The Journalism Of Outrage
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| Author | : David Protess |
| Publisher | : Guilford Press |
| Total Pages | : 322 |
| Release | : 1991-05-17 |
| Genre | : History |
| ISBN | : 9780898623147 |
Combining empirical methods and media sociology, the authors probe the impact of investigative reporting on public policy, and challenge conventional assumption that investigative journalism is generated within newsrooms without external influences. The authors follow the life span of six investigative stories, written or broadcast from 1981 to 1988, from the story's inception through its preparation and eventual public impact. They find that public officials and other expert policymakers are normally involved at the time of a newsroom decision to begin an investigation. They empirically measure the effect of each story on public opinion, governmental officials, and policymakers. The impact of investigative stories to change public and expert opinion is found to be inconsistent, which results in public policy alternatives ranging from reassessing public employee job efficiency to extensive changes in regulatory law. ISBN 0-89862-314-6: $30.00.
| Author | : Jeffrey M. Berry |
| Publisher | : Oxford University Press |
| Total Pages | : 286 |
| Release | : 2014 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0190498463 |
A stimulating expose on how the roots of today's partisan rage lie in the "outrage industry" - deregulated, commodified media markets that will do anything for money and attention.
| Author | : Derek Hunter |
| Publisher | : HarperCollins |
| Total Pages | : 257 |
| Release | : 2018-06-19 |
| Genre | : Political Science |
| ISBN | : 0062835513 |
From Derek Hunter—one of the most entertaining political writers today—comes an insightful, alarming look at how progressives have taken over academia, pop culture, and journalism in order to declare everything liberal great, and everything great, liberal. Progressives love to attack conservatives as anti-science, wallowing in fake news, and culturally backwards. But who are the real denialists here? There are three institutions in American life run by gatekeepers who have stopped letting in anyone who questions their liberal script: academia, journalism, and pop culture. They use their cult-like groupthink consensus as "proof" that science, reporting, and entertainment will always back up the Democrats. They give their most political members awards, and then say the awards make their liberal beliefs true. Worse, they are using that consensus to pull the country even further to the left, by bullying and silencing dissent from even those they've allowed in. Just a few years ago, the media pretended they were honest brokers. Now a CNN segment is seven liberals versus a sacrificial lamb. MSNBC ate their sacrificial lamb. Well, Chris Matthews did. Tired of being forced to believe or else, Derek Hunter exposes the manufactured truths and unwritten commandments of the Establishment. With research and a biting, sarcastic wit, he explains: The growing role of celebrities in the political world, and movies with a "message" that dominate awards season, but rarely the box office. The unquestioning reporting on "studies" that don’t prove what they say they prove. The hidden bias of "fact-checking," when the media cherry picks which facts they check. Celebrity scientists like Bill Nye and Neil deGrasse Tyson blending liberal activism with pretend expertise outside their fields. Clever, controversial, and convincing, Derek Hunter's book gets to the root of America's biggest cultural war lies.
| Author | : Chris Stirewalt |
| Publisher | : Center Street |
| Total Pages | : 216 |
| Release | : 2022-08-23 |
| Genre | : Political Science |
| ISBN | : 1546002812 |
"One of America’s most experienced and exemplary journalists has written an unsparing analysis of the dreadful consequences -- for journalism and the nation -- of ‘how the news lost a race to the bottom with itself.’” -- George F. Will In this national bestseller, Chris Stirewalt, a former Fox News political editor, takes readers inside America’s broken newsrooms that have succumbed to the temptation of “rage revenue.” One of America’s sharpest political analysts, Stirewalt employs his trademark wit and insight to reveal how these media organizations slant coverage – and why that drives political division and rewards outrageous conduct. The New York Times wrote that Stirewalt’s book "is an often candid reflection on the state of political journalism and his time at Fox News, where such post-mortem assessments are not common..." Broken News is a fascinating, deeply researched, conversation-provoking study of how the news is made and how it must be repaired. Stirewalt goes deep inside the history of the industry to explain how today’s media divides America for profit. And he offers practical advice for how readers, listeners, and viewers can (and should) become better news consumers for the sake of the republic.
