The Image Of America In Caricature Cartoon
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Author | : Sandy Northrop |
Publisher | : Routledge |
Total Pages | : 204 |
Release | : 2017-07-05 |
Genre | : Political Science |
ISBN | : 1351532456 |
From Benjamin Franklin's drawing of the first American political cartoon in 1754 to contemporary cartoonists' blistering attacks on George W. Bush and initial love-affair with Barack Obama, editorial cartoons have been a part of American journalism and politics. American Political Cartoons chronicles the nation's highs and lows in an extensive collection of cartoons that span the entire history of American political cartooning."Good cartoons hit you primitively and emotionally," said cartoonist Doug Marlette. "A cartoon is a frontal attack, a slam dunk, a cluster bomb." Most cartoonists pride themselves on attacking honestly, if ruthlessly. American Political Cartoons recounts many direct hits, recalling the discomfort of the cartoons' targets and the delight of their readers.Through skillful combination of pictures and words, cartoonists galvanize public opinion for or against their subjects. In the process they have revealed truths about us and our democratic system that have been both embarrassing and ennobling. Stephen Hess and Sandy Northrop note that not all cartoonists have worn white hats. Many have perpetuated demeaning ethnic stereotypes, slandered honest politicians, and oversimplified complex issues.
Author | : Pat Oliphant |
Publisher | : Andrews McMeel Publishing |
Total Pages | : 140 |
Release | : 1998-03-15 |
Genre | : Art |
ISBN | : 0836258983 |
Ironic, isn't it? For more than a quarter century, Pat Oliphant has skewered the denizens of Congress with his bitingly sharp editorial cartoons. Now, in an exhibit and this companion volume, Oliphant is honored in the very repository of that illustrious body: The Library of Congress.Oliphant is, after all, the most important political cartoonist of the 20th century. His trademark wit -- shared with the adoring fans who read almost 350 daily and Sunday newspapers that carry his work -- has impaled presidents, dogged members of Congress, and critiqued a whole host of issues. From Vietnam to Bosnia, from Lyndon Johnson to Bill Clinton, Pat Oliphant has applied his considerable talent to the workings of the world.Oliphant's Anthem will catalog the 60 drawings, sculptures, and various art media that will be exhibited as a special tribute to Pat Oliphant's art in March 1998 at the Library of Congress. Interviews with the artist throughout the book will highlight his thoughts, concerns, and considerations as he has created this impressive body of work. Printed on glossy enamel stock, the black and white book will include an eight-page color signature. It is certain to be a collectible edition for Oliphant fans everywhere.
Author | : Stephen Hess |
Publisher | : |
Total Pages | : 258 |
Release | : 1975 |
Genre | : American wit and humor, Pictorial |
ISBN | : |
This account of the American political cartoon from 1747 to the work of contemporary cartoonists such as Mauldin and Herblock chronicles the careers of the famous figures and the political situations which provided the cartoonists with their material. It also offers a picture of the mass media (broadsides, newspapers and magazines) through which the cartoonists reached their audiences.
Author | : Ronnie C. Tyler |
Publisher | : University of Texas Press |
Total Pages | : 256 |
Release | : 1976 |
Genre | : Humor |
ISBN | : |
The Image of America traces the development of American history and culture through more than two centuries of caricature and cartoon. Through the acerbic eyes of both American and foreign artists it portrays our history in dramatic tone-building images. With the pathos, humor and the prejudices of his time each artist caricatures the personalities and events that form our culture. Paul Revere, William Charles, and James Gillray satirized the vents of the Revolution and the War of 1812. David Claypool Johnston earned the title of the "American Cruikshank" with his devastating caricatures of "King" Andrew Jackson and his administration, and Southern cartoonists vented their wrath on Abraham Lincoln as the Civil War raged. Artists readily identified or created symbols for each era as cartoons became a widely-distributed art of the people. America was first symbolized as a naïve Indian or the virginal Columbia. The American Eagle was employed to represent the country after it was adopted as the official emblem on the Great Seal. The most famous symbol of the United States, however, is Uncle Sam, best personified by James Montgomery Flagg during World War I. In each decade cartoonists demonstrate their ability to capture the essence of an age in a caricature--Theodore Roosevelt, Franklin D. Roosevelt, Louis "Satchmo" Armstrong, et al. The Image of America demonstrates the firm relationship between the events of history and contemporary art forms.--Jacket flap.
