The Cultural Origins of the French Revolution

The Cultural Origins of the French Revolution
Author: Roger Chartier
Publisher: Duke University Press
Total Pages: 260
Release: 2015-12-11
Genre: History
ISBN: 082237384X

Reknowned historian Roger Chartier, one of the most brilliant and productive of the younger generation of French writers and scholars now at work refashioning the Annales tradition, attempts in this book to analyze the causes of the French revolution not simply by investigating its “cultural origins” but by pinpointing the conditions that “made is possible because conceivable.” Chartier has set himself two important tasks. First, while acknowledging the seminal contribution of Daniel Mornet’s Les origens intellectuelles de la Révolution française (1935), he synthesizes the half-century of scholarship that has created a sociology of culture for Revolutionary France, from education reform through widely circulated printed literature to popular expectations of government and society. Chartier goes beyond Mornet’s work, not be revising that classic text but by raising questions that would not have occurred to its author. Chartier’s second contribution is to reexamine the conventional wisdom that there is a necessary link between the profound cultural transformation of the eighteenth century (generally characterized as the Enlightenment) and the abrupt Revolutionary rupture of 1789. The Cultural Origins of the French Revolution is a major work by one of the leading scholars in the field and is likely to set the intellectual agenda for future work on the subject.

Encounters with the Other

Encounters with the Other
Author: Martin Calder
Publisher: BRILL
Total Pages: 312
Release: 2021-12-28
Genre: Social Science
ISBN: 9004490043

Encounters with the Other brings together a range of eighteenth-century texts in which the exploration of lingua incognita figures as a prominent topos . Drawing mostly on a corpus of French texts, but also including a number of works in English, Martin Calder attempts to realign well-known texts with more canonically marginalized works. The originality of the perspectives offered by this book lies in the comparative reading of works not previously conjoined. Encounters with otherness are marked by a transgression of the limits of language, occurring when language becomes alien or unfamiliar. Alterity may take various forms: a foreign language, a familiar language marked by the traits of foreignness, something unrecognizable as language, or even one’s own language breaking down, as in madness. Unfamiliar language may be produced by a foreigner, by a child who cannot yet speak, in extreme cases by something unrecognizably human, in all cases by an agency somehow marked by difference. Narratives of encounters with otherness have written into them narratives of the discovery of the self. Implicitly informed by the reading techniques associated with literary theory, Encounters with the Other offers an insightful commentary on issues surrounding colonialism, cultural difference, gender and the importance of language to identity. Martin Calder’s work challenges certain Eurocentric notions and exposes the problematic links between Enlightenment rationality and colonial expansion. This book is of interest both to undergraduate students and to academic researchers, and to a more general readership concerned with understanding the relationship between Europe, the ‘West’ and a wider world.

The Classical Heritage in France

The Classical Heritage in France
Author: Gerald Sandy
Publisher: BRILL
Total Pages: 593
Release: 2002-04-01
Genre: History
ISBN: 9047400631

This book, written by eighteen specialists, deals with the reception of Greek and Latin culture in France in the sixteenth and seventeenth centuries. It is intended for those interested in classical influences on French belles-lettres and visual arts. Readers will benefit from the comprehensive surveys provided by specialists on topics as diverse as the role of French travellers to classical lands in transforming perceptible reality into narrative textuality, Jacques Amyot's contribution to the reinvention of the novel in the West and the influence of ancient law in France. Major literary genres and themes, philosophy, major writers, early French humanists and Hellenists and the visual arts all receive detailed, up-to-date treatment. Contributors include: Olga Augustinos, Alain Billault, Jean Braybrook, Paola Cifarelli, Michèle Ducos, Sue Farquhar, Philip Ford, A. Trevor Hodge, George Huppert, Gillian Jondorf, John Parkin, Laurence Plazenet, Patricia Rosenmeyer, Ofelia Salgado, Gerald Sandy, Alison Saunders, Douglas Thomson, and Valerie Worth-Stylianou.

Haunted

Haunted
Author: Leo Braudy
Publisher: Yale University Press
Total Pages: 335
Release: 2016-10-25
Genre: Social Science
ISBN: 0300224729

An award-winning scholar and author charts four hundred years of monsters and how they reflect the culture that created them Leo Braudy, a finalist for both the National Book Award and the National Book Critics Circle Award, has won accolades for revealing the complex and constantly shifting history behind seemingly unchanging ideas of fame, war, and masculinity. Continuing his interest in the history of emotion, this book explores how fear has been shaped into images of monsters and monstrosity. From the Protestant Reformation to contemporary horror films and fiction, he explores four major types: the monster from nature (King Kong), the created monster (Frankenstein), the monster from within (Mr. Hyde), and the monster from the past (Dracula). Drawing upon deep historical and literary research, Braudy discusses the lasting presence of fearful imaginings in an age of scientific progress, viewing the detective genre as a rational riposte to the irrational world of the monstrous. Haunted is a compelling and incisive work by a writer at the height of his powers.

