The Imperial Style
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| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 170 |
| Release | : 1980 |
| Genre | : Clothing and dress |
| ISBN | : 0870992325 |
"This is the book based on the hugely successful exhibition Fashions of the Hapsburg Era: Austria-Hungary, held at The Metropolitan Museum of Art from December 1979 through August 1980. The show presented more than 150 costumes, uniforms, and military and equestrian trappings dating from the eighteenth century in Austria and Hungary to the collapse of the Hapsburg Empire in 1918. But at the heart of the exhibition were the costumes and liveries worn at court in the late nineteenth century, during the reign of Emperor Franz Joseph I and Empress Elisabeth—one of the most highly romantic periods in European history ... Each essay is lavishly illustrated in color and black and white, with eighteen specially commissioned color plates of costumes and accouterments in the exhibition. A detailed chronology of the years between 1699 and 1918 and a selected bibliography are included"--Metropolitan Museum of Art website, viewed May 16, 2022.
| Author | : Donald J. Munro |
| Publisher | : University of Michigan Press |
| Total Pages | : 159 |
| Release | : 2020-06-01 |
| Genre | : History |
| ISBN | : 0472901788 |
How have traditional Chinese ways of thinking affected problem solving in this century? The traditional, imperial style of inquiry is associated with the belief that the universe is a coherent, internally structured unity understandable through the similarly structured human mind. It involves a reliance on antecedent and authoritarian models, coupled with an introspective focus in investigations, at some cost to objective fact gathering. In contrast, emergent forms of inquiry are guided by the values of individual autonomy and new perspectives on objectivity. In the 1930s and 1940s, some liberal educators held the model of Western science in great esteem, and some scientists practicing objective inquiry helped to create an awareness in the urban areas of inquiry not directed by political values. Drawing on philosophical, social science, and popular culture materials, Donald Munro shows that the two strains coexisted in twentieth century China as mixed motives. Many important figures were motivated by a desire to act consistently with the social values associated with the premodern or received view of knowledge and inquiry. At the same time, these people often had other motives, such as utilitarian values, efficiency, and entrepreneurship. Munro argues that while many competing positions can coexist in the same person, the seeds of the positive, instrumental value of individual autonomy in Chinese inquiry are beginning to compete in both scholarly and popular culture with other, older approaches.
| Author | : Laura Cerwinske |
| Publisher | : Wings |
| Total Pages | : 0 |
| Release | : 1997-09-16 |
| Genre | : Art patronage |
| ISBN | : 9780517187050 |
A sumptuously illustrated, full-color book re-creates the Russian aristocracy's world of opulent design, beautiful objects, and magnificent art and architecture through gorgeous pictures and rich text.
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 33 |
| Release | : 1979 |
| Genre | : Costume |
| ISBN | : |
"The fashions worn during the Hapsburg era in Vienna and Budapest had their own kind of uniqueness. This is not to say that well-dressed Austrians and Hungarians of the periods covered in the exhibition were out of touch with what was considered fashionable to the rest of the Western world. On the contrary, the upper-class Austrian and Hungarian ladies were well aware of the latest French fashions. The gentlemen, too, were very much in tune with the sartorial modes of the French in the eighteenth century, and later, in the nineteenth century, they turned to the English styles, with their accent on elegance and superb tailoring. What was it, then, that made their fashions unique? It is important first to note that although the Hungarians were tied to the Austrian Hapsburg Empire in one way to another from 1699 until World War I, they remained culturally apart. The Austrians leaned both politically and ethnically toward the West. For centuries the Hapsburgs, through intermarriage and wars, were linked to many of the major courts of Europe. Marie-Antoinette, queen of France, and Marie-Louise, the second wife of Napoleon I, were both Austrians. The Hungarians, on the other hand, besieged by the Huns in the ninth century, occupied by the Mongols from 1241 to 1242, and conquered by the Turks between 1541 and 1683, developed a distinct taste for oriental styles"--Publisher's description
| Author | : BuYun Chen |
| Publisher | : University of Washington Press |
| Total Pages | : 274 |
| Release | : 2019-07-12 |
| Genre | : History |
| ISBN | : 0295745312 |
Tang dynasty (618–907) China hummed with cosmopolitan trends. Its capital at Chang’an was the most populous city in the world and was connected via the Silk Road with the critical markets and thriving cultures of Central Asia and the Middle East. In Empire of Style, BuYun Chen reveals a vibrant fashion system that emerged through the efforts of Tang artisans, wearers, and critics of clothing. Across the empire, elite men and women subverted regulations on dress to acquire majestic silks and au courant designs, as shifts in economic and social structures gave rise to what we now recognize as precursors of a modern fashion system: a new consciousness of time, a game of imitation and emulation, and a shift in modes of production. This first book on fashion in premodern China is informed by archaeological sources—paintings, figurines, and silk artifacts—and textual records such as dynastic annals, poetry, tax documents, economic treatises, and sumptuary laws. Tang fashion is shown to have flourished in response to a confluence of social, economic, and political changes that brought innovative weavers and chic court elites to the forefront of history. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/empire-of-style
| Author | : Donald J. Munro |
| Publisher | : Chinese University Press |
| Total Pages | : 214 |
| Release | : 2005 |
| Genre | : Philosophy |
| ISBN | : 9789629960568 |
A link between evolutionary biology and Chinese ethics runs through the essays in this volume. Many advances, since the 1960s and 1970s, within the fields of biology, psychology, and neurology are presented. These findings advance our knowledge of how the mind functions paying special attention to social behavior. Munro focuses on the meaning of these developments, specifically for the study of Confucian ethics, and broadly for Chinese contributions to international discussion of moral topics.
| Author | : Jaś Elsner |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 344 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : 9780192842015 |
Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This stimulating new book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periodsof internal transformation within the Roman Empire: the phenomenon known as the 'Second Sophistic' (c. ad 100300)two centuries of self-conscious and enthusiastic hellenism, and the era of late antiquity (c. ad 250450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylisticchange, Jas Elsner presents a fresh and challenging account of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. 'a highly individual work . . . wonderful visual and comparative analysis . . . I can think of no other general book on Roman art that deals so elegantly and informatively with the theme of visuality and visual desire.' Professor Natalie Boymel Kampen, Barnard College, New York 'exciting and original . . . a vibrant impression of creative energy and innovation held in constant tension by the persistence of more traditional motifs and techniques. Elsner constantly surprises and intrigues the reader by approaching familiar material in new ways.' Professor Averil Cameron,Keble College, Oxford
| Author | : John T. Paoletti |
| Publisher | : Laurence King Publishing |
| Total Pages | : 575 |
| Release | : 2005 |
| Genre | : Art, Italian |
| ISBN | : 1856694399 |
'Art in Renaissance Italy' sets the art of that time in its context, exploring why it was created and in particular looking at who commissioned the palaces and cathedrals, the paintings and the sculptures.
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 257 |
| Release | : 2010 |
| Genre | : Crafts & Hobbies |
| ISBN | : 1588393623 |
Published in conjunction with an exhibition on view at the Metropolitan Museum of Art, New York, May 5-Aug. 15, 2010, and at the Brooklyn Museum, May 7-Aug. 1, 2010.
| Author | : Victor Harris |
| Publisher | : |
| Total Pages | : 152 |
| Release | : 1994 |
| Genre | : Art, Japanese |
| ISBN | : |
Under the imperial rule of the Meiji, who governed Japan from 1868 to 1912, traditional craftsmen developed a new style and reached a new level of technical excellence. This title presents a selection of over 100 examples of the best Meiji metalwork, enamel and metalware.
