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| Author | : Charles V. Heath |
| Publisher | : U of Nebraska Press |
| Total Pages | : 232 |
| Release | : 2015-08-01 |
| Genre | : History |
| ISBN | : 0803269676 |
"An examination of the histories of Mexico and Oaxaca and the creation of the identity of the modern political state through the Banda de Mâusica del Estado de Oaxaca (Music Band of the State of Oaxaca; BME)"
| Author | : Stephen J. C. Andes |
| Publisher | : U of Nebraska Press |
| Total Pages | : 447 |
| Release | : 2019-12-01 |
| Genre | : History |
| ISBN | : 1496214668 |
Who was the “Mysterious Sofía,” whose letter in November 1934 was sent from Washington DC to Mexico City and intercepted by the Mexican Secret Service? In The Mysterious Sofía Stephen J. C. Andes uses the remarkable story of Sofía del Valle to tell the history of Catholicism’s global shift from north to south and the importance of women to Catholic survival and change over the course of the twentieth century. As a devout Catholic single woman, neither nun nor mother, del Valle resisted religious persecution in an era of Mexican revolutionary upheaval, became a labor activist in a time of class conflict, founded an educational movement, toured the United States as a public lecturer, and raised money for Catholic ministries—all in an age dominated by economic depression, gender prejudice, and racial discrimination. The rise of the Global South marked a new power dynamic within the Church as Latin America moved from the margins of activism to the vanguard. Del Valle’s life and the stories of those she met along the way illustrate the shared pious practices, gender norms, and organizational networks that linked activists across national borders. Told through the eyes of a little-known laywoman from Mexico, Andes shows how women journeyed from the pews into the heart of the modern world.
| Author | : J. Justin Castro |
| Publisher | : University of Nebraska Press |
| Total Pages | : 366 |
| Release | : 2019-01-01 |
| Genre | : History |
| ISBN | : 1496212517 |
From the late nineteenth century to the middle of the twentieth century, Mexico experienced major transformations influenced by a global progressive movement that thrived during the Mexican Revolution and influenced Mexico’s development during subsequent governments. Engineers and other revolutionary technocrats were the system builders who drew up the blueprints, printed newspapers, implemented reforms, and constructed complexity—people who built modern Mexico with an eye on remedying long-standing problems through social, material, and infrastructural development during a period of revolutionary change. In Apostle of Progress J. Justin Castro examines the life of Modesto C. Rolland, a revolutionary propagandist and a prominent figure in the development of Mexico, to gain a better understanding of the role engineers played in creating revolution-era policies and the reconstruction of the Mexican nation. Rolland influenced Mexican land reform, petroleum development, stadium construction, port advancements, radio broadcasting, and experiments in political economy. In the telling of Rolland’s story, Castro offers a captivating account of the Mexican Revolution and the influence of global progressivism on the development of twentieth-century Mexico.
| Author | : Helga Baitenmann |
| Publisher | : U of Nebraska Press |
| Total Pages | : 343 |
| Release | : 2020-05-01 |
| Genre | : History |
| ISBN | : 1496220021 |
After the fall of the Porfirio Díaz regime, pueblo representatives sent hundreds of petitions to Pres. Francisco I. Madero, demanding that the executive branch of government assume the judiciary’s control over their unresolved lawsuits against landowners, local bosses, and other villages. The Madero administration tried to use existing laws to settle land conflicts but always stopped short of invading judicial authority. In contrast, the two main agrarian reform programs undertaken in revolutionary Mexico—those implemented by Emiliano Zapata and Venustiano Carranza—subordinated the judiciary to the executive branch and thereby reshaped the postrevolutionary state with the support of villagers, who actively sided with one branch of government over another. In Matters of Justice Helga Baitenmann offers the first detailed account of the Zapatista and Carrancista agrarian reform programs as they were implemented in practice at the local level and then reconfigured in response to unanticipated inter- and intravillage conflicts. Ultimately, the Zapatista land reform, which sought to redistribute land throughout the country, remained an unfulfilled utopia. In contrast, Carrancista laws, intended to resolve quickly an urgent problem in a time of war, had lasting effects on the legal rights of millions of land beneficiaries and accidentally became the pillar of a program that redistributed about half the national territory.
| Author | : Rocio Gomez |
| Publisher | : U of Nebraska Press |
| Total Pages | : 294 |
| Release | : 2020-07-01 |
| Genre | : History |
| ISBN | : 0803290896 |
In Mexico environmental struggles have been fought since the nineteenth century in such places as Zacatecas, where United States and European mining interests have come into open conflict with rural and city residents over water access, environmental health concerns, and disease compensation. In Silver Veins, Dusty Lungs, Rocio Gomez examines the detrimental effects of the silver mining industry on water resources and public health in the city of Zacatecas and argues that the human labor necessary to the mining industry made the worker and the mine inseparable through the land, water, and air. Tensions arose between farmers and the mining industry over water access while the city struggled with mudslides, droughts, and water source contamination. Silicosis-tuberculosis, along with accidents caused by mining technologies like jackhammers and ore-crushers, debilitated scores of miners. By emphasizing the perspective of water and public health, Gomez illustrates that the human body and the environment are not separate entities but rather in a state of constant interaction.
