The James Bond Phenomenon
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| Author | : Christoph Lindner |
| Publisher | : Manchester University Press |
| Total Pages | : 290 |
| Release | : 2003 |
| Genre | : Literary Criticism |
| ISBN | : 9780719065415 |
Shanghai, long known as mainland China's most cosmopolitan city, is today a global cultural capital. This book offers the first in-depth examination of contemporary Shanghai-based art and design - from state-sponsored exhibitions to fashionable cultural complexes to cutting edge films and installations. Informed by years of in-situ research, the book looks beyond contemporary art's global hype to reveal the socio-political tensions accompanying Shanghai's transitions from semi-colonial capitalism to Maoist socialism to Communist Party-sponsored capitalism. Case studies reveal how Shanghai's global aesthetic constructs glamorising artifices that mask the conflicts between vying notions of foreign-influenced modernity and anti-colonialist nationalism, as well as the city's repressed socialist past and its consumerist present.
| Author | : Jaap Verheul |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : James Bond films |
| ISBN | : 9789462982185 |
The release of No Time To Die in 2021 heralds the arrival of the twenty-fifth installment in the James Bond film series. Since the release of Dr. No in 1962, the cinematic James Bond has expedited the transformation of Ian Fleming's literary creation into an icon of western popular culture that has captivated audiences across the globe by transcending barriers of ideology, nation, empire, gender, race, ethnicity, and generation. The Cultural Life of James Bond: Specters of 007 untangles the seemingly perpetual allure of the Bond phenomenon by looking at the non-canonical texts and contexts that encompass the cultural life of James Bond. Chronicling the evolution of the British secret agent over half a century of political, social, and cultural permutations, the fifteen chapters examine the Bond-brand beyond the film series and across media platforms while understanding these ancillary texts and contexts as sites of negotiation with the Eon franchise.
| Author | : Laurent Bouzereau |
| Publisher | : |
| Total Pages | : 248 |
| Release | : 2006-10-10 |
| Genre | : Design |
| ISBN | : |
The debonair and daring James Bond has captivated audiences around the world for more than 40 years, his 007 films setting the standard for movie blockbusters. "The Art of Bond" gives readers an insider's look at the Bond evolution, from storyboard to screen, through all-new interviews with the series' creative talents, as well as previously unseen art and behind-the-scenes photography from all 21 films. Actors -- including the newest Bond, Daniel Craig -- producers, directors, writers, and designers share their stories about the making of the films, and how their groundbreaking work has influenced other prominent filmmakers. Published to coincide with the fall 2006 release of the newest Bond film, "Casino Royale," and profusely illustrated with exclusive images from the Eon Archive, this book is a visual tribute to an incomparable cinematic icon.
| Author | : Raymond Benson |
| Publisher | : Crossroad Press |
| Total Pages | : 837 |
| Release | : |
| Genre | : Performing Arts |
| ISBN | : |
New revised digital edition of the classic 007 reference book from the 1980s, complete with a new Foreword by the author. THE JAMES BOND BEDSIDE COMPANION is an encyclopedic celebration of 007, who is still the world’s most popular secret agent. The only book to cover all aspects of the James Bond phenomenon in a single volume, it includes: a) An intimate portrait of Ian Fleming as remembered by his friends and colleagues; b) a character study of James Bond—his background and early life, his clothing and other personal habits, his preferences in food and drink, his attitudes toward women and marriage; c) The by-products of Bondmania and the merchandising of 007; d) Detailed analyses of every James Bond novel by Ian Fleming, as well as those written by other authors through the 1980s; e) A critical look at the 007 film series—the producers, screenplays, directors, actors, soundtracks, and special effects; f) over 100 photographs; g) An Introduction written by Ernest Cuneo, perhaps Fleming’s closest American friend; h) And enough facts, figures, and miscellaneous Bondian trivia to satisfy even the most ardent fan. THE JAMES BOND BEDSIDE COMPANION covers the Bond films through The Living Daylights (1987) and the novels through John Gardner's Scorpius. BIO: Raymond Benson is the highly acclaimed author of twenty-five books, six original James Bond 007 novels, three film novelizations, three short stories, and two anthologies on Bond. He is a sought-after lecturer on film genres and history. Writing as David Michaels, Benson is a New York Times best-selling author, an Edgar Alan Poe Award nominee, and a Readers' Choice Award winner.
| Author | : Ian Fleming |
| Publisher | : HarperCollins |
| Total Pages | : 363 |
| Release | : 2019-05-14 |
| Genre | : Cooking |
| ISBN | : 0062896245 |
Readers can explore James Bond creator Ian Fleming’s writing on the pleasures of drinking and mix themselves fifty delicious cocktails from recipes inspired by his books and developed by award-winning London bar, Swift. Both Bond and Fleming were partial to a stiff drink. In both fiction and real life, cocktails were an important and well-chosen accompaniment to adventure and daring and often relaxing. Fleming made the Martini famous with Bond’s ritual of always ordering it “shaken, not stirred”. But in every James Bond book a wide selection of strong, sophisticated and carefully crafted drinks are essential details to the story. The recipes in Shaken are divided into five categories: Straight Up; On the Rocks; Tall; Fizzy; and Exotic. Sip on inventions such as Smersh, Moneypenny, That Old Devil M and Diamonds Are Forever, as well as classic Bond cocktails such as the Vesper—and, of course, the Dry Martini. Each recipe is illustrated by a stunning full-color photo of the drink and wonderful extracts from Fleming’s writing—taken from the passage where the drink was featured or a place, character, or plot that inspired it. Shaken features a foreword written by the novelist’s nephew, Fergus Fleming, as well as plenty of his writing on whisky, gin, rum, and other spirits.
