The Jews Beech
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Author | : Annette von Droste–Hülshoff |
Publisher | : University Press of America |
Total Pages | : 179 |
Release | : 2014-03-31 |
Genre | : Literary Collections |
ISBN | : 0761861920 |
The book provides a sentence-by-sentence translation of Die Judenbuche (1842) by Annette von Droste-Hülshoff, arguably one of Germany’s greatest female poets. Often thought of as a detective novel, The Jews’ Beech Tree is as much a mystery to read today as it was in 1842. Featuring the original German and the translated English side-by-side, this text also includes three critical introductions and two additional poetry translations.
Author | : Annette von Droste-Hulshoff |
Publisher | : Alma Books |
Total Pages | : 115 |
Release | : 2018-01-01 |
Genre | : Fiction |
ISBN | : 0714547638 |
Based on a true story, this haunting tale centers on two brutal murders--the first of a local forester and the second of a Jewish moneylender near a beech tree--and the impact these events have on the life of Friedrich Mergel, a herdsman with a turbulent family history. A prototype of the murder mystery and a thoughtful examination of village society, this intriguing novella contains hints of the Gothic and the uncanny, including ominous thunderstorms, mysterious disappearances, eerie doppelgangers and grizzly discoveries, as well as a famously ambiguous climax.
Author | : Annette von Droste-Hülshoff |
Publisher | : Alma Classics |
Total Pages | : 0 |
Release | : 2013-09-18 |
Genre | : Fiction |
ISBN | : 1847493556 |
Based on a true story, The Jew's Beech centres on two brutal murders in rural Westphalia – the first of a local forester and the second of a Jewish moneylender near a beech tree - and the impact these events have on the life of Friedrich Mergel, a local herdsman with a turbulent family history. A prototype of the murder mystery and a thoughtful examination of village society, this intriguing novella contains hints of the Gothic and the uncanny - ominous thunderstorms, mysterious disappearances, eerie doppelgängers and grisly discoveries in the depths of the forest – as well as a famously ambiguous climax.
Author | : Martha B. Helfer |
Publisher | : Northwestern University Press |
Total Pages | : 260 |
Release | : 2011-11-30 |
Genre | : History |
ISBN | : 0810127946 |
Between 1749 and 1850--the formative years of the so-called Jewish Question in Germany--the emancipation debates over granting full civil and political rights to Jews provided the topical background against which all representations of Jewish characters and concerns in literary texts were read. Helfer focuses sharply on these debates and demonstrates through close readings of works by Gotthold Lessing, Friedrich Schiller, Achim von Arnim, Annette von Droste- Hülshoff, Adalbert Stifter, and Franz Grillparzer how disciplinary practices within the field of German studies have led to systematic blind spots in the scholarship on anti-Semitism to date.
Author | : Sophie Duvernoy |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 353 |
Release | : 2023-10-05 |
Genre | : Literary Criticism |
ISBN | : 1501391496 |
Using Germany as a national case study, this volume examines the historical genesis of precarity, its evolution from 19th-century industrial modernity to the present, and its reflections and reconfigurations in artistic production, in particular with relation to work, gender, and sexuality. “Precarity is everywhere now,” sociologist Pierre Bourdieu declared almost thirty years ago. Not only declining middle-class standards of living, but also debt, drug addiction, housing and food insecurity, depression, and “deaths of despair” are now being recognized as symptoms of the downward pull of social precarity. Although these and similar ills have been attributed to neoliberal policies of deregulation, privatization, and willful neglect of the common good, precarization has accompanied the booms and busts of industrial modernity from its beginnings. Representing Social Precarity in German Literature and Film explores how German and Austrian literature, film, and social history have engaged with social precarity, from the period of Romanticism and early industrialization to the present. The chapters in this volume deal with precarity as both an objective phenomenon reflected in literary and filmic representations and as a subjective phenomenon that gives these representations their particular shape. Representing Social Precarity in German Literature and Film opens new critical perspectives on diverse forms of lived precarity and their creative manifestations by reflecting on the history of capitalist modernity from the vantage points of weakness, vulnerability, marginality, impoverishment, and otherness.
Author | : Yael Almog |
Publisher | : University of Pennsylvania Press |
Total Pages | : 216 |
Release | : 2019-06-21 |
Genre | : Literary Criticism |
ISBN | : 0812251253 |
In the late Enlightenment, a new imperative began to inform theories of interpretation: all literary texts should be read in the same way that we read the Bible. However, this assumption concealed a problem—there was no coherent "we" who read the Bible in the same way. In Secularism and Hermeneutics, Yael Almog shows that several prominent thinkers of the era, including Johann Gottfried Herder, Moses Mendelssohn, Immanuel Kant, Georg Wilhelm Friedrich Hegel, and Friedrich Daniel Ernst Schleiermacher, constituted readers as an imaginary "we" around which they could form their theories and practices of interpretation. This conception of interpreters as a universal community, Almog argues, established biblical readers as a coherent collective. In the first part of the book, Almog focuses on the 1760s through the 1780s and examines these writers' works on biblical Hebrew and their reliance on the conception of the Old Testament as a cultural, rather than religious, asset. She reveals how the detachment of textual hermeneutics from confessional affiliation was stimulated by debates on the integration of Jews in Enlightenment Germany. In order for the political community to cohere, she contends, certain religious practices were restricted to the private sphere while textual interpretation, which previously belonged to religious contexts, became the foundation of the public sphere. As interpretive practices were secularized and taken to be universal, they were meant to overcome religious difference. Turning to literature and the early nineteenth century in the second part of the book, Almog demonstrates the ways in which the new literary genres of realism and lyric poetry disrupted these interpretive reading practices. Literary techniques such as irony and intertextuality disturbed the notion of a stable, universal reader's position and highlighted interpretation as grounded in religious belonging. Secularism and Hermeneutics reveals the tension between textual exegesis and confessional belonging and challenges the modern presumption that interpretation is indifferent to religious concerns.
Author | : Kuno Francke |
Publisher | : |
Total Pages | : 616 |
Release | : 1914 |
Genre | : English literature |
ISBN | : |
Author | : Richard T. Gray |
Publisher | : University of Washington Press |
Total Pages | : 489 |
Release | : 2018-03-23 |
Genre | : Philosophy |
ISBN | : 0295807075 |
In Money Matters, Richard Gray investigates the discourses of aesthetics and philosophy alongside economic thought, arguing that their domains are not mutually exclusive. The transition in Germany from an agrarian or proto-industrial economy to a capitalist industrial economy, which was paralleled by a shift from the exchange of money in coin to the use of paper currencies, occurred simultaneously with an efflorescence of German-language literature and philosophy. Based on close readings of canonical literary and philosophical texts, Gray explores how this confluence led to a rich cross-fertilization between economic and literary thought in Germany during this period. Money Matters documents the surprising degree to which literature and philosophy participated in the creation of modern economic paradigms, as well as the extent to which economics influenced literature and philosophy. The cultural artifacts of the period demonstrate the existence of an “economic unconsciousness”: persistent notions of value and exchange that inflect the aesthetic and thematic dimensions of literary and philosophical texts. This book offers a thought-provoking and original analysis of literature and ideas in the critical transition period from Kant and Goethe, through the German Romantics, to Marx.
Author | : |
Publisher | : |
Total Pages | : 418 |
Release | : 1900 |
Genre | : |
ISBN | : |
Author | : Kuno Francke |
Publisher | : |
Total Pages | : 616 |
Release | : 1914 |
Genre | : English literature |
ISBN | : |