The Republic of Letters

The Republic of Letters
Author: Dena Goodman
Publisher: Cornell University Press
Total Pages: 356
Release: 1994
Genre: History
ISBN: 9780801481741

Goodman chronicles the story of the Republic of Letters from its earliest formation through major periods of change: the production of the Encyclopedia, the proliferation of a print culture that widened circles of readership beyond the control of salon governance, and the early years of the French Revolution.

Psychosocial Spaces

Psychosocial Spaces
Author: Steven J. Gores
Publisher: Wayne State University Press
Total Pages: 242
Release: 2000
Genre: History
ISBN: 9780814326633

"He next examines Sophia Lee's novel The Recess, along with prints and sketches of ruins, to place the monastic ruin at the focus of desire to repress discontinuity in the past, which in turn permitted individuals to conceive of constructing identity based on genealogy. Then, through a study of Henry Fielding's Amelia, he discusses portrait miniatures and silhouettes as fetishized symbols of erotic ties, showing how images of a beloved, with their promises for the future, were used as a basis for constructing individual identity."--Jacket.

Sovereign Feminine

Sovereign Feminine
Author: Matthew Head
Publisher: Univ of California Press
Total Pages: 351
Release: 2013-05-09
Genre: Music
ISBN: 0520954769

In the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements measuring the progress of culture and society from barbarism to civilization. Female excellence, and related feminocentric values, were celebrated by forward-looking critics who argued for music as a fine art, a component of modern, polite, and commercial culture, rather than a symbol of institutional power. In the eyes of such critics, femininity—a newly emerging and primarily bourgeois ideal—linked women and music under the valorized signs of refinement, sensibility, virtue, patriotism, luxury, and, above all, beauty. This moment in musical history was eclipsed in the first decades of the nineteenth century, and ultimately erased from the music-historical record, by now familiar developments: the formation of musical canons, a musical history based on technical progress, the idea of masterworks, authorial autonomy, the musical sublime, and aggressively essentializing ideas about the relationship between sex, gender and art. In Sovereign Feminine, Matthew Head restores this earlier musical history and explores the role that women played in the development of classical music.

Scenarios of Power

Scenarios of Power
Author: Richard S. Wortman
Publisher: Princeton University Press
Total Pages: 509
Release: 2013-10-31
Genre: History
ISBN: 1400849691

This new and abridged edition of Scenarios of Power is a concise version of Richard Wortman's award-winning study of Russian monarchy from the seventeenth century until 1917. The author breaks new ground by showing how imperial ceremony and imagery were not simply displays of the majesty of the sovereign and his entourage, but also instruments central to the exercise of absolute power in a multinational empire. In developing this interpretation, Wortman presents vivid descriptions of coronations, funerals, parades, trips through the realm, and historical celebrations and reveals how these ceremonies were constructed or reconstructed to fit the political and cultural narratives in the lives and reigns of successive tsars. He describes the upbringing of the heirs as well as their roles in these narratives and relates their experiences to the persistence of absolute monarchy in Russia long after its demise in Europe.

Affecting Grace

Affecting Grace
Author: Kenneth C. Calhoon
Publisher: University of Toronto Press
Total Pages: 297
Release: 2013-04-09
Genre: Literary Criticism
ISBN: 1442664169

Affecting Grace examines the importance of Shakespeare’s poetry and plays within German literature and thought after 1750 – including its relationship to German classicism, which favoured unreflected ease over theatricality. Kenneth S. Calhoon examines this tension against an extensive backdrop that includes a number of canonical German authors – Goethe, Schiller, Herder, Lessing, von Kleist, and Nietzsche – as well as the advent of Meissen porcelain, the painting of Bernardo Bellotto and Francesco Guardi, and aspects of German styles of architecture. Extending from Shakespeare’s The Merchant of Venice (c. 1597) to Kleist’s The Broken Jug (1806), this study turns on the paradox that the German literary world had begun to embrace Shakespeare just as it was firming up the broad but pronounced anti-Baroque sensibility found pivotally in Lessing’s critical and dramatic works. Through these investigations, Calhoon illuminates the deep cultural changes that fundamentally affected Germany’s literary and artistic traditions.