The Invention Of Annibale Carracci
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Author | : Clare Robertson |
Publisher | : |
Total Pages | : 430 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
Annibale Carracci (1560-1609) fu una delle figure chiave (1560-1609) nello sviluppo dell'arte barocca italiana, e tuttavia la sua arte può sembrare problematica per diversi aspetti. Questo volume analizza la sua carriera dagli esordi a Bologna fino alle opere successive a Roma, il cui apice è raggiunto con il suo capolavoro, gli splendidi affreschi della Galleria Farnese. Il volume indaga inoltre il linguaggio religioso fortemente espressivo che sviluppò nelle pale d'altare, adeguate espressioni dei princìpi della Contro-Riforma, e i suoi importanti contributi all'evoluzione del paesaggio classico. Annotation Supplied by Informazioni Editoriali
Author | : Annibale Carracci |
Publisher | : Paul Holberton Publishing |
Total Pages | : 108 |
Release | : 2005 |
Genre | : Art |
ISBN | : |
This catalog accompanied the exhibition at the Museo Nacional del Prado of the newly restored Venus, Adonis and Cupid by Annibale Carracci and of paintings of the same subject by Titian and Veronese. In addition to reproductions of these gorgeous paintings, the catalog includes drawings and prints related to Carracci's work as well as documentation
Author | : Christopher Braider |
Publisher | : Routledge |
Total Pages | : 369 |
Release | : 2017-03-02 |
Genre | : Literary Criticism |
ISBN | : 1351955969 |
In his monumental study, Christopher Braider explores the dialectical contest between history and truth that defines the period of cultural transition called the 'baroque'. For example, Annibale Carracci's portrayal of the Stoic legend of Hercules at the Crossroads departs from earlier, more static representations that depict an emblematic demigod who has already rejected the fallen path of worldly Pleasure for the upward road of heroic Virtue. Braider argues that, in breaking with tradition in order to portray a tragic soliloquist whose dominant trait is agonized indecision, Carracci joins other baroque artists, poets and philosophers in rehearsing the historical dilemma of choice itself. Carracci's picture thus becomes a framing device that illuminates phenomena as diverse as the construction of gender in baroque painting and science, the Pauline ontology of art in Caravaggio and Rembrandt, the metaphysics of baroque soliloquy and the dismantling of Cartesian dualism in Cyrano de Bergerac and Pascal.
Author | : Arthur J. DiFuria |
Publisher | : BRILL |
Total Pages | : 884 |
Release | : 2021-12-20 |
Genre | : Art |
ISBN | : 9004462066 |
This volume examines how and why many early modern pictures operate in an ekphrastic mode.
Author | : Arnika Schmidt |
Publisher | : |
Total Pages | : 256 |
Release | : 2016-11 |
Genre | : Art |
ISBN | : 9788836633845 |
Author | : |
Publisher | : |
Total Pages | : 28 |
Release | : 1996 |
Genre | : |
ISBN | : |
Author | : Georgia Museum of Art |
Publisher | : University of Georgia Press |
Total Pages | : 262 |
Release | : 1995 |
Genre | : Art |
ISBN | : 9780820316482 |
In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists' creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters was an accepted part of the artistic process. The consensus of the contributors amounts to a revision, or at least a qualification, of Bernard Berenson's interpretation of the emergent Renaissance ideal of individual "genius" as a measure of original artistic achievement: we must accord greater influence to the collaborative, appropriative conventions and practices of the craft workshop, which persisted into and beyond the Renaissance from its origins in the Middle Ages. Consequently, we must acknowledge the sometimes rather ordinary beginnings of some of the world's great works of art--an admission, say the contributors, that will open new avenues of study and enhance our understanding of the complex connections between invention and execution. With one exception, these essays were delivered as lectures in conjunction with the exhibition The Artists and Artisans of Florence: Works from the Horne Museum hosted by the Georgia Museum of Art in the fall of 1992.
Author | : Art Institute of Chicago |
Publisher | : |
Total Pages | : 0 |
Release | : 2010 |
Genre | : Art |
ISBN | : 9780300166262 |
Published in conjunction with an exhibition organized by and presented at The Art Institute of Chicago, Sept. 25, 2010-Jan. 2, 2011.
Author | : Giovanni Pietro Bellori |
Publisher | : Cambridge University Press |
Total Pages | : 532 |
Release | : 2005-11-21 |
Genre | : Art |
ISBN | : 9780521781879 |
This is the first complete translation of the biographies of fifteen artists, including Annibale Carracci, Carvaggio, Rubens, Van Dyck, and Poussin, written by the seventeenth-century antiquarian Giovan Pietro Bellori. Originally conceived as a continuation of Vasari's famous Lives, it is a fundamental source for seventeenth-century Italian art and artistic theory, providing detailed descriptions of extant and lost works of art, while casting light on the cultural politics of contemporary Rome and the relations between Rome and France. The importance of Bellori's Lives lies in the scrupulous documentation of artists, many of whom he knew personally; the author's detailed descriptions of their works; and his exposition of the classicist theory of art in the introductory lecture, the Idea. This volume contains the twelve Lives published in the original edition of 1672 and three Lives (Guido Reni, Andrea Sacchi, and Carlo Maratti) that survive in manuscript form and that were published for the first time in 1942.
Author | : Daniele Benati |
Publisher | : Lund Humphries Publishers |
Total Pages | : 304 |
Release | : 2000 |
Genre | : Art |
ISBN | : 9780853317647 |
Widely regarded as one of the greatest draughtsmen of all time, Annibale Carracci (1560-1609) is celebrated for his naturalism. Born in a time when the elegant deformations and exaggerations of Italian mannerism were still in vogue, Carracci turned instead to nature as his principal inspiration. Much attuned to the everyday world around him, he took as much interest in studying a man bowling, a butcher weighing a piece of meat, or a street entertainer with his monkey as he did in the preparatory studies for his grand mythological and religious paintings. The fruit of this intensive study is abundantly evident in his magnificent drawings of the human figure - from his early works in Bologna to those made in preparation for his greatest commission, the decoration of the Farnese Gallery in Rome. This stunning publication brings together a plethora of Carracci's masterful drawings to provide a unique insight into the technique and skill of one of the premier artists of his time.