The Instrument Of Caravaggio
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Author | : Antonino Saggio |
Publisher | : Lulu.com |
Total Pages | : 44 |
Release | : 2010-09-28 |
Genre | : Art |
ISBN | : 144612228X |
The Instrument of Caravaggio shows that the use of the camera obscura is not only a technical device but a profound challenge for a new revolutionary vision.Translation by Rebecca Guarda
Author | : Keith Christiansen |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 98 |
Release | : 1990 |
Genre | : Lutenists |
ISBN | : 0870995758 |
Published by the Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY 10028. The catalog (with a lengthy essay and scholarly paraphernalia) for an exhibition of a newly identified work by Caravaggio and other paintings by the artist or related to the musical theme. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : Michael Fried |
Publisher | : Princeton University Press |
Total Pages | : 316 |
Release | : 2010-08-17 |
Genre | : Art |
ISBN | : 0691147019 |
This is a groundbreaking examination of one of the most important artists in the Western tradition by one of the leading art historians and critics of the past half-century. In his first extended consideration of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610), Michael Fried offers a transformative account of the artist's revolutionary achievement. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, The Moment of Caravaggio displays Fried's unique combination of interpretive brilliance, historical seriousness, and theoretical sophistication, providing sustained and unexpected readings of a wide range of major works, from the early Boy Bitten by a Lizard to the late Martyrdom of Saint Ursula. And with close to 200 color images, The Moment of Caravaggio is as richly illustrated as it is closely argued. The result is an electrifying new perspective on a crucial episode in the history of European painting. Focusing on the emergence of the full-blown "gallery picture" in Rome during the last decade of the sixteenth century and the first decades of the seventeenth, Fried draws forth an expansive argument, one that leads to a radically revisionist account of Caravaggio's relation to the self-portrait; of the role of extreme violence in his art, as epitomized by scenes of decapitation; and of the deep structure of his epoch-defining realism. Fried also gives considerable attention to the art of Caravaggio's great rival, Annibale Carracci, as well as to the work of Caravaggio's followers, including Orazio and Artemisia Gentileschi, Bartolomeo Manfredi, and Valentin de Boulogne.
Author | : Rossella Vodret |
Publisher | : Silvana Editoriale |
Total Pages | : 0 |
Release | : 2010 |
Genre | : Art |
ISBN | : 9788836616626 |
Edited and text by Rossella Vodret.
Author | : Annick Lemoine |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 290 |
Release | : 2016-10-07 |
Genre | : Art |
ISBN | : 1588396029 |
Following Caravaggio's death in 1610, the French artist Valentin de Boulogne (1591-1632) emerged as one of the great champions of naturalistic painting. The eminent art historian Roberto Longhi honored him as "the most energetic and passionate of Caravaggio's naturalist followers." In Rome, Valentin—who loved the tavern as much as the painter's pallette—fell in with a rowdy confederation of artists but eventually received commissions from some of the city's most prominent patrons. It was in this artistically rich but violent metropolis that Valentin created such masterworks as a major altarpiece in Saint Peter's Basilica and superb renderings of biblical and secular subjects—until his tragic death at the age of forty-one cut short his ascendant career. With discussions of nearly fifty works, representing practically all of his painted oeuvre, Valentin de Boulogne: Beyond Caravaggio explores both the the artist's superlative depictions of daily life and the tumultuous context in which they were produced. Essays by a team of international scholars consider his key attributions to European painting, his devotion to everyday objects and models from life, his technique of staging pictures with the immediacy of unfolding drama, and his place in the pantheon of French artists. An extensive chronology surveys the rare extant documents that chronicle his biography, while individual entries help situate his works in the contexts of his times. Rich with incident and insight, and beautifully illustrated in Valentin's complex, suggestive paintings, Valentin de Boulogne: Beyond Caravaggio reveals a seminal artist, a practitioner of realism in the seventeenth century who prefigured the naturalistic modernism of Gustave Courbet and Edouard Manet two centuries later.
Author | : Sebastian Schütze |
Publisher | : Taschen |
Total Pages | : 512 |
Release | : 2021-06 |
Genre | : |
ISBN | : 9783836587969 |
Notorious bad boy of Italian painting, Caravaggio is now considered one of the greatest influences in all art history. This neat catalogue raisonné reproduces all of Caravaggio's paintings as well as a number of dramatic details of his boundary-breaking realism. Five accompanying chapters trace Caravaggio's artistic daring and his equally...
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 369 |
Release | : 1985 |
Genre | : Mannerism (Art) |
ISBN | : 0870993801 |
Author | : Creighton Gilbert |
Publisher | : Penn State Press |
Total Pages | : 347 |
Release | : 1995 |
Genre | : Art |
ISBN | : 0271013125 |
Gilbert devotes separate discussions to the Marquis and to Cardinal Mattei in developing his argument that each of them influenced Caravaggio in different ways. A collector of classical sculpture, the Marquis is connected to the classical mythological themes that are here identified in specific paintings. A study of Cardinal Mattei indicates that he was outstandingly devout, which was true of only a small number of cardinals during the period. Gilbert shows that the artist's two paintings for the Cardinal alter the previous patterns of representing their religious themes, in ways related to Counter-Reformation ideas. Scholars have long searched for the specific religious figure who inspired this quality in Caravaggio's work, resolved here by Gilbert's meticulous scholarship and carefully drawn connections.
Author | : David Franklin |
Publisher | : |
Total Pages | : 352 |
Release | : 2011 |
Genre | : Art |
ISBN | : |
"The Italian artist Caravaggio (1571-1610) had a profound impact on a wide range of baroque painters of Italian, French, Dutch, Flemish, and Spanish origin who resided in Rome either during his lifetime or immediately afterward. This captivating book illustrates the notion of "Caravaggism," showcasing 65 works by Peter Paul Rubens and other important artists of the period who drew inspiration from Caravaggio. Also depicted are Caravaggio canvases that fully exhibit his distinctive style, along with ones that had a particularly discernible impact on other practitioners. Caravaggio's influence was greatest in Rome, where his works were seen by the largest and most international group of artists, and was at its peak in the early decades of the 17th century both before and after his untimely death at the age of 39. Not since Michelangelo or Raphael has one European artist affected so many of his contemporaries and over such broad geographic territory. Essays by an array of major Caravaggio scholars illuminate the underlying principles of the exhibit, reveal how Caravaggio altered the presentation and interpretation of many traditional subjects and inspired unusual new ones, and explore the artist's legacy and how he irrevocably changed the course of painting."--Publisher's description.
Author | : Helen Langdon |
Publisher | : Random House |
Total Pages | : 474 |
Release | : 2012-04-24 |
Genre | : Art |
ISBN | : 1448105714 |
Of all Italian painters, Caravaggio (c. 1565-1609) speaks most intensely to the modern world. His early works suggest a fascination with his own youth and sexuality and the trancience of love and beauty his later religious art speaks of violence, passion, solitude and death. Ugly, almost brutal-looking, Caravaggio was constantly embroiled in fights and entangled with the law; the prototype anti-social artist, he moved between the worlds of powerful patrons and the street life of boys and prostitutes. Helen Langdon uncovers his progress from childhood in plague-ridden Milan to wild success in Rome, and eventual exile and persecution in the South, and sets his work against the political, intellectual and spiritual movements of the day. Fully illustrated, her dramatic portrait shows Carravigio's life to be as sensational and enigmatic as his powerful and enduring art.