The Islamic Manuscript Tradition
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Author | : Adam Gacek |
Publisher | : BRILL |
Total Pages | : 288 |
Release | : 2017-07-31 |
Genre | : Reference |
ISBN | : 9047400844 |
Covering the entire spectrum of Arabic manuscripts, and especially the handwritten book, this book consists of a glossary of technical terms and a bibliography. The technical terms, collected from a variety of sources, embrace a vast range of topics dealing with the making and reading (studying) of Arabic manuscripts. They include: the Arabic scripts, penmanship, writing materials and implements, the make-up of the codex, copying and correction, decoration and bookbinding. A similar coverage is reflected in the bibliography. In view of the fact that, as yet, there is no concise monograph on Arabic manuscripts in the English language, this book is an important contribution to this field. And, since Arabic manuscripts represent an enormous resource for research, this work is an indispensable reference for all students of Islamic civilization.
Author | : David Hollenberg |
Publisher | : BRILL |
Total Pages | : 317 |
Release | : 2015-04-14 |
Genre | : History |
ISBN | : 9004289763 |
The Yemeni Manuscript Tradition contributes to the study of the manuscript codex and its role in scholastic culture in Yemen. Ranging in period from Islam’s first century to the modern period, all the articles in this volume emerge from the close scrutiny of the manuscripts of Yemen. As a group, these studies demonstrate the range and richness of scholarly methods closely tied to the material text, and the importance of cross-pollination in the fields of codicology, textual criticism, and social and intellectual history. Contributors are: Hassan Ansari, Menashe Anzi, Asma Hilali, Kerstin Hünefeld, Wilferd Madelung, Arianna D’Ottone, Christoph Rauch, Anne Regourd, Sabine Schmidtke, Gregor Schwarb and Jan Thiele.
Author | : Umberto Bongianino |
Publisher | : Edinburgh Studies in Islamic A |
Total Pages | : 0 |
Release | : 2022 |
Genre | : Art |
ISBN | : 9781474499583 |
Explores the aesthetic dimensions, cultural significance and ideological power of Maghribī manuscripts This book traces the history of manuscript production in the Islamic West, between the 10th and the 12th centuries. It interrogates the material evidence that survives from this period, paying special attention to the origin and development of Maghribī round scripts, the distinctive form of Arabic writing employed in al-Andalus (Muslim Iberia) and Northwest Africa. More than 200 dated manuscripts written in Maghribī round scripts - many of which have not previously been published and are of great historical significance - are presented and discussed. This allows for a reconstruction of the activity of Maghribī calligraphers, copyists, notaries and secretaries, and a better understanding of the development of their practices. A blend of art historical methods, palaeographic analyses and a thorough scrutiny of Arabic sources paints a comprehensive and lively picture of Maghribī manuscript culture - from its beginnings under the Umayyads of Cordova up to the heyday of the Almohad caliphate. This book lifts the veil on a glorious, yet neglected season in the history of Arabic calligraphy, shedding new light on a tradition that was crucial for the creation of the Andalusi identity and its spread throughout the medieval Mediterranean. Key Features Exposes the richness and sophistication of Maghribī manuscript culture, including parchment- and papermaking, calligraphy, illumination, bookbinding and chancery practices Approaches social and cultural history through the study of manuscripts as artefacts Shows that calligraphy and scribal practices were a key element in the construction of political and identity discourses Includes a comprehensive catalogue of 252 dated manuscripts in Maghribī round scripts (including Qur'ans and chancery documents), the majority of which are unpublished Lavishly illustrated with over 100 colour images Umberto Bongianino is Departmental Lecturer in Islamic Art and Architecture at the Khalili Research Centre, University of Oxford.
Author | : Christiane J. Gruber |
Publisher | : Indiana University Press |
Total Pages | : 305 |
Release | : 2010 |
Genre | : Antiques & Collectibles |
ISBN | : 0253353777 |
The rich and varied traditions of Islamic book art
Author | : Ahmed El Shamsy |
Publisher | : Princeton University Press |
Total Pages | : 312 |
Release | : 2020-02-11 |
Genre | : Antiques & Collectibles |
ISBN | : 0691174563 |
The people who selected, edited, and published the new print books on and about Islam exerted a huge influence on the resulting literary tradition. These unheralded editors determined, essentially, what came to be understood by the early twentieth century as the classical written "canon" of Islamic thought. Collectively, this relatively small group of editors who brought Islamic literature into print crucially shaped how Muslim intellectuals, the Muslim public, and various Islamist movements understood the Islamic intellectual tradition. In this book Ahmed El Shamsy recounts this sea change, focusing on the Islamic literary culture of Cairo, a hot spot of the infant publishing industry, from the late nineteenth and twentieth centuries. As El Shamsy argues, the aforementioned editors included some of the greatest minds in the Muslim world and shared an ambitious intellectual agenda of revival, reform, and identity formation. .
