The Italian Renaissance In The German Historical Imagination 1860 1930
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| Author | : Martin A. Ruehl |
| Publisher | : Cambridge University Press |
| Total Pages | : 343 |
| Release | : 2015-10-15 |
| Genre | : Political Science |
| ISBN | : 1316298655 |
Towards the end of the nineteenth century, Germany's bourgeois elites became enthralled by the civilization of Renaissance Italy. As their own country entered a phase of critical socioeconomic changes, German historians and writers reinvented the Italian Renaissance as the onset of a heroic modernity: a glorious dawn that ushered in an age of secular individualism, imbued with ruthless vitality and a neo-pagan zest for beauty. The Italian Renaissance in the German Historical Imagination is the first comprehensive account of the debates that shaped the German idea of the Renaissance in the seven decades following Jacob Burckhardt's seminal study of 1860. Based on a wealth of archival material and enhanced by more than one hundred illustrations, it provides a new perspective on the historical thought of Imperial and Weimar Germany, and the formation of a concept that is still with us today.
| Author | : Martin Ruehl |
| Publisher | : |
| Total Pages | : 317 |
| Release | : 2015 |
| Genre | : German literature |
| ISBN | : 9781139583206 |
Explores German engagement with the Italian Renaissance in the decades from German unification to the Weimar republic.
| Author | : Julian Young |
| Publisher | : Cambridge University Press |
| Total Pages | : 4 |
| Release | : 2006-04-06 |
| Genre | : Philosophy |
| ISBN | : 1107320879 |
In his first book, The Birth of Tragedy, Nietzsche observes that Greek tragedy gathered people together as a community in the sight of their gods, and argues that modernity can be rescued from 'nihilism' only through the revival of such a festival. This is commonly thought to be a view which did not survive the termination of Nietzsche's early Wagnerianism, but Julian Young argues, on the basis of an examination of all of Nietzsche's published works, that his religious communitarianism in fact persists through all his writings. What follows, it is argued, is that the mature Nietzsche is neither an 'atheist', an 'individualist', nor an 'immoralist': he is a German philosopher belonging to a German tradition of conservative communitarianism - though to claim him as a proto-Nazi is radically mistaken. This important reassessment will be of interest to all Nietzsche scholars and to a wide range of readers in German philosophy.
| Author | : Joanna Smalcerz |
| Publisher | : BRILL |
| Total Pages | : 255 |
| Release | : 2020-01-13 |
| Genre | : Art |
| ISBN | : 9004421491 |
Smuggling the Renaissance: The Illicit Export of Artworks Out of Italy, 1861-1909 explores the phenomenon of art spoliation in Italy following Unification (1861), when the international demand for Italian Renaissance artworks was at an all-time high but effective art protection legislation had not yet been passed. Making use of rich archival material Joanna Smalcerz narrates the complex and often dramatic struggle between the lawmakers of the new Italian State, and international curators (e.g., Wilhelm Bode), collectors (e.g., Isabella Stewart Gardner) and dealers (e.g., Stefano Bardini) who continuously orchestrated illicit schemes to export abroad Italian masterpieces. At the heart of the intertwinement of the art trade, art scholarship and art protection policies the author exposes the socio-psychological dynamics of unlawful collecting.
| Author | : Efraim Podoksik |
| Publisher | : Cambridge University Press |
| Total Pages | : 345 |
| Release | : 2021-07-15 |
| Genre | : Political Science |
| ISBN | : 1108997538 |
The significance of the German philosopher and social thinker, Georg Simmel (1858–1918), is only now being recognised by intellectual historians. Through penetrating readings of Simmel's thought, taken as a series of reflections on the essence of modernity and modern civilisation, Efraim Podoksik places his ideas within the context of intellectual life in Germany, and especially Berlin, under the Kaiserreich. Modernity, characterised by the growing differentiation and fragmentation of culture and society, was a fundamental issue during Simmel's life, underpinning central intellectual debates in Imperial Germany. Simmel's thought is depicted here as an attempt at transforming the complexity of these debates into a coherent worldview that can serve as an effective guide to understanding their main parameters. Paying particular attention to the genealogy and usage of the concepts of Bildung, culture and civilisation in Germany, this study offers contextual analyses of Simmel's philosophies of culture, society, art, religion and the feminine, as well as his interpretations of Dante, Kant, Nietzsche, Schopenhauer, Goethe and Rembrandt.
