The Intimacy Of Paper In Early And Nineteenth Century American Literature
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Author | : David M. Henkin |
Publisher | : University of Chicago Press |
Total Pages | : 238 |
Release | : 2008-09-15 |
Genre | : History |
ISBN | : 0226327221 |
Americans commonly recognize television, e-mail, and instant messaging as agents of pervasive cultural change. But many of us may not realize that what we now call snail mail was once just as revolutionary. As David M. Henkin argues in The Postal Age, a burgeoning postal network initiated major cultural shifts during the nineteenth century, laying the foundation for the interconnectedness that now defines our ever-evolving world of telecommunications. This fascinating history traces these shifts from their beginnings in the mid-1800s, when cheaper postage, mass literacy, and migration combined to make the long-established postal service a more integral and viable part of everyday life. With such dramatic events as the Civil War and the gold rush underscoring the importance and necessity of the post, a surprisingly broad range of Americans—male and female, black and white, native-born and immigrant—joined this postal network, regularly interacting with distant locales before the existence of telephones or even the widespread use of telegraphy. Drawing on original letters and diaries from the period, as well as public discussions of the expanding postal system, Henkin tells the story of how these Americans adjusted to a new world of long-distance correspondence, crowded post offices, junk mail, valentines, and dead letters. The Postal Age paints a vibrant picture of a society where possibilities proliferated for the kinds of personal and impersonal communications that we often associate with more recent historical periods. In doing so, it significantly increases our understanding of both antebellum America and our own chapter in the history of communications.
Author | : Celeste-Marie Bernier |
Publisher | : Edinburgh University Press |
Total Pages | : 752 |
Release | : 2016-02-15 |
Genre | : Literary Criticism |
ISBN | : 0748692940 |
This comprehensive study by leading scholars in an important new field-the history of letters and letter writing-is essential reading for anyone interested in nineteenth-century American politics, history or literature. Because of its mass literacy, population mobility, and extensive postal system, nineteenth-century America is a crucial site for the exploration of letters and their meanings, whether they be written by presidents and statesmen, scientists and philosophers, novelists and poets, feminists and reformers, immigrants, Native Americans, or African Americans. This book breaks new ground by mapping the voluminous correspondence of these figures and other important American writers and thinkers. Rather than treating the letter as a spontaneous private document, the contributors understand it as a self-conscious artefact, circulating between friends and strangers and across multiple genres in ways that both make and break social ties.
Author | : Kristie Hamilton |
Publisher | : |
Total Pages | : 216 |
Release | : 1998 |
Genre | : Literary Collections |
ISBN | : |
In her comprehensive study of American sketch writing, Kristic Hamilton gives new insight into the powers of mass-market intimacy more personal and home-like than home - and into leisure, which as a component of middle-class identity is quite as imperative in its achievement as disciplined morality. Here, also, is a more complex story of the aesthetic, as a class-inflected realm, in which factory women and rural and urban middle-class authors debate the shape of literature and life.
Author | : Hannah Farber |
Publisher | : UNC Press Books |
Total Pages | : 350 |
Release | : 2021-10-28 |
Genre | : History |
ISBN | : 1469663643 |
Unassuming but formidable, American maritime insurers used their position at the pinnacle of global trade to shape the new nation. The international information they gathered and the capital they generated enabled them to play central roles in state building and economic development. During the Revolution, they helped the U.S. negotiate foreign loans, sell state debts, and establish a single national bank. Afterward, they increased their influence by lending money to the federal government and to its citizens. Even as federal and state governments began to encroach on their domain, maritime insurers adapted, preserving their autonomy and authority through extensive involvement in the formation of commercial law. Leveraging their claims to unmatched expertise, they operated free from government interference while simultaneously embedding themselves into the nation's institutional fabric. By the early nineteenth century, insurers were no longer just risk assessors. They were nation builders and market makers. Deeply and imaginatively researched, Underwriters of the United States uses marine insurers to reveal a startlingly original story of risk, money, and power in the founding era.
Author | : Shawn Anthony Christian |
Publisher | : Studies in Print Culture and t |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Literary Criticism |
ISBN | : 9781625342010 |
Introduction. The New Negro is reading -- Creating critical frameworks: three models for the New Negro Reader -- In search of Black writers (and readers): Crisis's and Opportunity's literary contests -- Beyond the New Negro: artistry, audience, and the Harlem Renaissance literary anthology -- Pedagogy for critical readership: James Weldon Johnson's English 123 -- Epilogue. On African American writers and readers
Author | : Jordan Alexander Stein |
Publisher | : Harvard University Press |
Total Pages | : 273 |
Release | : 2020-01-07 |
Genre | : Literary Criticism |
ISBN | : 0674987047 |
A literary scholar explains how eighteenth-century novels were manufactured, sold, bought, owned, collected, and read alongside Protestant religious texts. As the novel developed into a mature genre, it had to distinguish itself from these similar-looking books and become what we now call “literature.” Literary scholars have explained the rise of the Anglophone novel using a range of tools, from Ian Watt’s theories to James Watt’s inventions. Contrary to established narratives, When Novels Were Books reveals that the genre beloved of so many readers today was not born secular, national, middle-class, or female. For the first three centuries of their history, novels came into readers’ hands primarily as printed sheets ordered into a codex bound along one edge between boards or paper wrappers. Consequently, they shared some formal features of other codices, such as almanacs and Protestant religious books produced by the same printers. Novels are often mistakenly credited for developing a formal feature (“character”) that was in fact incubated in religious books. The novel did not emerge all at once: it had to differentiate itself from the goods with which it was in competition. Though it was written for sequential reading, the early novel’s main technology for dissemination was the codex, a platform designed for random access. This peculiar circumstance led to the genre’s insistence on continuous, cover-to-cover reading even as the “media platform” it used encouraged readers to dip in and out at will and read discontinuously. Jordan Alexander Stein traces this tangled history, showing how the physical format of the book shaped the stories that were fit to print.
