The Influence Of Bartoks Approach To Keyboard Compositions On Contemporary Chinese Solo Piano Music
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Symmetries of Music
Author | : Ernő Lendvai |
Publisher | : |
Total Pages | : 174 |
Release | : 1993 |
Genre | : Harmonic analysis (Music) |
ISBN | : |
Piano Lessons with Claudio Arrau
Author | : Victoria A. von Arx |
Publisher | : Oxford University Press |
Total Pages | : 501 |
Release | : 2014-05-28 |
Genre | : Music |
ISBN | : 0199366748 |
Piano Lessons with Claudio Arrau provides an insider's view of the art of piano performance as exemplified by one of the great artists of the twentieth century. Chilean pianist Claudio Arrau devoted his life to the piano and its music. As a child prodigy, he gained national recognition from government officials in Chile, including President Pedro Montt, who funded Arrau's education in Germany. Arrau studied in Berlin with Martin Krause, a pupil of Franz Liszt, and later immigrated to New York City where he taught and mentored a sizeable group of pupils while at the same time managing an international performing career. Arrau's profound musical insight and unique style of teaching inspired his pupils and motivated them to teach his principles to the next generation of students. This in-depth study of Arrau's principles and philosophy of technique and performance draws on information from published interviews with Arrau, from numerous interviews with Arrau's pupils, and from the author's experience in studying piano with two of them. Transcripts of actual lessons given by Arrau and preserved on tape present in his own words a detailed account of his technical and interpretive ideas about five major works of the piano repertory. References to over one hundred examples from Arrau's filmed recordings enable readers to observe the elements of Arrau's famed technique in action.
Understanding Music
Author | : N. Alan Clark |
Publisher | : |
Total Pages | : 316 |
Release | : 2015-12-21 |
Genre | : Education |
ISBN | : 9781940771335 |
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
The Voice of New Music
Author | : Tom Johnson |
Publisher | : |
Total Pages | : 556 |
Release | : 1989 |
Genre | : Music |
ISBN | : |
An anthology of articles on the evolution of minimal music in New York in 1972-1982, which originally appeared in the Village Voice (New York).
The Computer and Music
Author | : Harry B. Lincoln |
Publisher | : Cornell University Press |
Total Pages | : 381 |
Release | : 2019-06-30 |
Genre | : Music |
ISBN | : 150174416X |
The first of its kind, this is book consists of twenty-one essays describing the many different uses of the digital computer in the field of music. Musicologists will find that various historical periods-from medieval to contemporary-are represented, and examples of computer analysis of ethnic music are considered. Edmund A. Bowles contributes an entertaining historical survey of music research and the computer. Lejaren Hill here discusses computer composition, both in this country and in Europe, and gives a bibliography of composers and their works. A. James Gabura's essay describes experiments in analyzing and identifying the keyboard styles of Haydn, Mozart, and Beethoven. There is also a section of particular interest to music librarians.
Comprehensive Dissertation Index, 1861-1972: Communications and the arts
Author | : Xerox University Microfilms |
Publisher | : |
Total Pages | : 1000 |
Release | : 1973 |
Genre | : Dissertations, Academic |
ISBN | : |
Formalized Music
Author | : Iannis Xenakis |
Publisher | : Pendragon Press |
Total Pages | : 410 |
Release | : 1992 |
Genre | : Juvenile Nonfiction |
ISBN | : 9781576470794 |
Pendragon Press is proud to offer this new, revised, and expanded edition of Formalized Music, Iannis Xenakis's landmark book of 1971. In addition to three totally new chapters examining recent breakthroughs in music theory, two original computer programs illustrating the actual realization of newly proposed methods of composition, and an appendix of the very latest developments of stochastic synthesis as an invitation to future exploration, Xenakis offers a very critical self-examination of his theoretical propositions and artistic output of the past thirty-five years. This edition of Formalized Music is an essential tool for understanding the man and the thought processes of one of this century's most important and revolutionary musical figures.