The Italian Emblem

The Italian Emblem
Author: Donato Mansueto
Publisher: Librairie Droz
Total Pages: 228
Release: 2007
Genre: Art
ISBN: 9780852618325

The Italian Emblem: A Collection of Essays is the twelfth in the series 'Glasgow Emblem Studies'. This volume is linked to a project for the study and digitization of Italian emblem books held in the Stirling Maxwell Collection (Glasgow), financed by the Sixth EU Framework Programme for activities in the field of research. It aims at exploring the history, forms, themes of the Italian emblem tradition, with particular attention to sixteenth-century emblem books and their open, multifaceted, and metamorphic nature. To capture this nature, the volume includes contributions from different disciplines, ranging from literature to history of art and political philosophy, supplied by the following distinguished scholars: Guido Arbizzoni (University of Urbino 'Carlo Bo'), Monica Calabritto (Hunter College, CUNY), Giuseppe Cascione (University of Bari), Sonia Maffei (University of Bergamo), Anna Maranini (University of Bologna), Liana de Girolami Cheney (University of Massachusetts Lowell), Silvia Volterrani (CTL-Scuola Normale Superiore, Pisa). French text.

Emblemata

Emblemata
Author: Andrea Alciati
Publisher:
Total Pages: 504
Release: 1996
Genre: Reference
ISBN:

Recognition of the great importance in Renaissance culture of the versatile and complex form of the emblem is increasingly widespread. This series aims to satisfy the needs of those who require access to texts in an edition as close to the original as possible.

Italia

Italia
Author: Jen V Coleman
Publisher: Createspace Independent Publishing Platform
Total Pages: 122
Release: 2018-09-24
Genre:
ISBN: 9781727441635

120 pages College-ruled notebook You can't go wrong with journals and notebooks as a gift item. Details of this journal include 6 by 9 Inches, 120 pages, matte-finished cover and white paper If you are looking for a different book make sure you click on author name for other great journal ideas.

An Index of Emblems of the Italian Academies

An Index of Emblems of the Italian Academies
Author: Jennifer Montagu
Publisher: Warburg Institute
Total Pages: 94
Release: 1988
Genre: Education
ISBN:

Provides an index of the emblems of the Italian academies, using Maylender as its main source. The book covers both the mottoes and the figures, so that it may be used for identifying preliminary drawings or early unlettered states of prints.

A Book of Emblems

A Book of Emblems
Author: Andrea Alciati
Publisher: McFarland
Total Pages: 269
Release: 2004-07-15
Genre: Art
ISBN: 0786418079

Andrea Alciati's Emblematum Liber was an essential work for every writer, artist and scholar in post-medieval Europe. First published in 1531, this illustrated book was a collection of emblems, each consisting of a motto or proverb, a typically enigmatic illustration, and a short explanation. Most of the emblems had symbolic and moral applications. Scholars depended on Alciati's book to interpret contemporary art and literature, while writers and artists turned to it to invest their work with an understood didactic sense. This new edition of the Emblematum Liber includes the original Latin texts, highly readable English translations, and the illustrations belonging to each of the 212 emblems. The editor's introduction explains both the importance and the cultural contexts of Alciati's book, as well as its innumerable artistic applications. For instance, close study of the emblems reveals--to cite only two examples--why statues of lions are traditionally placed before government buildings, and what underlying political message was conveyed by innumerable equestrian portraits during the Baroque era. The collection includes as an appendix the formerly suppressed emblem, "Adversus Naturam Peccantes," accompanied by a translation of the learned commentary applied to it by Johann Thuilius in 1612. An extensive bibliography points the student to scholarly research specifically dealing with artistic applications of Alciati's emblems. Altogether, this new edition of Alciati's seminal work is an essential tool for modern students of the liberal arts.

