The International Film Industry
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| Author | : Angus Finney |
| Publisher | : Routledge |
| Total Pages | : 303 |
| Release | : 2014-10-10 |
| Genre | : Performing Arts |
| ISBN | : 1136295038 |
The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effect. The International Film Business: describes and analyses the present structure of the film industry as a business, with a specific focus on the film value chain discusses and analyses current digital technology and how it potentially may change the structure and opportunities offered by the industry in the future provides information and advice on the different business and management skills and strategies includes case studies on a variety of films including The Guard (2011), The King’s Speech (2010), The Best Exotic Marigold Hotel (2012), Cloverfield (2008), Pobby & Dingan (aka Opal Dream, 2005), Confessions of a Dangerous Mind (2002), The Reckoning (2002)and The Mother (2003), and company case studies on Pixar, Renaissance, Redbus and Zentropa. Further case studies on films that failed to go into production include Neil LaBute’s Vapor and Terry Gilliam’s Good Omens. Taking an entrepreneurial perspective on what future opportunities will be available to prepared and informed students and emerging practitioners, this text includes case studies that take students through the successes and failures of a variety of real film companies and projects and features exclusive interviews with leading practitioners in all sectors of the industry, from production to exhibition.
| Author | : Susan Liddy |
| Publisher | : Springer Nature |
| Total Pages | : 352 |
| Release | : 2020-08-08 |
| Genre | : Performing Arts |
| ISBN | : 3030390705 |
The chapter Experiencing Male Dominance in Swedish Film Production” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
| Author | : Qiao Li |
| Publisher | : Routledge |
| Total Pages | : 244 |
| Release | : 2020-09-01 |
| Genre | : Art |
| ISBN | : 1000092348 |
The global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional production companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a "big picture" view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated development of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world.
| Author | : Gorham Anders Kindem |
| Publisher | : SIU Press |
| Total Pages | : 436 |
| Release | : 2000 |
| Genre | : Business & Economics |
| ISBN | : 9780809322992 |
A comprehensive history of the international movie industry during the 20th century. Essays examine the film industries of 19 countries focusing on individual national movie industries' economic, social, aesthetic, technological and political/ideological development within an international context.
| Author | : Ramyar D. Rossoukh |
| Publisher | : Duke University Press |
| Total Pages | : 163 |
| Release | : 2021-09-08 |
| Genre | : Social Science |
| ISBN | : 1478022191 |
From Bangladesh and Hong Kong to Iran and South Africa, film industries around the world are rapidly growing at a time when new digital technologies are fundamentally changing how films are made and viewed. Larger film industries like Bollywood and Nollywood aim to attain Hollywood's audience and profitability, while smaller, less commercial, and often state-funded enterprises support various cultural and political projects. The contributors to Anthropology, Film Industries, Modularity take an ethnographic and comparative approach to capturing the diversity and growth of global film industries. They outline how modularity—the specialized filmmaking tasks that collectively produce a film—operates as a key feature in every film industry, independent of local context. Whether they are examining the process of dubbing Hollywood films into Hindi, virtual reality filmmaking in South Africa, or on-location shooting in Yemen, the contributors' anthropological methodology brings into relief the universal practices and the local contingencies and deeper cultural realities of film production. Contributors. Steven C. Caton, Jessica Dickson, Kevin Dwyer, Tejaswini Ganti, Lotte Hoek, Amrita Ibrahim, Sylvia J. Martin, Ramyar D. Rossoukh
| Author | : John Trumpbour |
| Publisher | : Cambridge University Press |
| Total Pages | : 402 |
| Release | : 2007-09-21 |
| Genre | : History |
| ISBN | : 9780521042666 |
This book investigates European efforts to overcome the American film industry's international pre-eminence.
