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| Author | : Jo Crook |
| Publisher | : |
| Total Pages | : 204 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : |
This text examines the role that the latest paints have played in the work of ten influential artists, including Peter Blake, David Hockney and Roy Lichenstein. Their careers are recounted, from around 1960 onwards, via detailed interviews with them or their assistants.
| Author | : Jo Crook |
| Publisher | : Watson-Guptill Publications |
| Total Pages | : 196 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : |
The authors have added evidence from documentary sources, and from extensive scientific analysis of the works themselves, to show how the latest paints and experimental techniques have brought special qualities to the work of modern painters."--BOOK JACKET.
| Author | : |
| Publisher | : Getty Publications |
| Total Pages | : 332 |
| Release | : 2007 |
| Genre | : Museum conservation methods |
| ISBN | : 089236906X |
Paint formulations and historyAnalysis and characterizationTreatmentsCleaning issuesBehavior and propertiesPosters.
| Author | : Tom Learner |
| Publisher | : Getty Publications |
| Total Pages | : 232 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 9780892367795 |
Outlines the techniques that are currently employed to analyze the synthetic resins used in modern painting materials, such as pyrolysis-gas chromatography-mass spectrometry, Fourier transform infrared spectroscopy, and direct temperature-resolved mass spectrometry. For each technique, results are given for standard samples of the principal classes of synthetic binding media, various pigments and extenders, tube paint formulations, and microscopic paint fragments taken from actual works of art.
| Author | : Robert Bud |
| Publisher | : UCL Press |
| Total Pages | : 440 |
| Release | : 2018-10-10 |
| Genre | : History |
| ISBN | : 1787353931 |
In the early decades of the twentieth century, engagement with science was commonly used as an emblem of modernity. This phenomenon is now attracting increasing attention in different historical specialties. Being Modern builds on this recent scholarly interest to explore engagement with science across culture from the end of the nineteenth century to approximately 1940. Addressing the breadth of cultural forms in Britain and the western world from the architecture of Le Corbusier to working class British science fiction, Being Modern paints a rich picture. Seventeen distinguished contributors from a range of fields including the cultural study of science and technology, art and architecture, English culture and literature examine the issues involved. The book will be a valuable resource for students, and a spur to scholars to further examination of culture as an interconnected web of which science is a critical part, and to supersede such tired formulations as 'Science and culture'.
| Author | : |
| Publisher | : National Academies Press |
| Total Pages | : 254 |
| Release | : 2005-01-01 |
| Genre | : Technology & Engineering |
| ISBN | : 0309096251 |
Examines the application of scientific methods to the study and conservation of art and cultural properties. This work addresses scientific topics of broad interest, cutting across the boundaries of traditional disciplines and attracting up to 250 leadingresearchers in the field.
| Author | : Joyce Hill Stoner |
| Publisher | : Routledge |
| Total Pages | : 1367 |
| Release | : 2020-11-30 |
| Genre | : Art |
| ISBN | : 0429680961 |
Conservation of Easel Paintings, Second Edition provides a much-anticipated update to the previous edition, which has come to be known internationally as an invaluable and comprehensive text on the history, philosophy and methods of the treatment of easel paintings. Including 49 chapters written by more than 90 respected authors from around the world, this volume offers the necessary background knowledge in technical art history, artists’ materials and scientific methods of examination and documentation. Later sections of the book provide information about the varying approaches and methods for treatment and issues of preventive conservation, as well as valuable reflections on storage, shipping, and exhibition. Including exciting developments that have taken place since the last edition was published, the book also covers new techniques of examination, especially MacroXRF scanning and Reflectance Transmission Imagery. Drawing on research presented at recent professional conferences, information about innovative methods for cleaning modern and contemporary paintings and insights into modern oil paints is also included. Incorporating the latest regulations and understanding of health and safety practices and integrating theory with practice throughout, Conservation of Easel Paintings, Second Edition will continue to be an indispensable reference for practicing conservators. It will also be an essential resource for students taking conservation courses around the world.
| Author | : Antonio Sgamellotti |
| Publisher | : Royal Society of Chemistry |
| Total Pages | : 545 |
| Release | : 2020-07-01 |
| Genre | : Antiques & Collectibles |
| ISBN | : 1788014693 |
| Author | : Paula Nuttall |
| Publisher | : |
| Total Pages | : 307 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 9780300102444 |
02 This innovative book presents a fresh view of fifteenth-century Netherlandish art and the significance of its contributions to contemporary Italian art, notably in such areas as oil painting, landscape, and portraiture. Focusing on Florence, a prime center of Renaissance culture, the book explores for the first time the profound impact of Netherlandish works on Italian painters including Leonardo, Perugino, and Ghirlandaio.Paula Nuttall discusses Italian ownership of Netherlandish paintings in the fifteenth century and the shared artistic concerns of Florentine and Netherlandish painters. She examines in depth the various means by which artistic contact occurred, the growth in demand for Netherlandish art in Florence, and the holdings of the Medici and other collectors. With particular emphasis on the period 1460–1500, when the vogue for Netherlandish painting was at its height, the author shows that the consequences of Italian exposure to Netherlandish art were far more sweeping than has been understood before.Paula Nuttall is an independent scholar. She teaches at the Victoria and Albert Museum in London and at other U.K. institutions. She is a specialist on relationships between Netherlandish painting and Italy and has published widely in this area. This innovative book presents a fresh view of fifteenth-century Netherlandish art and the significance of its contributions to contemporary Italian art, notably in such areas as oil painting, landscape, and portraiture. Focusing on Florence, a prime center of Renaissance culture, the book explores for the first time the profound impact of Netherlandish works on Italian painters including Leonardo, Perugino, and Ghirlandaio.Paula Nuttall discusses Italian ownership of Netherlandish paintings in the fifteenth century and the shared artistic concerns of Florentine and Netherlandish painters. She examines in depth the various means by which artistic contact occurred, the growth in demand for Netherlandish art in Florence, and the holdings of the Medici and other collectors. With particular emphasis on the period 1460–1500, when the vogue for Netherlandish painting was at its height, the author shows that the consequences of Italian exposure to Netherlandish art were far more sweeping than has been understood before.Paula Nuttall is an independent scholar. She teaches at the Victoria and Albert Museum in London and at other U.K. institutions. She is a specialist on relationships between Netherlandish painting and Italy and has published widely in this area.
| Author | : Stephen Hackney |
| Publisher | : Getty Publications |
| Total Pages | : 258 |
| Release | : 2020-02-11 |
| Genre | : Art |
| ISBN | : 1606066269 |
The first truly comprehensive analysis of the history, practice, and conservation of painting on canvas. Throughout its long history in Western art, canvas has played an influential role in the creative process. From the Renaissance development of oil painting on canvas to the present day—through Impressionism, Abstract Expressionism, and other art historical movements—the use of canvas has enhanced the scale of painting, freedom of brushwork, and spontaneity in technique. This book recounts some of that rich history in relation to corresponding developments in conservation practice. Rather than concentrating on the familiar concerns of cleaning and varnish removal, this volume considers the preservation of a painting’s structure. By focusing on recent studies on the fundamental nature of canvas and its mechanisms of deterioration, the book explains new approaches to the conservation of both contemporary and historical art—including reversible, passive, and preventive treatments, particularly with respect to lining. Written by Stephen Hackney, a conservation practitioner and leader in conservation research, On Canvas is the first book to take a comprehensive look at this important subject and is destined to become an invaluable resource for the field.