| Author | : Marina Belozerskaya |
| Publisher | : Getty Publications |
| Total Pages | : 292 |
| Release | : 2005-10-01 |
| Genre | : Art |
| ISBN | : 0892367857 |
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
| Author | : Mark McClish |
| Publisher | : Cambridge University Press |
| Total Pages | : 309 |
| Release | : 2019-07-11 |
| Genre | : History |
| ISBN | : 1108476902 |
By analyzing the Arthaśāstra's early history, Mark McClish overturns prevailing beliefs that ancient India was governed by religion, not politics.
| Author | : Gerald Gaus |
| Publisher | : Taylor & Francis |
| Total Pages | : 897 |
| Release | : 2024-11-26 |
| Genre | : Philosophy |
| ISBN | : 1040147747 |
The Routledge Companion to Social and Political Philosophy, Second Edition, is a comprehensive, definitive reference work, providing an up-to-date survey of the field, charting its history and key figures and movements, and addressing enduring questions as well as contemporary research. Features unique to the Companion are as follows: Extensive coverage of the history of social and political thought, including separate chapters on the development of political thought in the Islamic world, India, and China as well as in modern Germany, France, and Britain A focus on the core concepts and the normative foundations of social and political theory A section devoted exclusively to distributive justice, the central issue of political philosophy since Rawls' Theory of Justice Several chapters on global justice and international issues. The Companion's 74 commissioned chapters, by leading scholars from throughout the world, are divided into eight thematic sections: The History of Social and Political Theory; Political Theories and Ideologies; Normative Foundations; Distributive Justice; The National State and Beyond; Political Concepts; Approaches; and Issues in Social and Political Philosophy. Expanded, updated, and revised throughout, this Second Edition includes new chapters on Politics, Philosophy and Economics (PPE); Political Epistemology; Race and Ethnicity; Power; Foucault; and New Diversity Theory.
| Author | : Marco Sgarbi |
| Publisher | : Springer Nature |
| Total Pages | : 3618 |
| Release | : 2022-10-27 |
| Genre | : Philosophy |
| ISBN | : 3319141694 |
Gives accurate and reliable summaries of the current state of research. It includes entries on philosophers, problems, terms, historical periods, subjects and the cultural context of Renaissance Philosophy. Furthermore, it covers Latin, Arabic, Jewish, Byzantine and vernacular philosophy, and includes entries on the cross-fertilization of these philosophical traditions. A unique feature of this encyclopedia is that it does not aim to define what Renaissance philosophy is, rather simply to cover the philosophy of the period between 1300 and 1650.
| Author | : Efraim Podoksik |
| Publisher | : BRILL |
| Total Pages | : 334 |
| Release | : 2019-12-09 |
| Genre | : History |
| ISBN | : 9004416846 |
Doing Humanities in Nineteenth-Century Germany, edited by Efraim Podoksik, is a collaborative project by leading scholars in German studies that examines the practices of theorising and researching in the humanities as pursued by German thinkers and scholars during the long nineteenth century, and the relevance of those practices for the humanities today. Each chapter focuses on a particular branch of the humanities, such as philosophy, history, classical philology, theology, or history of art. The volume both offers a broad overview of the history of German humanities and examines an array of particular cases that illustrate their inner dilemmas, ranging from Ranke’s engagement with the world of poetry to Max Weber’s appropriation of the notion of causality.