| Author | : Dannagal Goldthwaite Young |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 282 |
| Release | : 2020 |
| Genre | : Mass media |
| ISBN | : 0190913088 |
This text explores the aesthetics, underlying logics, and histories of two seemingly distinct genres - liberal political satire and conservative opinion talk - making the case that they should be thought of as the logical extensions of the psychology of the left and right, respectively.
| Author | : Mark Lee Hunter |
| Publisher | : UNESCO |
| Total Pages | : 89 |
| Release | : 2011 |
| Genre | : Investigative reporting |
| ISBN | : 9231041894 |
"Investigative Journalism means the unveiling of matters that are concealed either deliberately by someone in a position of power, or accidentally, behind a chaotic mass of facts and circumstances - and the analysis and exposure of all relevant facts to the public. In this way investigative journalism crucially contributes to freedom of expression and freedom of information, which are at the heart of UNESCO's mandate. The role media can play as a watchdog is indispensable for democracy and it is for this reason that UNESCO fully supports initiatives to strengthen investigative journalism throughout the world. I believe this publication makes a significant contribution to promoting investigative journalism and I hope it will be a valuable resource for journalists and media professionals, as well as for journalism trainers and educators." -- Jānis Kārklinš, Assistant Director-General for Communication and Information, UNESCO, Preface, page 1.
| Author | : Andrey Mir |
| Publisher | : Independently Published |
| Total Pages | : 402 |
| Release | : 2020-10-05 |
| Genre | : |
| ISBN | : |
Media business that mostly relies on ad revenue requires an audience that consists of happy and economically able consumers. Media business that mostly relies on reader revenue requires an audience that consists of frustrated and politically strangulated citizens. The media not only address these audiences; they create and reproduce them.All we knew about journalism was related to a news business funded by advertising. Advertising has fled to the internet. The entire media environment is shifting. The media are forced to switch to another source of funding - selling content to readers. However, they cannot sell news, because news is already known to people whose media consumption is increasingly centered on social media newsfeeds. Instead, the media offers the validation of already-known news within a certain value system and the delivery of the "right" news to others. The business necessity forces the media to relocate the gravity of their operation from news to values.Media outlets are increasingly soliciting subscriptions as donations to a cause. To attract donations, they have to focus on 'pressing social issues'. However, for better soliciting, they must also support and amplify readers' irritation and frustration with those issues. Thus, the media are incentivized to amplify and dramatize issues whose coverage is most likely to be paid for. Ideally, the media should not just exaggerate but induce the public's concerns.The ad-driven media manufactured consent. The reader-driven media manufactures anger. The former served consumerism. The latter serves polarization.Because the largest mainstream media outlets in the US, both liberal and conservative, performed incredibly well in commodifying Trump in the form of soliciting subscriptions as donations to the cause, the rest of the media market has started moving in the same direction.The need to pursue reader revenue, with the news no longer being a commodity, is pushing journalism to mutate into postjournalism. Journalism wants its picture to match the world; postjournalism wants the world to match its picture. The media are turning into crowdsourced Ministries of post-truth not because of some underlying conspiracies but due to their business needs and the settings of a broader media environment. This book is about the origins and propelling forces of this mutation. The book explores polarization as a media effect, seeing polarization studies as media studies.Andrey Mir (Andrey Miroshnichenko) is a media scholar and journalist with twenty years in the print media. He is the author of "Human as Media. The Emancipation of Authorship" (2014) and a number of books on media and politics. His dissertation in journalism and linguistics (1996) focused on the linguistics of the Soviet media and propaganda. He lives in Toronto, Canada. His blog: Human as Media (human-as-media.com). Twitter: @Andrey4Mir
| Author | : Eric Eyre |
| Publisher | : Simon and Schuster |
| Total Pages | : 304 |
| Release | : 2020-03-31 |
| Genre | : Social Science |
| ISBN | : 198210533X |