| Author | : Jimmyn Parc |
| Publisher | : Springer Nature |
| Total Pages | : 255 |
| Release | : 2021-09-10 |
| Genre | : Business & Economics |
| ISBN | : 3030803422 |
This book analyses the Korean film industry emergence and development in a global business and economic perspective. This is one of the first books to compare the film policies and industries of the world’s six largest film industries – featuring Korea as the central character – with the aim of defining the contours of what constitutes an effective film policy. It presents many cases showing that, contrary to what is often believed, an economically sound policy is a good instrument for achieving desired cultural goals. It uses a set of analytical tools – borrowed from the economic analysis of international trade policies – to provide a rich harvest of new, rigorous, and often unexpected results on the effectiveness of the existing film policies. The implications found in this book are relevant not only for Korea, but for all other countries that wish to foster or enhance the competitiveness of their film industries. This book will be of interest to a wide spectrum of scholars interested in cultural studies – media and cultural specialists, political scientists, sociologists, historians – in addition to business analysts and economists specialized in cultural economics. As this book focuses on film policies and how to improve them, it will also appeal to policymakers, business figures, public relations officials, and staff from international organizations working on the film industry.
| Author | : Vinzenz Hediger |
| Publisher | : Amsterdam University Press |
| Total Pages | : 496 |
| Release | : 2009 |
| Genre | : Performing Arts |
| ISBN | : 9089640134 |
Industriële films worden gezien als een apart filmgenre van de twintigste eeuw. Ze werden geproduceerd en gesponsord door de overheid en grote bedrijven en moesten vooral aan de wensen van de sponsors voldoen, en niet zo zeer aan die van de filmmakers. In de hoogtijdagen werkten er duizenden mensen aan deze industriële films. Zo zijn er vakbladen en filmfestivals ontstaan door samenwerking met grote bedrijven als Shell en AT & T. Daarnaast hebben belangrijke regisseurs, zoals Buster Keaton, John Grierson en Alain Resnais, aan deze films meegewerkt. Toch lijkt de industriële film geen spoor te hebben achtergelaten in het filmische culturele discours. Films that Work is het eerste boek waarin de industriële film en zijn opmerkelijke geschiedenis worden onderzocht.
| Author | : Sar?, Gül?ah |
| Publisher | : IGI Global |
| Total Pages | : 277 |
| Release | : 2019-11-22 |
| Genre | : Social Science |
| ISBN | : 1799817768 |
Gender studies has maintained its status as a heavily researched field. However, women and their role in cinema is a vastly understudied topic that deals with various aspects of feminism and sexism. The function of women in the film industry has evolved over time and proven to be an interesting area of research regarding the transition from sexual icons to respected professionals. Feminism is a widely researched subject, yet its specific application within cinema is an area that has yet to be studied. International Perspectives on Feminism and Sexism in the Film Industry is an essential reference source that examines the representation of women in cinema and provides a feminist approach to various aspects of the film industry including labor, production, and the cultural impact of women in motion pictures. Featuring research on topics such as violence against women, feminist film theory, and psychoanalysis, this book is ideally designed for directors, industry professionals, writers, screenwriters, activists, professors, students, administrators, and researchers in fields that include film studies, gender studies, mass media, and communications.
| Author | : Gina Marchetti |
| Publisher | : Routledge |
| Total Pages | : 496 |
| Release | : 2007-01-24 |
| Genre | : Performing Arts |
| ISBN | : 1134179162 |
In recent years, with the establishment of the Hong Kong Film Archive and growing scholarly interest in the history of Hong Kong cinema, previously neglected historical documents and difficult-to-access films have offered new research materials. As Hong Kong film history comes into sharper focus, its inextricable links across the decades to Southeast Asia, Korea, Japan, the United States, and to the far reaches of the Chinese diaspora have also become more evident. Hong Kong’s connection with Hollywood involves ties that bring together art cinema and popular genres as well as film festivals and the media marketplace with popular transnational genres. Giving fresh and facsinating insights into the vibrant area of Hong Kong, this exciting new book links Hong Kong with world film culture both within and beyond the commercial Hollywood paradigm. It emphasizes Hong Kong film in relation to other cinema industries, including Hollywood, and demonstrates that Hong Kong film, throughout its history, has challenged, redefined, expanded, and exceeded its borders.
