The John White Alexander Memorial Exhibition: Paintings by Frederic Clay Bartlett, an Exhibition of Prints from the Painter-Gravers of America; Octobe

The John White Alexander Memorial Exhibition: Paintings by Frederic Clay Bartlett, an Exhibition of Prints from the Painter-Gravers of America; Octobe
Author: Rochester Memorial Art Gallery
Publisher: Forgotten Books
Total Pages: 20
Release: 2018-02-28
Genre: Art
ISBN: 9780666607447

Excerpt from The John White Alexander Memorial Exhibition: Paintings by Frederic Clay Bartlett, an Exhibition of Prints From the Painter-Gravers of America; October, Nineteen Hundred Seventeen About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Annual Report

Annual Report
Author: Cleveland Museum of Art
Publisher:
Total Pages: 1124
Release: 1923
Genre:
ISBN:

John White Alexander: Colour Plates

John White Alexander: Colour Plates
Author: Maria Peitcheva
Publisher:
Total Pages: 40
Release: 2016-11-29
Genre:
ISBN: 9781540715944

John White Alexander (1856 -1915) was an American portrait, figure, and decorative painter and illustrator. He began his career in New York in 1875 as a political cartoonist and illustrator for Harper's Weekly. In 1877 he went to Paris for his first formal art training, and then to Munich. His first exhibition in the Paris Salon of 1893 was a brilliant success. By 1894 his reputation in both Europe and America had soared, and in 1895 he was awarded a prestigious commission for a series of murals entitled the Evolution of the Book in the newly established Library of Congress in Washington, DC.Alexander's stylistic development falls into several distinct stages. His early landscapes and genre scenes of the 1870s bear the stamp of realism. His fluid brushwork resembled that of Frans Hals and Diego Vel�zquez, painters he deeply admired. After his return to the USA in 1881, he favored a more limited palette and experimented with the suggestion of mood through shadow and gesture. Many of his later portraits, notably of women, were psychological studies rather than specific likenesses. His brushwork became less painterly and more concerned with suggesting abstracted shapes. He also adopted a very coarse-weave canvas, the texture of which became an important element in his mature work. Throughout his career Alexander favored compositions with a single figure placed against a sharply contrasting background.