Hieroglyph, Emblem, and Renaissance Pictography

Hieroglyph, Emblem, and Renaissance Pictography
Author: Ludwig Volkmann
Publisher:
Total Pages: 0
Release: 2018
Genre: Art, Renaissance
ISBN: 9789004360938

The first English translation of Volkmann's Bilderschriften der Renaissance, the pioneering review of the influence of the hieroglyph on Renaissance culture, focused on the literature of emblem and device in Germany and France.

The Emblem in Early Modern Europe

The Emblem in Early Modern Europe
Author: Peter M. Daly
Publisher: Routledge
Total Pages: 328
Release: 2016-12-05
Genre: Literary Criticism
ISBN: 1351890832

The emblem was big business in early-modern Europe, used extensively not only in printed books and broadsheets, but also to decorate pottery, metalware, furniture, glass and windows and numerous other domestic, devotional and political objects. At its most basic level simply a combination of symbolic visual image and texts, an emblem is a hybrid composed of words and picture. However, as this book demonstrates, understanding the precise and often multiple meaning, intention and message emblems conveyed can prove a remarkably slippery process. In this book, Peter Daly draws upon many years’ research to reflect upon the recent upsurge in scholarly interest in, and rediscovery of, emblems following years of relative neglect. Beginning by considering some of the seldom asked, but important, questions that the study of emblems raises, including the importance of the emblem, the truth value of emblems, and the transmission of knowledge through emblems, the book then moves on to investigate more closely-focussed aspects such as the role of mnemonics, mottoes and visual rhetoric. The volume concludes with a review of some perhaps inadequately considered issues such as the role of Jesuits (who had a role in the publication of about a quarter of all known emblem books), and questions such as how these hybrid constructs were actually read and interpreted. Drawing upon a database containing records of 6,514 books of emblems and imprese, this study suggests new ways for scholars to approach important questions that have not yet been satisfactorily broached in the standard works on emblems.

Hieroglyph, Emblem, and Renaissance Pictography

Hieroglyph, Emblem, and Renaissance Pictography
Author: Ludwig Volkmann
Publisher: BRILL
Total Pages: 331
Release: 2018-07-03
Genre: Philosophy
ISBN: 9004367594

Robin Raybould’s Hieroglyph, Emblem and Renaissance Pictography is the first English translation of Ludwig Volkmann’s Bilderschriften der Renaissance, the classic text which promoted the symbol as a defining cultural and literary characteristic of early modern Europe. Volkmann enumerates and describes many of the works which illustrated the contemporary obsession with hieroglyph, emblem and device, particularly those from France and Germany, thus complementing Karl Giehlow’s earlier Hieroglyphenkunde on the subject. Volkmann’s book highlights both Renaissance theories of the image as language and the symbol as an aid to an understanding of the meaning of life and the nature of God. Raybould’s translation has been described as elegant, admirable and impeccable and includes an introduction, extensive notes and several additional essays on topics relevant to the field.

The Emblem

The Emblem
Author: John Manning
Publisher: Reaktion Books
Total Pages: 404
Release: 2004-04-04
Genre: Literary Criticism
ISBN: 1861895925

The emblem, an image accompanied by a motto and a verse or short prose passage, is both art and literature: in the emblem tradition, the image presents a story – often with pictorial symbols – and the verse below it drives home the picture-story's moral instruction. It is one of the most fascinating, and enduring, art forms in Western culture. John Manning's book charts the rise and evolution of the emblem from its earliest manifestations to its emergence as a genre in its own right in the sixteenth century, and then through its various reinventions to the present day. The seventeenth century saw the development of new emblematic forms and sub-genres, and the sharpening of the form for the purpose of social satire. When the Jesuits appropriated the emblem, producing enormous quantities of material, a further dimension of moral seriousness was introduced, alongside a concentration of emblematic "wit". The emblem later came to be directed increasingly at young people and children; in particular, William Blake adopted a fresh attitude towards ideas of the child and childishness. Since then, reprints of 17th-century emblem books have been produced with new plates, and writers and artists from Robert Louis Stevenson to Ian Hamilton Finlay have used emblems in new and subversive ways.