| Author | : Lisa Funnell |
| Publisher | : Columbia University Press |
| Total Pages | : 328 |
| Release | : 2015-10-20 |
| Genre | : Performing Arts |
| ISBN | : 0231850921 |
The release of Skyfall in 2012 marked the fiftieth anniversary of the James Bond film franchise. It earned over one billion dollars in the worldwide box office and won two Academy Awards. Amid popular and critical acclaim, some have questioned the representation of women in the film. From an aging M to the limited role of the Bond Girl and the characterization of Miss Moneypenny as a defunct field agent, Skyfall develops the legacy of Bond at the expense of women. Since Casino Royale (2006) and its sequels Quantum of Solace (2008) and Skyfall constitute a reboot of the franchise, it is time to question whether there is a place for women in the new world of James Bond and what role they will play in the future of series. This volume answers these questions by examining the role that women have historically played in the franchise, which greatly contributed to the international success of the films. This academic study constitutes the first book-length anthology on femininity and feminism in the Bond series. It covers all twenty-three Eon productions as well as the spoof Casino Royale (1967), considering a range of factors that have shaped the depiction of women in the franchise, including female characterization in Ian Fleming's novels; the vision of producer Albert R. Broccoli and other creative personnel; the influence of feminism; and broader trends in British and American film and television. The volume provides a timely look at women in the Bond franchise and offers new scholarly perspectives on the subject.
| Author | : James Chapman |
| Publisher | : Columbia University Press |
| Total Pages | : 376 |
| Release | : 2000 |
| Genre | : Literary Criticism |
| ISBN | : 9780231120487 |
Bondmania hasn't ebbed for 40 years and this book explains why Britain's most celebrated secret agent and the stories around him have enraptured the world for so long. Film stills.
| Author | : James B. South |
| Publisher | : Open Court |
| Total Pages | : 264 |
| Release | : 2012-03-30 |
| Genre | : Philosophy |
| ISBN | : 0812698169 |
“Bond. James Bond.” Since Sean Connery first uttered that iconic phrase in Dr. No, more than one quarter of the world’s population has seen a 007 film. Witty and urbane, Bond seduces and kills with equal ease — often, it seems, with equal enthusiasm. This enthusiasm, coupled with his freedom to do what is forbidden to everyone else, evokes fascinating philosophical questions. Here, 15 witty, thought-provoking essays discuss hidden issues in Bond’s world, from his carnal pleasures to his license to kill. Among the lively topics explored are Bond’s relation to existentialism, including his graduation “beyond good and evil”; his objectification of women; the paradox of breaking the law in order to ultimately uphold it like any “stupid policeman”; the personality of 007 in terms of Plato’s moral psychology; and the Hegelian quest for recognition evinced by Bond villains. A reference guide to all the Bond movies rounds out the book’s many pleasures.
| Author | : Edward P. Comentale |
| Publisher | : Indiana University Press |
| Total Pages | : 316 |
| Release | : 2005-04-20 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 9780253217431 |
Shaken, not stirred--cultural critics look at the many faces of 007 and his creator.
| Author | : Monica Germanà |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 265 |
| Release | : 2019-10-03 |
| Genre | : History |
| ISBN | : 1350124702 |
Since Ursula Andress's white-bikini debut in Dr No, 'Bond Girls' have been simultaneously celebrated as fashion icons and dismissed as 'eye-candy'. But the visual glamour of the women of James Bond reveals more than the sexual objectification of female beauty. Through the original joint perspectives of body and fashion, this exciting study throws a new, subversive light on Bond Girls. Like Coco Chanel, fashion's 'eternal' mademoiselle, these 'Girls' are synonymous with an unconventional and dynamic femininity that does not play by the rules and refuses to sit still; far from being the passive objects of the male gaze, Bond Girls' active bodies instead disrupt the stable frame of Bond's voyeurism. Starting off with an original re-assessment of the cultural roots of Bond's postwar masculinity, the book argues that Bond Girls emerge from masculine anxieties about the rise of female emancipation after the Second World War and persistent in the present day. Displaying parallels with the politics of race and colonialism, such tensions appear through sartorial practices as diverse as exoticism, power dressing and fetish wear, which reveal complex and often contradictory ideas about the patriarchal and imperial ideologies associated with Bond. Attention to costume, film and gender theory makes Bond Girls: Body, Gender and Fashion essential reading for students and scholars of fashion, media and cultural studies, and for anyone with an interest in Bond.
