The Journals Of Grace Hartigan 1951 1955
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| Author | : William T. La Moy |
| Publisher | : Syracuse University Press |
| Total Pages | : 234 |
| Release | : 2015-01-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0815609175 |
Grace Hartigan emerged during the 1950s as a leading representative of the "second generation" of the New York School of abstract expressionist painters, a movement that achieved international standing for American art. In 1958, Hartigan was the only woman and one of only two artists under forty chosen by the Museum of Modern Art for a show on that school. Entitled The New American Painting, the show traveled to eight European countries and included such artists as Willem de Kooning, Robert Motherwell, Barnett Newman, Jackson Pollock, and Mark Rothko. Published for the first time, Hartigan’s journals offer readers an intimate chronicle of the vibrant artistic and literary milieu of the times. Hartigan’s interactions with many of its leading artists, and her close association with such New York School poets as John Ashbery, Kenneth Koch, and Frank O’Hara, make for fascinating reading. The only contemporaneous record of this extraordinary period in art history, this book is a treasure to the art student and literary scholar alike. Grace Hartigan’s paintings are held in museums throughout the United States, including the Metropolitan Museum and the Whitney Museum of Art. Since 1965 she has worked at the Maryland Institute College of Art, where she is the director of the Hoffberger Graduate School of Painting.
| Author | : Cathy Curtis (Writer on art) |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 449 |
| Release | : 2015 |
| Genre | : Art |
| ISBN | : 0199394504 |
This first-ever biography of American painter Grace Hartigan traces her rise from virtually self-taught painter to art-world fame, her plunge into obscurity after leaving New York to marry a scientist in Baltimore, and her constant efforts to reinvent her style and subject matter. Along the way, there were multiple affairs, four troubled marriages, a long battle with alcoholism, and a chilly relationship with her only child. Attempting to channel her vague ambitions after an early marriage, Grace struggled to master the basics of drawing in night-school classes. She moved to New York in her early twenties and befriended Willem de Kooning, Jackson Pollock, and other artists who were pioneering Abstract Expressionism. Although praised for the coloristic brio of her abstract paintings, she began working figuratively, a move that was much criticized but ultimately vindicated when the Museum of Modern Art purchased her painting The Persian Jacket in 1953. By the mid-fifties, she freely combined abstract and representational elements. Grace-who signed her paintings Hartigan- was a full-fledged member of the men's club that was the 1950s art scene. Featured in Time, Newsweek, Life, and Look, she was the only woman in MoMA's groundbreaking 12 Americans exhibition in 1956, and the youngest artist-and again, only woman-in The New American Painting, which toured Europe in 1958-1959. Two years later she moved to Baltimore, where she became legendary for her signature tough-love counsel to her art school students. Grace continued to paint throughout her life, seeking-for better or worse-something truer and fiercer than beauty.
| Author | : Mary Gabriel |
| Publisher | : Little, Brown |
| Total Pages | : 874 |
| Release | : 2018-09-25 |
| Genre | : Art |
| ISBN | : 031622619X |
Five women revolutionize the modern art world in postwar America in this "gratifying, generous, and lush" true story from a National Book Award and Pulitzer Prize finalist (Jennifer Szalai, New York Times). Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting -- not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come. Gutsy and indomitable, Lee Krasner was a hell-raising leader among artists long before she became part of the modern art world's first celebrity couple by marrying Jackson Pollock. Elaine de Kooning, whose brilliant mind and peerless charm made her the emotional center of the New York School, used her work and words to build a bridge between the avant-garde and a public that scorned abstract art as a hoax. Grace Hartigan fearlessly abandoned life as a New Jersey housewife and mother to achieve stardom as one of the boldest painters of her generation. Joan Mitchell, whose notoriously tough exterior shielded a vulnerable artist within, escaped a privileged but emotionally damaging Chicago childhood to translate her fierce vision into magnificent canvases. And Helen Frankenthaler, the beautiful daughter of a prominent New York family, chose the difficult path of the creative life. Her gamble paid off: At twenty-three she created a work so original it launched a new school of painting. These women changed American art and society, tearing up the prevailing social code and replacing it with a doctrine of liberation. In Ninth Street Women, acclaimed author Mary Gabriel tells a remarkable and inspiring story of the power of art and artists in shaping not just postwar America but the future.
| Author | : Joan Marter |
| Publisher | : Yale University Press |
| Total Pages | : 217 |
| Release | : 2016-01-01 |
| Genre | : Art |
| ISBN | : 0300208421 |
This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.
| Author | : Cathy Curtis |
| Publisher | : Oxford University Press |
| Total Pages | : 449 |
| Release | : 2015-02-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 0199394520 |
This first-ever biography of American painter Grace Hartigan traces her rise from virtually self-taught painter to art-world fame, her plunge into obscurity after leaving New York to marry a scientist in Baltimore, and her constant efforts to reinvent her style and subject matter. Along the way, there were multiple affairs, four troubled marriages, a long battle with alcoholism, and a chilly relationship with her only child. Attempting to channel her vague ambitions after an early marriage, Grace struggled to master the basics of drawing in night-school classes. She moved to New York in her early twenties and befriended Willem de Kooning, Jackson Pollock, and other artists who were pioneering Abstract Expressionism. Although praised for the coloristic brio of her abstract paintings, she began working figuratively, a move that was much criticized but ultimately vindicated when the Museum of Modern Art purchased her painting The Persian Jacket in 1953. By the mid-fifties, she freely combined abstract and representational elements. Grace-who signed her paintings "Hartigan"- was a full-fledged member of the "men's club" that was the 1950s art scene. Featured in Time, Newsweek, Life, and Look, she was the only woman in MoMA's groundbreaking 12 Americans exhibition in 1956, and the youngest artist-and again, only woman-in The New American Painting, which toured Europe in 1958-1959. Two years later she moved to Baltimore, where she became legendary for her signature tough-love counsel to her art school students. Grace continued to paint throughout her life, seeking-for better or worse-something truer and fiercer than beauty.