Author | : George N. Atiyeh |
Publisher | : State University of New York Press |
Total Pages | : 336 |
Release | : 1995-07-01 |
Genre | : History |
ISBN | : 079149540X |
The Book in the Islamic World brings together serious studies on the book as an intellectual entity and as a vehicle of cultural development. Written by a group of distinguished scholars, it examines and reflects upon this unique tool of communication not as a physical artifact but as a manifestation of the aspirations, values, and wisdom of Arabs and Muslims in general. The Islamic system of book production differed from that of the West. This volume shows the peculiarities of book making and the intellectual principles that governed a book's inner structure, mysteries, and impact on culture. Investigated and explained are the issues involved in printing; the compilation of the Koran, the most important book in Islam; attitudes toward books; the oral versus the written tradition; metaphors of the book in literature; biographical dictionaries, an important genre of Islamic books; the grammatical tradition; women's contribution to calligraphy; scientific manuscripts; the transition from scribal to print culture; publishing in the modern Arab World; and the new electronic media, a non-book vehicle of communication, and its impact on education.
Author | : Anna Contadini |
Publisher | : BRILL |
Total Pages | : 280 |
Release | : 2011-11-11 |
Genre | : Reference |
ISBN | : 9004222650 |
The Kitāb Naʿt al-Ḥayawān is the earliest of a group of illustrated manuscripts dealing with the characteristics of animals and their medicinal uses. The present study considers both the confluence of textual traditions within this work and the stylistic and iconographic relationships of its illustrations, which make it a key witness to early thirteenth-century Arab painting. After a re-evaluation of previous approaches, emphasis is placed on relating image to text, on stylistic affiliations, and on the modalities of production, supported by technical analyses undertaken for the first time. In elucidating the particular context of this unique manuscript, the study contributes to our understanding of a critical period in the development of Middle Eastern painting and art.
Author | : Adam Gacek |
Publisher | : |
Total Pages | : 0 |
Release | : 2011-12 |
Genre | : Arabic language |
ISBN | : 9789004221451 |
The main sequence is comprised of approximately 200 entries dealing with almost all aspects of Arabic manuscript studies (codicology and paleography); includes appendices covering abbreviations, letterforms, sūrah-headings, major reference works, and a guide to the description of manuscripts, as well as charts of major historical periods and dynasties.
Author | : Jörg Quenzer |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 345 |
Release | : 2014-12-12 |
Genre | : Philosophy |
ISBN | : 3110384825 |
Script and writing were among the most important inventions in human history, and until the invention of printing, the handwritten book was the primary medium of literary and cultural transmission. Although the study of manuscripts is already quite advanced for many regions of the world, no unified discipline of ‘manuscript studies’ has yet evolved which is capable of treating handwritten books from East Asia, India and the Islamic world equally alongside the European manuscript tradition. This book, which aims to begin the interdisciplinary dialogue needed to arrive at a truly systematic and comparative approach to manuscript cultures worldwide, brings together papers by leading researchers concerned with material, philological and cultural aspects of different manuscript traditions.
Author | : Frédéric Bauden |
Publisher | : BRILL |
Total Pages | : 474 |
Release | : 2019-12-16 |
Genre | : History |
ISBN | : 9004413170 |
In recent years, a growing interest in “oriental manuscripts” in all their aspects, including the extrinsic ones, has been observed. Research that focuses on holograph, autograph and authorial manuscripts in Arabic handwritten script has nevertheless been casual, although these manuscripts raise important and varied questions. The study of the working methods of authors from the past informs different disciplines: paleography, codicology, textual criticism, ecdotics, linguistics and intellectual history. In this volume nine contributions and case studies are gathered that address theoretical issues and convey different, disruptive perspectives. A particularly important subject of this book, so far rarely discussed in scientific literature, is the identification of an author’s handwriting. Among the authors specifically dealt with in this volume one will find: al-Maqrīzī (m. 845/1442), al-Nuwayrī (m. 733/1333), Akmal al-Dīn b. Mufliḥ (m. 1011/1603), al-ʿAynī (m. 855/1451) and Ibn Khaldūn (m. 808/1406). Contributors: Frédéric Bauden, Julien Dufour, Élise Franssen, Adam Gacek, Retsu Hashizume, Marie-Hélène Marganne, Elias Muhanna, Nobutaka Nakamachi, Anne Regourd, and Kristina Richardson.