The Influence of the Audience on Shakespeare's Drama
Author | : Robert Bridges |
Publisher | : |
Total Pages | : 46 |
Release | : 1966 |
Genre | : Dramatists, English |
ISBN | : |
Download The Influence Of The Audience On Shakespeares Drama full books in PDF, epub, and Kindle. Read online free The Influence Of The Audience On Shakespeares Drama ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Robert Bridges |
Publisher | : |
Total Pages | : 46 |
Release | : 1966 |
Genre | : Dramatists, English |
ISBN | : |
Author | : William Shakespeare |
Publisher | : Hal Leonard Corporation |
Total Pages | : 216 |
Release | : 2013-04-01 |
Genre | : Drama |
ISBN | : 1623160332 |
(Book). Shakespeare was a man of the theatre to his core, so it is no surprise that he repeatedly contemplated the nuts and bolts of his craft in his plays and poems. Shakespeare scholar Nick de Somogyi here draws together all the cherishable set pieces including "All the world's a stage," Hamlet's encounters with the Players, and Bottom's amateur theatricals along with many other oblique but no less revealing glances, and further insights into theatre practice by Shakespeare's contemporaries and rivals. De Somogyi's commentary takes us through the entire process of Shakespeare's theatrical production, from its casting and auditions, via rehearsals, costumes, and props, to its premiere and audience reception. Shakespeare on Theatre eavesdrops on the urgently whispered noises-off in the "tiring-house" and inhales the heady aroma of the Globe's first audiences.
Author | : Matteo Pangallo |
Publisher | : Routledge |
Total Pages | : 341 |
Release | : 2021-03-28 |
Genre | : Literary Collections |
ISBN | : 1000352579 |
Shakespeare wrote for a theater in which the audience was understood to be, and at times invited to be, active and participatory. How have Shakespeare’s audiences, from the sixteenth century to the present, responded to that invitation? In what ways have consumers across different cultural contexts, periods, and platforms engaged with the performance of Shakespeare’s plays? What are some of the different approaches taken by scholars today in thinking about the role of Shakespeare's audiences and their relationship to performance? The chapters in this collection use a variety of methods and approaches to explore the global history of audience experience of Shakespearean performance in theater, film, radio, and digital media. The approaches that these contributors take look at Shakespeare’s audiences through a variety of lenses, including theater history, dramaturgy, film studies, fan studies, popular culture, and performance. Together, they provide both close studies of particular moments in the history of Shakespeare’s audiences and a broader understanding of the various, often complex, connections between and among those audiences across the long history of Shakespearean performance.
Author | : Farah Karim Cooper |
Publisher | : Bloomsbury Publishing |
Total Pages | : 317 |
Release | : 2015-01-05 |
Genre | : Drama |
ISBN | : 1408157055 |
How did Elizabethan and Jacobean acting companies create their visual and aural effects? What materials were available to them and how did they influence staging and writing? What impact did the sensations of theatre have on early modern audiences? How did the construction of the playhouses contribute to technological innovations in the theatre? What effect might these innovations have had on the writing of plays? Shakespeare's Theatres and The Effects of Performance is a landmark collection of essays by leading international scholars addressing these and other questions to create a unique and comprehensive overview of the practicalities and realities of the theatre in the early modern period.
Author | : Kirsty Sedgman |
Publisher | : Springer |
Total Pages | : 178 |
Release | : 2018-11-02 |
Genre | : Performing Arts |
ISBN | : 3319991663 |
Audiences are not what they used to be. Munching crisps or snapping selfies, chatting loudly or charging phones onstage – bad behaviour in theatre is apparently on the rise. And lately some spectators have begun to fight back... The Reasonable Audience explores the recent trend of ‘theatre etiquette’: an audience-led crusade to bring ‘manners and respect’ back to the auditorium. This comes at a time when, around the world, arts institutions are working to balance the traditional pleasures of receptive quietness with the need to foster more inclusive experiences. Through investigating the rhetorics of morality underpinning both sides of the argument, this book examines how models of 'good' and 'bad' spectatorship are constructed and legitimised. Is theatre etiquette actually snobbish? Are audiences really more selfish? Who gets to decide what counts as ‘reasonable’ within public space?Using theatre etiquette to explore wider issues of social participation, cultural exclusion, and the politics of identity, Kirsty Sedgman asks what it means to police the behaviour of others.
Author | : BRADD. SHORE |
Publisher | : Routledge |
Total Pages | : 296 |
Release | : 2021-08-23 |
Genre | : |
ISBN | : 9781032017174 |
This book provides a bridge between Shakespeare Studies and classical social theory, opening up readings of Shakespeare to a new audience outside of literary studies and the humanities. Shakespeare has long been known as a 'great thinker' and this book reads his plays through the lens of an anthropologist, revealing new connections between Shakespeare's plays and the lives we now lead. Close readings of a selection of frequently studied plays - Hamlet, The Winter's Tale, Romeo and Juliet, A Midsummer Night's Dream, Julius Caesar and King Lear - engage with the plays in detail while connecting them with some of the biggest questions we all ask ourselves, about love, friendship, ritual, language, human interactions and the world around us. The plays are examined through various social theories including performance theory, cognitive theory, semiotics, exchange theory and structuralism. The book concludes with a consideration of how "the new astronomy" of his day and developments in optics changed the very idea of "perspective," and shaped Shakespeare's approach to embedding social theory in his dramatic texts. This accessible and engaging book will appeal to those approaching Shakespeare from outside literary studies, but will also be valuable to literature students approaching Shakespeare for the first time, or looking for a new angle on the plays.
Author | : Bruce R. Smith |
Publisher | : |
Total Pages | : 0 |
Release | : 2016 |
Genre | : LITERARY CRITICISM |
ISBN | : 9781107057258 |
This transhistorical, international and interdisciplinary work will be of interest to students, theater professionals and Shakespeare scholars.
Author | : Ralph Berry |
Publisher | : Routledge |
Total Pages | : 172 |
Release | : 2015-07-30 |
Genre | : Literary Criticism |
ISBN | : 1317370937 |
This book, first published in 1985, explores the consciousness and the experience of Shakespeare’s audience. First describing the stage’s physical impact, Ralph Berry then goes on to explore the social or tribal consciousness of the audience in certain plays. The title finishes by examining the masque – the salient form of the Jacobean theatre. This title will be of interest to students of literature and theatre studies.
Author | : Reed Martin |
Publisher | : Broadway Play Publishing |
Total Pages | : 118 |
Release | : 2018-06-20 |
Genre | : |
ISBN | : 9780881457612 |
Discovered in a treasure-filled parking lot in Leicester, England (next to a pile of bones that didn't look that important), an ancient manuscript proves to be the long-lost first play written by none other than seventeen-year-old William Shakespeare from Stratford. We are totally not completely making this up. WILLIAM SHAKESPEARE'S LONG LOST FIRST PLAY (abridged) is the literary holy grail: an actual manuscript in Shakespeare's own hand showing all his most famous characters and familiar speeches in a brand-new story. But because it's one hundred hours long and contains multiple unwieldy storylines, it was decided, as a public service, to abridge it down to a brief and palatable ninety-minute performance for this lost masterpiece. "Something wickedly funny this way comes!" The New York Times "A breathlessly irreverent, pun-filled romp!" The Washington Post "A top-notch comic deconstruction of Shakespeare!" The Stage--U K