Author | : Pauline Maier |
Publisher | : Knopf |
Total Pages | : 352 |
Release | : 2013-04-03 |
Genre | : History |
ISBN | : 0307828115 |
The "old revolutionaries" were Samuel Adams, Isaac Sears, Thomas Young, Richard Henry Lee and Charels Carroll, five men who played significant roles in the American Revolution, and who are usually overlooked in history books today. Of widely varying backgrounds and interests, all of them had thir gratest influence in the years between 1769 and 1776 and all of them saw their power transferred after the war to the men we know as "the founding fathers." In telling the stories of these men, Pauline Maier shows how the American Revolution was less a collective movement than a committment to an ideal of a republic, which different people interpreted differently, and she describes "not just why Americans made the Revolution, but what the Revolution did to them."
Author | : Donald Dewey |
Publisher | : NYU Press |
Total Pages | : 262 |
Release | : 2008-10 |
Genre | : Art |
ISBN | : 0814720153 |
Featuring over 200 illustrations, this book tells the story of American political cartoons. From the colonial period to contemporary cartoonists like Pat Oliphant and Jimmy Margulies, this title highlights these artists' uncanny ability to encapsulate the essence of a situation and to steer the public mood with a single drawing.
Author | : Victor S Navasky |
Publisher | : Knopf |
Total Pages | : 257 |
Release | : 2013-04-09 |
Genre | : Political Science |
ISBN | : 0307962148 |
A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.
Author | : Enrique de la Cruz |
Publisher | : |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Philippines |
ISBN | : 9780996351737 |
Art. Asian & Asian American Studies. Filipino American Studies. Co-authored by Abe Ignacio, Enrique de la Cruz, Jorge Emmanuel, and Helen Toribio. THE FORBIDDEN BOOK uses over 200 political cartoons from 1898 to 1906 to chronicle a little known war between the United States and the Philippines. The war saw the deployment of 126,000 U.S. troops, lasted more than 15 years and killed hundreds of thousands of Filipinos beginning in February 1899. The book's title comes from a 1900 Chicago Chronicle cartoon of the same name showing then-President William McKinley putting a lock on a book titled "True History of the War in the Philippines." Today, very few Americans know about the brutal suppression of Philippine independence or the anti-war movement led at that time by the likes of writer Mark Twain, peace activist Jane Addams, journalist Joseph Pulitzer, steel magnate Andrew Carnegie, labor leader Samuel Gompers, and Moorfield Storey, first president of the NAACP. The book reveals how the public was misled in the days leading to the war, shows illustrations of U.S. soldiers using the infamous "water cure" torture (today referred to as "waterboarding"), and describes a highly publicized court martial of soldiers who had killed prisoners of war. The election of 1900 pitted a pro-war Republican president against an anti-war Democratic candidate. In 1902, the Republican president declared a premature "mission accomplished" as the war was beginning to expand to the southern Philippines. The book shows political cartoons glorifying manifest destiny, demonizing the leader of the Filipino resistance President Emilio Aguinaldo, and portraying Filipinos, Puerto Ricans, Cubans, Hawaiians, Chamorros, and other colonials as dark-skinned savages in need of civilization. These images were used to justify a war at a time when three African Americans on average were lynched every week across the south and when the Supreme Court approved the "separate but equal" doctrine. More than a century later, the U.S.- Philippine War remains hidden from the vast majority of Americans. The late historian Howard Zinn noted, "THE FORBIDDEN BOOK brings that shameful episode in our history out in the open... The book deserves wide circulation."
Author | : Yahya R. Kamalipour |
Publisher | : SUNY Press |
Total Pages | : 400 |
Release | : 1999-01-01 |
Genre | : Political Science |
ISBN | : 9780791439722 |
Examines how peoples of other nations perceive the U.S., how media of other nations portray the U.S., and how exported media products impact the U.S. image around the world.
Author | : Amon Carter Museum of Western Art |
Publisher | : |
Total Pages | : 228 |
Release | : 1976 |
Genre | : |
ISBN | : |