous scholarship and a fresh perspective, Theatre and Judaism promotes a transnational and comparative approach, considering Judaism as a religious-cultural tradition rather than focusing on a particular national context. Exciting and thought-provoking, this is the perfect companion for undergraduate and postgraduate students of theatre or religious studies.

Religious Perspectives in Modern Muslim and Jewish Literatures

Religious Perspectives in Modern Muslim and Jewish Literatures
Author: Glenda Abramson
Publisher: Psychology Press
Total Pages: 354
Release: 2006
Genre: Literary Criticism
ISBN: 9780415350211

This book brings together fascinating discussions of the way in which Muslim and Jewish beliefs and practices are represented in modern literary texts of poetry, fiction and drama. The chapters collected here consider elements of the expression of Judaism and Islam in modern literature. Key topics such as religious ideas and teachings, aspects of mysticism, the tenets of religion, uses made of sacred texts, religion and popular culture and reflections of religious controversies are covered. While there is an embodied comparative element to the chapters, the essays are not confined by comparisons and cover a wide range of the literary expression of religious issues. With contributions from a group of international scholars, all of whom are experts in the field and each of whom has brought a particular perspective to the topic, this book is a significant contribution to, and will stimulate further research on, the various literatures treated, reflection on comparative work on these two cultural traditions, and new interest in literary expressions of religion and religiousness in general.

The Posen Library of Jewish Culture and Civilization

The Posen Library of Jewish Culture and Civilization
Author: Deborah Dash Moore
Publisher: Yale University Press
Total Pages: 576
Release: 2012-11-20
Genre: Social Science
ISBN: 030013553X

Presents an encyclopedia of Jewish culture from 1973 to 2005, including secular and religious examples from the visual arts, literature, and popular culture.

Writing and Rewriting National Theatre Histories

Writing and Rewriting National Theatre Histories
Author: S.E. Wilmer
Publisher: University of Iowa Press
Total Pages: 295
Release: 2009-11
Genre: Performing Arts
ISBN: 1587295210

Historians of theatre face the same temptations and challenges as other historians: they negotiate assumptions (their own and those of others) about national identity and national character; they decide what events and actors to highlight--or omit--and what framework and perspective to use for telling the story. Personal biases, trends in scholarship, and sociopolitical contexts influence all histories; and theatre histories, too, are often revised to reflect changing times and interests. This significant collection examines the problems and challenges of formulating national theatre histories.The essayists included here--leading theatre scholars from all over the world, many of whom wrote essays specifically for this volume--provide an international context for national theatre histories as well as studies of individual nations. They cover a wide geographical area: Asia, the Middle East, Africa, Europe, and North America. The essays contrast large countries (India, Indonesia) with small (Ireland), newly independent (Slovenia) with established (U.S.A.), developed (Canada) with developing (Mexico, South Africa), capitalist (U.S.A.) with formerly communist (Russia), monolingual (Sweden) with multilingual (Belgium, Canada), and countries with stable historical boundaries (Sweden) with those whose borders have shifted (Germany).The essays also explore such sociopolitical issues as the polarization of language groups, the importance of religion, the invisibility of ethnic minorities, the redrawing of geographical borders, changes in ideology, and the dismantling of colonial legacies. Finally, they examine such common problems of history writing as types of evidence, periodization, canonization, styles of narrative, and definitions of key terms.Writing and Rewriting National Theatre Histories will be of special interest to students and scholars of theatre, cultural studies, and historiography.