Author | : E. M. Palmegiano |
Publisher | : Anthem Press |
Total Pages | : 713 |
Release | : 2012-02-01 |
Genre | : Reference |
ISBN | : 9781843317562 |
This annotated bibliography of nineteenth-century British periodicals, complete with a detailed subject index, reveals how Victorian commentaries on journalism shaped the discourse on the origins and contemporary character of the domestic, imperial and foreign press. Drawn from a wide range of publications representing diverse political, economic, religious, social and literary views, this book contains over 4,500 entries, and features extracts from over forty nineteenth-century periodicals. The articles cataloged offer a thorough and influential analysis of their journalistic milieu, presenting statistics on sales and descriptions of advertising, passing judgment on space allocations, pinpointing different readerships, and identifying individuals who engaged with the press either exclusively or occasionally. Most importantly, the bibliography demonstrates that columnists routinely articulated ideas about the purpose of the press, yet rarely recognized the illogic of prioritizing public good and private profit simultaneously, thus highlighting implicitly a universal characteristic of journalism: its fractious, ambiguous, conflicting behavior.
Author | : Milette Shamir |
Publisher | : University of Pennsylvania Press |
Total Pages | : 297 |
Release | : 2008-06-18 |
Genre | : Architecture |
ISBN | : 0812220234 |
Few concepts are more widely discussed or more passionately invoked in American public culture than the concept of privacy. Milette Shamir traces the peculiarly American obsession with privacy back to the middle decades of the nineteenth century, when our modern understanding of the concept took hold.
Author | : Bill Brown |
Publisher | : University of Chicago Press |
Total Pages | : 260 |
Release | : 2010-12-28 |
Genre | : Literary Criticism |
ISBN | : 0226076318 |
In May 1906, the Atlantic Monthly commented that Americans live not merely in an age of things, but under the tyranny of them, and that in our relentless effort to sell, purchase, and accumulate things, we do not possess them as much as they possess us. For Bill Brown, the tale of that possession is something stranger than the history of a culture of consumption. It is the story of Americans using things to think about themselves. Brown's captivating new study explores the roots of modern America's fascination with things and the problem that objects posed for American literature at the turn of the century. This was an era when the invention, production, distribution, and consumption of things suddenly came to define a national culture. Brown shows how crucial novels of the time made things not a solution to problems, but problems in their own right. Writers such as Mark Twain, Frank Norris, Sarah Orne Jewett, and Henry James ask why and how we use objects to make meaning, to make or remake ourselves, to organize our anxieties and affections, to sublimate our fears, and to shape our wildest dreams. Offering a remarkably new way to think about materialism, A Sense of Things will be essential reading for anyone interested in American literature and culture.
Author | : Megan Marshall |
Publisher | : Houghton Mifflin Harcourt |
Total Pages | : 501 |
Release | : 2013 |
Genre | : Biography & Autobiography |
ISBN | : 0547195605 |
The award-winning author of The Peabody Sisters takes a fresh look at the trailblazing life of a great American heroine Thoreau s first editor, Emerson s close friend, the first female war correspondent, and a passionate advocate of personal liberation and political freedom. "Megan Marshall's brilliant Margaret Fuller brings us as close as we are ever likely to get to this astonishing creature. She rushes out at us from her nineteenth century, always several steps ahead, inspiring, heartbreaking, magnificent." Rebecca Newberger Goldstein, author of Betraying Spinoza: The Renegade Jew Who Gave Us Modernity "Megan Marshall gives new meaning to close reading from words on a page she conjures a fantastically rich inner life, a meld of body, mind, and soul. Drawing on the letters and diaries of Margaret Fuller and her circle, she has brought us a brave, visionary, sensual, tough-minded intellectual, a first woman who was unique yet stood for all women. A masterful achievement by a great American writer and scholar. Evan Thomas, author of Ike s Bluff: President Eisenhower s Secret Battle to Save the World "Megan Marshall s Margaret Fuller: A New American Life is the best single volume ever written on Fuller. Carefully researched and beautifully composed, the book brings Fuller back to life in all her intellectual vivacity and emotional intensity. Marshall s Fuller overwhelms the reader, just as Fuller herself overwhelmed everyone she met. A masterpiece of empathetic biography, this is the book Fuller herself would have wanted. You will not be able to put it down." Robert D. Richardson, author of Emerson: The Mind on Fire Praise for The Peabody Sisters: Three Women Who Ignited American Romanticism A stunning work of biography and intellectual history. Deftly weaving material from the letters and journals of all three sisters, Ms. Marshall . . . performs the intellectual equivalent of a triple axel. William Grimes, New York Times This beautifully written book is at once an intimate portrait of three remarkable sisters and a study of women s place in the vibrant intellectual and literary culture of nineteenth-century New England. The product of twenty years of research, Megan Marshall s tour de force is impossible to put down. Drew Gilpin Faust, author of The Republic of Suffering "