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| Author | : Maureen Perrie |
| Publisher | : Cambridge University Press |
| Total Pages | : 284 |
| Release | : 2002-04-11 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780521891004 |
A study of Ivan the Terrible's depiction in Russian folklore, and the controversies surrounding it.
| Author | : Charles J. Halperin |
| Publisher | : Academic Studies PRess |
| Total Pages | : 346 |
| Release | : 2021-08-31 |
| Genre | : History |
| ISBN | : 1644695898 |
Tsar Ivan the Terrible (Ivan IV, 1533-1584) is one of the most controversial rulers in Russian history, infamous for his cruelty. He was the first Russian ruler to use mass terror as a political instrument, and the only Russian ruler to do so before Stalin. Comparisons of Ivan to Stalin only exacerbated the politicization of his image. Russians have never agreed on his role in Russian history, but his reign is too important to ignore. Since the abolition of censorship in 1991 professional historians and amateurs have grappled with this problem. Some authors have manipulated that image to serve political and cultural agendas. This book explores Russia’s contradictory historical memory of Ivan in scholarly, pedagogical and political publications.
| Author | : M. Perrie |
| Publisher | : Springer |
| Total Pages | : 264 |
| Release | : 2001-10-25 |
| Genre | : History |
| ISBN | : 1403919690 |
Ivan IV, the sixteenth-century Russian tsar notorious for his reign of terror, became an unlikely national hero in the Soviet Union during the 1940s. This book traces the development of Ivan's positive image, placing it in the context of Stalin's campaign for patriotism. In addition to historians' images of Ivan, the author examines literary and artistic representations, including Sergei Eisenstein's famous film, banned for its depiction of the tsar which was interpreted as an allegorical criticism of Stalin.
| Author | : Neil Cornwell |
| Publisher | : Routledge |
| Total Pages | : 1013 |
| Release | : 2013-12-02 |
| Genre | : Literary Criticism |
| ISBN | : 1134260709 |
First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.
| Author | : Kevin M. F. Platt |
| Publisher | : Cornell University Press |
| Total Pages | : 308 |
| Release | : 2011-05-15 |
| Genre | : History |
| ISBN | : 0801460956 |
In this ambitious book, Kevin M. F. Platt focuses on a cruel paradox central to Russian history: that the price of progress has so often been the traumatic suffering of society at the hands of the state. The reigns of Ivan IV (the Terrible) and Peter the Great are the most vivid exemplars of this phenomenon in the pre-Soviet period. Both rulers have been alternately lionized for great achievements and despised for the extraordinary violence of their reigns. In many accounts, the balance of praise and condemnation remains unresolved; often the violence is simply repressed. Platt explores historical and cultural representations of the two rulers from the early nineteenth century to the present, as they shaped and served the changing dictates of Russian political life. Throughout, he shows how past representations exerted pressure on subsequent attempts to evaluate these liminal figures. In ever-changing and often counterposed treatments of the two, Russians have debated the relationship between greatness and terror in Russian political practice, while wrestling with the fact that the nation's collective selfhood has seemingly been forged only through shared, often self-inflicted trauma. Platt investigates the work of all the major historians, from Karamzin to the present, who wrote on Ivan and Peter. Yet he casts his net widely, and "historians" of the two tsars include poets, novelists, composers, and painters, giants of the opera stage, Party hacks, filmmakers, and Stalin himself. To this day the contradictory legacies of Ivan and Peter burden any attempt to come to terms with the nature of political power—past, present, future—in Russia.
| Author | : Ruslan G. Skrynnikov |
| Publisher | : BRILL |
| Total Pages | : 630 |
| Release | : 2015-10-20 |
| Genre | : History |
| ISBN | : 9004304010 |
Ruslan Grigor'evitch Skrynnikov unfolds the drama of terror under Ivan the Terrible and his oprichnina. He uses new kinds of evidence paying close attention to primary sources. The conflicts between Ivan and the gentry, the crushing of Novgorod autonomy, the ways in which Ivan interpreted his authority and sought to create an alternative base of power in a loyal body of henchmen-followers known as the oprichnina, the alienation of different groups in society from the government, the impoverishment and weakening of whole regions leading to the Time of Troubles are among the themes that Skrynnikov develops. The details of Ivan’s confrontations with those he perceived as opponents, the forms of execution he inflicted on his enemies, the atmosphere of peril and suspicion that he created justify the description of his reign as one of terror, relevant of course to later periods of history with obvious echoes of the Stalinist period.