| Author | : Jess Cotton |
| Publisher | : Reaktion Books |
| Total Pages | : 215 |
| Release | : 2023-06-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 1789143926 |
A critical biography of America’s most influential postmodern poet. Mysterious, esoteric, and baffling, John Ashbery is notorious for the seeming difficulty of his work. But Ashbery is also entertaining, humorous, even charming, and ever responsive to his shifting social and political contexts. This biography charts Ashbery’s rise from a minor avant-garde figure to the most important poet of his generation. Jess Cotton provides a legible and accessible roadmap to Ashbery’s work that draws connections between his poetry, New York artists, and mid-century politics. Cotton paints an image of a more approachable and socially engaged Ashbery that will appeal to anyone interested in American poetry, queer lives, and twentieth-century American history.
| Author | : Pepe Karmel |
| Publisher | : The Museum of Modern Art |
| Total Pages | : 288 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 9780870700378 |
Published to accompany the exhibition Jackson Pollock held the Museum of Modern Art, New York, from 1 November 1998 to 2 February 1999.
| Author | : Anna Kate Blair |
| Publisher | : Simon and Schuster |
| Total Pages | : 268 |
| Release | : 2023-08-30 |
| Genre | : Fiction |
| ISBN | : 1761421255 |
In an age driven by desire, what happens when you want two different things? Set in the pristine, precarious world of MoMA, The Modern is a brilliantly wry and insightful debut about art, sexuality, commitment and whether being on the right path can lead to the wrong place. Things seem to be working out for Sophia in New York: having come from Australia to be at the centre of modernity, she’s working at the Museum of Modern Art, living in a great apartment with a boyfriend interviewing for Ivy League teaching positions. They’re smart, serious, dine in the right restaurants and have (a little unexpectedly) become engaged just before he leaves to hike the Appalachian Trail. Alone in the city, Sophia begins to wonder what it means to be married – to be defined, publicly – in the 21st century. Can you be true to yourself and someone else? In a bridal shop she meets Cara, a young artist struggling to get over her ex-girlfriend, and the two begin a connection that leads Sophia to question the nature of her relationships, her career and the consequences of being modern. Both playful and profound, inhabiting the gap between what we feel about ourselves and how we behave, Anna Kate Blair’s debut novel is a sparklingly insightful queer exploration of desire, art and her generation’s place in the world. It announces an exceptional new literary voice. ‘Cerebral and sensual … each fork in the road revealing itself with insight and beauty.’ Katerina Gibson, author of Women I Know ‘A dazzling exploration of desire and longing. Anna Kate Blair has given us a new form of fiction – intellectual, yearning, honest and vulnerable.’ Anne Casey-Hardy, author of Cautionary Tales for Excitable Girls ‘This novel is a work of art ... It made me laugh, feel lucky to be alive, and reminded me of the expansiveness of creativity.’ Laura McPhee-Browne, author of Cherry Beach ‘Blair’s novel expertly blends dark, self-deprecating humour with a quest to know oneself through the lens of art … Sophia is a masterpiece of imperfection and an authentic millennial character.’ Books+Publishing '... a tale of reckoning with oneself and an unshakable external reality.' ArtsHub 'Blair has delivered a stellar debut. It is potent, passionate and illuminating.' The Australian
| Author | : Cathy Curtis |
| Publisher | : Oxford University Press |
| Total Pages | : 329 |
| Release | : 2017-09-04 |
| Genre | : Biography & Autobiography |
| ISBN | : 0190498498 |
The first biography of Elaine de Kooning, A Generous Vision portrays a woman whose intelligence, droll sense of humor, and generosity of spirit endeared her to friends and gave her a starring role in the close-knit world of New York artists. Her zest for adventure and freewheeling spending were as legendary as her ever-present cigarette. Flamboyant and witty in person, she was an incisive art writer who expressed maverick opinions in a deceptively casual style. As a painter, she melded Abstract Expressionism with a lifelong interest in bodily movement to capture subjects as diverse as President John F. Kennedy, basketball players, and bullfights. In her romantic life, she went her own way, always keen for male attention. But she credited her husband, Willem de Kooning, as her greatest influence; rather than being overshadowed by his fame, she worked "in his light." Nearly two decades after their separation, after finally embracing sobriety herself, she returned to his side to rescue him from severe alcoholism. Based on painstaking research and dozens of interviews, A Generous Vision brings to life a leading figure of twentieth-century art who lived a full and fascinating life on her own terms.
| Author | : Museum of Modern Art (New York, N.Y.). International Program |
| Publisher | : |
| Total Pages | : 108 |
| Release | : 1959 |
| Genre | : Abstract expressionism |
| ISBN | : |