| Author | : Pablo Mijangos y Gonzalez |
| Publisher | : U of Nebraska Press |
| Total Pages | : 369 |
| Release | : 2015-06-01 |
| Genre | : History |
| ISBN | : 0803254865 |
Mexico’s Reforma, the mid-nineteenth-century liberal revolution, decisively shaped the country by disestablishing the Catholic Church, secularizing public affairs, and laying the foundations of a truly national economy and culture. The Lawyer of the Church is an examination of the Mexican clergy’s response to the Reforma through a study of the life and works of Bishop Clemente de Jesús Munguía (1810–68), one of the most influential yet least-known figures of the period. By analyzing how Munguía responded to changing political and intellectual scenarios in defense of the clergy’s legal prerogatives and social role, Pablo Mijangos y González argues that the Catholic Church opposed the liberal revolution not because of its supposed attachment to a bygone past but rather because of its efforts to supersede colonial tradition and refashion itself within a liberal yet confessional state. With an eye on the international influences and dimensions of the Mexican church-state conflict, The Lawyer of the Church also explores how Mexican bishops gradually tightened their relationship with the Holy See and simultaneously managed to incorporate the papacy into their local affairs, thus paving the way for the eventual “Romanization” of Mexican Catholicism during the later decades of the century.
| Author | : Jonathan M. Weber |
| Publisher | : U of Nebraska Press |
| Total Pages | : 294 |
| Release | : 2019-04-01 |
| Genre | : Medical |
| ISBN | : 149621434X |
Late nineteenth-century Mexico was a country rife with health problems. In 1876, one out of every nineteen people died prematurely in Mexico City, a staggeringly high rate when compared to other major Western world capitals at the time, which saw more modest premature death rates of one out of fifty-two (London), one out of forty-four (Paris), and one out of thirty-five (Madrid). It is not an exaggeration to maintain that each day dozens of bodies could be found scattered throughout the streets of Mexico City, making the capital city one of the most unsanitary places in the Western Hemisphere. In light of such startling scenes, in Death Is All around Us Jonathan M. Weber examines how Mexican state officials, including President Porfirio Díaz, tried to resolve the public health dilemmas facing the city. By reducing the high mortality rate, state officials believed that Mexico City would be seen as a more modern and viable capital in North America. To this end the government used new forms of technology and scientific knowledge to deal with the thousands of unidentified and unburied corpses found in hospital morgues and cemeteries and on the streets. Tackling the central question of how the government used the latest technological and scientific advancements to persuade citizens and foreigners alike that the capital city—and thus Mexico as a whole—was capable of resolving the hygienic issues plaguing the city, Weber explores how the state’s attempts to exert control over procedures of death and burial became a powerful weapon for controlling the behavior of its citizens.
| Author | : Miruna Achim |
| Publisher | : U of Nebraska Press |
| Total Pages | : 346 |
| Release | : 2017-12 |
| Genre | : History |
| ISBN | : 1496203976 |
From Idols to Antiquity explores the origins and tumultuous development of the National Museum of Mexico and the complicated histories of Mexican antiquities during the first half of the nineteenth century. Following independence from Spain, the National Museum of Mexico was founded in 1825 by presidential decree. Nationhood meant cultural as well as political independence, and the museum was expected to become a repository of national objects whose stories would provide the nation with an identity and teach its people to become citizens. Miruna Achim reconstructs the early years of the museum as an emerging object shaped by the logic and goals of historical actors who soon found themselves debating the origin of American civilizations, the nature of the American races, and the rightful ownership of antiquities. Achim also brings to life an array of fascinating characters—antiquarians, naturalists, artists, commercial agents, bureaucrats, diplomats, priests, customs officers, local guides, and academics on both sides of the Atlantic—who make visible the rifts and tensions intrinsic to the making of the Mexican nation and its cultural politics in the country’s postcolonial era.
| Author | : Gabriela Aceves Sepúlveda |
| Publisher | : U of Nebraska Press |
| Total Pages | : 411 |
| Release | : 2019-04-01 |
| Genre | : Social Science |
| ISBN | : 1496213831 |
2020 Canadian Association for Latin American and Caribbean Studies (CALACS) Book Prize In post-1968 Mexico a group of artists and feminist activists began to question how feminine bodies were visually constructed and politicized across media. Participation of women was increasing in the public sphere, and the exclusive emphasis on written culture was giving way to audio-visual communications. Motivated by a desire for self-representation both visually and in politics, female artists and activists transformed existing regimes of media and visuality. Women Made Visible by Gabriela Aceves Sepúlveda uses a transnational and interdisciplinary lens to analyze the fundamental and overlooked role played by artists and feminist activists in changing the ways female bodies were viewed and appropriated. Through their concern for self-representation (both visually and in formal politics), these women played a crucial role in transforming existing regimes of media and visuality--increasingly important intellectual spheres of action. Foregrounding the work of female artists and their performative and visual, rather than written, interventions in urban space in Mexico City, Aceves Sepúlveda demonstrates that these women feminized Mexico's mediascapes and shaped the debates over the female body, gender difference, and sexual violence during the last decades of the twentieth century. Weaving together the practices of activists, filmmakers, visual artists, videographers, and photographers, Women Made Visible questions the disciplinary boundaries that have historically undermined the practices of female artists and activists and locates the development of Mexican second-wave feminism as a meaningful actor in the contested political spaces of the era, both in Mexico City and internationally.