| Author | : Kati Parppei |
| Publisher | : Academic Studies PRess |
| Total Pages | : 609 |
| Release | : 2023-04-25 |
| Genre | : History |
| ISBN | : |
Defining the Others, “them”, in relation to one’s own reference group, “us”, has been an essential phase in the formation of collective identities in any given country or region. In the case of Russia, the formulation of these binary definitions – sometimes taking a form of enemy images – can be traced all the way to medieval texts, in which religion represented the dividing line. Further, the ongoing expansion of the empire transferred numerous “external others” into internal minorities. The chapters of this edited volume examine the development and contexts of various images, perceptions and categories of the Others in Russia from the 16th century Muscovy to the collapse of the Russian empire.
| Author | : Chester S. L. Dunning |
| Publisher | : Penn State Press |
| Total Pages | : 682 |
| Release | : 2010-11-01 |
| Genre | : History |
| ISBN | : 9780271043715 |
He shows that serfs did not actively participate in the civil war and that the abolition of serfdom was never a rebel goal. Instead, most rebels were petty gentry, professional soldiers, townsmen, and cossacks who were united in fierce opposition to tsars they believed to be illegitimate usurpers.".
| Author | : Marcus C. Levitt |
| Publisher | : Univ of Wisconsin Press |
| Total Pages | : 338 |
| Release | : 2007 |
| Genre | : History |
| ISBN | : 9780299224301 |
From the country that has added to our vocabulary such colorful terms as "purges," "pogroms," and "gulag," this collection investigates the conspicuous marks of violence in Russian history and culture. Russians and non-Russians alike have long debated the reasons for this endemic violence. Some have cited Russia's huge size, unforgiving climate, and exposed geographical position as formative in its national character, making invasion easy and order difficult. Others have fixed the blame on cultural and religious traditions that spurred internecine violence or on despotic rulers or unfortunate episodes in the nation's history, such as the Mongol invasion, the rule of Ivan the Terrible, or the "Red Terror" of the revolution. Even in contemporary Russia, the specter of violence continues, from widespread mistreatment of women to racial antagonism, the product of a frustrated nationalism that manifests itself in such phenomena as the wars in Chechnya. Times of Trouble is the first in English to explore the problem of violence in Russia. From a variety of perspectives, essays investigate Russian history as well as depictions of violence in the visual arts and in literature, including the works of Fyodor Dostoevsky, Isaac Babel, Mikhail Lermontov, and Nina Sadur. From the Mongol invasion to the present day, topics include the gulag, genocide, violence against women, anti-Semitism, and terrorism as a tool of revolution.
| Author | : Anita Pisch |
| Publisher | : ANU Press |
| Total Pages | : 538 |
| Release | : 2016-12-16 |
| Genre | : Design |
| ISBN | : 176046063X |
From 1929 until 1953, Iosif Stalin’s image became a central symbol in Soviet propaganda. Touched up images of an omniscient Stalin appeared everywhere: emblazoned across buildings and lining the streets; carried in parades and woven into carpets; and saturating the media of socialist realist painting, statuary, monumental architecture, friezes, banners, and posters. From the beginning of the Soviet regime, posters were seen as a vitally important medium for communicating with the population of the vast territories of the USSR. Stalin’s image became a symbol of Bolshevik values and the personification of a revolutionary new type of society. The persona created for Stalin in propaganda posters reflects how the state saw itself or, at the very least, how it wished to appear in the eyes of the people. The ‘Stalin’ who was celebrated in posters bore but scant resemblance to the man Iosif Vissarionovich Dzhugashvili, whose humble origins, criminal past, penchant for violent solutions and unprepossessing appearance made him an unlikely recipient of uncritical charismatic adulation. The Bolsheviks needed a wise, nurturing and authoritative figure to embody their revolutionary vision and to legitimate their hold on power. This leader would come to embody the sacred and archetypal qualities of the wise Teacher, the Father of the nation, the great Warrior and military strategist, and the Saviour of first the Russian land, and then the whole world. This book is the first dedicated study on the marketing of Stalin in Soviet propaganda posters. Drawing on the archives of libraries and museums throughout Russia, hundreds of previously unpublished posters are examined, with more than 130 reproduced in full colour. The personality cult of Stalin in Soviet posters, 1929–1953 is a unique and valuable contribution to the discourse in Stalinist studies across a number of disciplines.
