In the Beginning Was the Image

In the Beginning Was the Image
Author: David H. Price
Publisher: Oxford University Press
Total Pages: 441
Release: 2020-11-20
Genre: Religion
ISBN: 0190074426

This pioneering study focuses on the decisive contributions of the three leading artists of the Northern Renaissance--Albrecht Dürer, Lucas Cranach the Elder, and Hans Holbein the Younger-- to the printed Bible and to the transformation of ecclesiastical art in the Protestant Reformation. A time of artistic and theological revolution, the Renaissance and Reformation also witnessed a visual reformation of the Bible. In David H. Price's new interpretation, these artists emerge as major reformers in their own right who created a dynamic and innovative visual culture of biblicism. In the Beginning Was the Image explicitly addresses a key paradox of the Bible's new cultural status: as divergent Bible editions and translations shattered the unity of Christianity, new artistic approaches arose to accommodate theological and textual diversity. Rulers and theologians produced new Bibles as foundations for transformative socio-political movements, and their success, according to Price's compelling research, depended on the inventiveness and creativity of these artists. Written in a style designed to be accessible to a broad range of readers, Price's richly nuanced study explores the art of Dürer, Cranach, and Holbein and the biblical iconographies they developed to connect the new biblicism to faith and political authority.

Green Worlds in Early Modern Italy

Green Worlds in Early Modern Italy
Author: Karen Hope Goodchild
Publisher:
Total Pages: 0
Release: 2019
Genre: Art
ISBN: 9789462984950

This book explores the cultural dimensions, the expressive potential, and the changing technologies of greenery in the art of the Italian Renaissance and after.

The Italian Renaissance Altarpiece

The Italian Renaissance Altarpiece
Author: David Ekserdjian
Publisher:
Total Pages: 496
Release: 2021-06-22
Genre:
ISBN: 9780300253641

The altarpiece is one of the most distinctive and remarkable art forms of the Renaissance period. It is difficult to imagine an artist of the time--whether painter or sculptor, major or minor--who did not produce at least one. Though many have been displaced or dismembered, a substantial proportion of these works still survive. Despite the volume of material available, no serious attempt has ever been made to examine the whole subject in depth until now. The Italian Renaissance Altarpiece is the first comprehensive study of the genre to examine its content and subject matter in real detail, from the origins of the altarpiece in the 13th century to the time of Caravaggio in the early 1600s. It discusses major developments in the history of these objects throughout Italy, covers the three key categories of Renaissance altarpiece--"immagini" (icons), "historie" (narratives), and "misteri" (mysteries)--and is illustrated with 250 beautiful reproductions of the artworks.

Philosophies of the Afterlife in the Early Italian Renaissance

Philosophies of the Afterlife in the Early Italian Renaissance
Author: Joanna Papiernik
Publisher: Bloomsbury Publishing
Total Pages: 475
Release: 2024-03-21
Genre: Philosophy
ISBN: 1350345857

The immortality of the soul is one of the oldest tropes in the history of philosophy and one that gained significant momentum in 16th-century Europe. But what came before Pietro Pomponazzi and his contemporaries? Through examination of four neglected but central figures, Joanna Papiernik uncovers the rich and varied nature of the afterlife debate in 15th-century Italy. By engaging with old prints, manuscripts and other archival material, this book reveals just how much interest there was in the question of immortality before the 16th-century boom in Aristotelian translations. In particular, Papiernik sheds light on the treatises of Agostino Dati, Leonardo Nogarola, Antonio degli Agli and Giovanni Canali, all of which have until now been overlooked in modern scholarship. From Dati's critiques of ancient and existing positions to Agli's study of immortality and its relation to the metaphysics of light, this volume investigates not only how wide-ranging the debate was but also the important impact it had on later philosophical thinking. Deftly combining close reading with a broad intellectual survey, and including two editions of unpublished primary texts, Philosophies of the Afterlife in the Early Italian Renaissance provides a crucial insight into the development of early Renaissance Platonism and philosophy of religion.

Herculean Labours: Erasmus and the Editing of St. Jerome's Letters in the Renaissance

Herculean Labours: Erasmus and the Editing of St. Jerome's Letters in the Renaissance
Author: Hilmar Pabel
Publisher: BRILL
Total Pages: 410
Release: 2008-07-31
Genre: Literary Criticism
ISBN: 9047442237

The first monograph in English on Erasmus of Rotterdam as an editor of St. Jerome, this book belongs to the growing scholarship on the reception of the Church Fathers in early modern Europe. Erasmus, like other Renaissance humanists, particularly admired Jerome (d. 419 or 420), and he expressed his admiration most conspicuously in his edition of Jerome’s letters. Proclaiming his editorial Herculean labours, Erasmus energetically promoted himself and his publication. Erasmus’ self-promotion cannot be reduced to a secular appropriation of Jerome, however. A detailed examination of a variety of editorial interventions demonstrates Erasmus’ religious purpose, his debt to previous editorial traditions as well as his editorial novelty, and his influence on subsequent sixteenth-century editions of Jerome.

Jerome and the Monastic Clergy

Jerome and the Monastic Clergy
Author: Andrew Cain
Publisher: BRILL
Total Pages: 340
Release: 2013-02-15
Genre: Religion
ISBN: 9004244387

In Jerome and the Monastic Clergy, Andrew Cain provides the first full-scale commentary on the famous Letter to Nepotian, in which Jerome articulates his radical plan for imposing a strict ascetic code of conduct on the contemporary clergy. Cain comprehensively addresses stylistic, literary, historical, text-critical and other issues of interpretive interest. Accompanying the commentary is an introduction which situates the Letter in the broader context of its author’s life and work and exposes its fundamental propagandistic dimensions. The revised critical Latin text and the new facing-page translation will make the Letter more accessible than ever before and will provide a reliable textual apparatus for future scholarship on this key writing by one of the most prolific authors in Latin antiquity.