A New York Times Critics’ Top Ten Book of the Year * 2021 Edgar Award Winner Best Fact Crime * A Lit Hub Best Book of The Year From a Pulitzer Prize–winning investigative reporter at the Charleston Gazette-Mail, a “powerful,” (The New York Times) urgent, and heartbreaking account of the corporate greed that pumped millions of pain pills into small Appalachian towns, decimating communities. In a pharmacy in Kermit, West Virginia, 12 million opioid pain pills were distributed in just three years to a town with a population of 382 people. One woman, after losing her brother to overdose, was desperate for justice. Debbie Preece’s fight for accountability for her brother’s death took her well beyond the Sav-Rite Pharmacy in coal country, ultimately leading to three of the biggest drug wholesalers in the country. She was joined by a crusading lawyer and by local journalist, Eric Eyre, who uncovered a massive opioid pill-dumping scandal that shook the foundation of America’s largest drug companies—and won him a Pulitzer Prize. Part Erin Brockovich, part Spotlight, Death in Mud Lick details the clandestine meetings with whistleblowers; a court fight to unseal filings that the drug distributors tried to keep hidden, a push to secure the DEA pill-shipment data, and the fallout after Eyre’s local paper, the Gazette-Mail, the smallest newspaper ever to win a Pulitzer Prize for investigative reporting, broke the story. Eyre follows the opioid shipments into individual counties, pharmacies, and homes in West Virginia and explains how thousands of Appalachians got hooked on prescription drugs—resulting in the highest overdose rates in the country. But despite the tragedy, there is also hope as citizens banded together to create positive change—and won. “A product of one reporter’s sustained outrage [and] a searing spotlight on the scope and human cost of corruption and negligence” (The Washington Post) Eric Eyre’s intimate portrayal of a national public health crisis illuminates the shocking pattern of corporate greed and its repercussions for the citizens of West Virginia—and the nation—to this day.
| Author | : Jeffrey M. Berry |
| Publisher | : Oxford University Press |
| Total Pages | : 286 |
| Release | : 2014 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0199928975 |
A stimulating expose on how the roots of today's partisan rage lie in the "outrage industry" - deregulated, commodified media markets that will do anything for money and attention.
| Author | : Max Fisher |
| Publisher | : Little, Brown |
| Total Pages | : 419 |
| Release | : 2022-09-06 |
| Genre | : Social Science |
| ISBN | : 0316703311 |
Finalist for the Helen Bernstein Book Award for Excellence in Journalism From a New York Times investigative reporter, this “authoritative and devastating account of the impacts of social media” (New York Times Book Review) tracks the high-stakes inside story of how Big Tech’s breakneck race to drive engagement—and profits—at all costs fractured the world. The Chaos Machine is “an essential book for our times” (Ezra Klein). We all have a vague sense that social media is bad for our minds, for our children, and for our democracies. But the truth is that its reach and impact run far deeper than we have understood. Building on years of international reporting, Max Fisher tells the gripping and galling inside story of how Facebook, Twitter, YouTube, and other social network preyed on psychological frailties to create the algorithms that drive everyday users to extreme opinions and, increasingly, extreme actions. As Fisher demonstrates, the companies’ founding tenets, combined with a blinkered focus on maximizing engagement, have led to a destabilized world for everyone. Traversing the planet, Fisher tracks the ubiquity of hate speech and its spillover into violence, ills that first festered in far-off locales, to their dark culmination in America during the pandemic, the 2020 election, and the Capitol Insurrection. Through it all, the social-media giants refused to intervene in any meaningful way, claiming to champion free speech when in fact what they most prized were limitless profits. The result, as Fisher shows, is a cultural shift toward a world in which people are polarized not by beliefs based on facts, but by misinformation, outrage, and fear. His narrative is about more than the villains, however. Fisher also weaves together the stories of the heroic outsiders and Silicon Valley defectors who raised the alarm and revealed what was happening behind the closed doors of Big Tech. Both panoramic and intimate, The Chaos Machine is the definitive account of the meteoric rise and troubled legacy of the tech titans, as well as a rousing and hopeful call to arrest the havoc wreaked on our minds and our world before it’s too late.
