The Illustrated History of Girlie Magazines
Author | : Mark Gabor |
Publisher | : Random House Value Pub |
Total Pages | : 181 |
Release | : 1984 |
Genre | : History |
ISBN | : 9780517549971 |
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Author | : Mark Gabor |
Publisher | : Random House Value Pub |
Total Pages | : 181 |
Release | : 1984 |
Genre | : History |
ISBN | : 9780517549971 |
Author | : Ed Hulse |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2021-09-28 |
Genre | : Antiques & Collectibles |
ISBN | : 168405799X |
Judge these books by their covers! Get immersed in the definitive visual history of pulp fiction paperbacks from 1940 to 1970. The Art of Pulp Fiction: An Illustrated History of Vintage Paperbacks chronicles the history of pocket-sized paperbound books designed for mass-market consumption, specifically concentrating on the period from 1940 to 1970. These three decades saw paperbacks eclipse cheap pulp magazines and expensive clothbound books as the most popular delivery vehicle for escapist fiction. To catch the eyes of potential buyers they were adorned with covers that were invariably vibrant, frequently garish, and occasionally lurid. Today the early paperbacks--like the earlier pulps, inexpensively produced and considered disposable by casual readers--are treasured collector's items. Award-winning editor Ed Hulse (The Art of the Pulps and The Blood 'n' Thunder Guide to Pulp Fiction) comprehensively covers the pulp-fiction paperback's heyday. Hulse writes the individual chapter introductions and the captions, while a team of genre specialists and art aficionados contribute the special features included in each chapter. These focus on particularly important authors, artists, publishers, and sub-genres. Illustrated with more than 500 memorable covers and original cover paintings. Hulse's extensive captions, meanwhile, offer a running commentary on this significant genre, and also contain many obscure but entertaining factoids. Images used in The Art of Pulp Fiction have been sourced from the largest American paperback collections in private hands, and have been curated with rarity in mind, as well as graphic appeal. Consequently, many covers are reproduced here for the first time since the books were first issued. With an overall Introduction by Richard A. Lupoff, novelist, essayist, pop-culture historian, and author of The Great American Paperback (2001).
Author | : Howard P. Chudacoff |
Publisher | : Princeton University Press |
Total Pages | : 356 |
Release | : 2000-09-17 |
Genre | : History |
ISBN | : 9780691070551 |
In this engaging new book, Howard Chudacoff describes a special and fascinating world: the urban bachelor life that took shape in the late nineteenth century, when a significant population of single men migrated to American cities. Rejecting the restraints and dependence of the nineteenth-century family, bachelors found sustenance and camaraderie in the boarding houses, saloons, pool halls, cafes, clubs, and other institutions that arose in response to their increasing numbers. Richly illustrated, anecdotal, and including a unique analysis of The National Police Gazette (the most outrageous and popular men's publication of the late nineteenth and the early twentieth century), this book is the first to describe a complex subculture that continues to affect the larger meanings of manhood and manliness in American society. The figure of the bachelor--with its emphasis on pleasure, self-indulgence, and public entertainment--was easily converted by the burgeoning consumer culture at the turn of the century into an ambiguously appealing image of masculinity. Finding an easy reception in an atmosphere of insecurity about manhood, that image has outdistanced the circumstances in which it began to flourish and far outlasted the bachelor culture that produced it. Thus, the idea of the bachelor has retained its somewhat negative but alluring connotations throughout the rest of the twentieth century. Chudacoff's concluding chapter discusses the contemporary "singles scene" now developing as the number of single people in urban centers is again increasing. By seeing bachelorhood as a stage in life for many and a permanent status for some, Chudacoff recalls a lifestyle that had a profound impact on society, evoking fear, disdain, repugnance, and at the same time a sense of romance, excitement, and freedom. The book contributes to gender history, family history, urban history, and the study of consumer culture and will appeal to anyone curious about American history and anxious to acquire a new view of a sometimes forgotten but still influential aspect of our national past.
Author | : Marilyn E. Hegarty |
Publisher | : NYU Press |
Total Pages | : 263 |
Release | : 2010-04-05 |
Genre | : Biography & Autobiography |
ISBN | : 0814737390 |
"While the de-sexualized Rosie was celebrated, women who used their sexuality - either intentionally or inadvertently - to serve their country encountered a contradictory morals campaign launched by government and social agencies, which shunned female sexuality while valorizing masculine sexuality. This double standard was accurately summed up by a government official who dubbed these women "patriotutes": part patriot, part prostitute."
Author | : Linda Simon |
Publisher | : Reaktion Books |
Total Pages | : 361 |
Release | : 2017-09-15 |
Genre | : History |
ISBN | : 1780238738 |
In the glorious, boozy party after the first World War, a new being burst defiantly onto the world stage: the so-called flapper. Young, impetuous, and flirtatious, she was an alluring, controversial figure, celebrated in movies, fiction, plays, and the pages of fashion magazines. But, as this book argues, she didn’t appear out of nowhere. This spirited, beautifully illustrated history presents a fresh look at the reality of young women’s experiences in America and Britain from the 1890s to the 1920s, when the “modern” girl emerged. Linda Simon shows us how this modern girl bravely created a culture, a look, and a future of her own. Lost Girls is an illuminating history of the iconic flapper as she evolved from a problem to a temptation, and finally, in the 1920s and beyond, to an aspiration.
Author | : Carolyn Kitch |
Publisher | : Univ of North Carolina Press |
Total Pages | : 267 |
Release | : 2009-11-15 |
Genre | : Social Science |
ISBN | : 0807898953 |
From the Gibson Girl to the flapper, from the vamp to the New Woman, Carolyn Kitch traces mass media images of women to their historical roots on magazine covers, unveiling the origins of gender stereotypes in early-twentieth-century American culture. Kitch examines the years from 1895 to 1930 as a time when the first wave of feminism intersected with the rise of new technologies and media for the reproduction and dissemination of visual images. Access to suffrage, higher education, the professions, and contraception broadened women's opportunities, but the images found on magazine covers emphasized the role of women as consumers: suffrage was reduced to spending, sexuality to sexiness, and a collective women's movement to individual choices of personal style. In the 1920s, Kitch argues, the political prominence of the New Woman dissipated, but her visual image pervaded print media. With seventy-five photographs of cover art by the era's most popular illustrators, The Girl on the Magazine Cover shows how these images created a visual vocabulary for understanding femininity and masculinity, as well as class status. Through this iconic process, magazines helped set cultural norms for women, for men, and for what it meant to be an American, Kitch contends.
Author | : Jeremy Agnew |
Publisher | : McFarland |
Total Pages | : 259 |
Release | : 2024-03-01 |
Genre | : Language Arts & Disciplines |
ISBN | : 1476652139 |
Sensationalistic stories have attracted readers for as long as reading has been a popular form of entertainment. Readers have been frightened, revolted, yet fascinated by stories of death, thievery, kidnapping, murder, rape, scandal, love triangles, and colorful miscreants. Starting in the 1830s this morbid interest in lurid stories fueled the unprecedented growth of sensationalist newspapers that titillated and shocked their many readers. This study of sensationalism describes how newspapers added lurid details to their coverage of news events in an effort to attract as many readers as they could. Employing hyperbole and exaggerated details, they meant to grab the attention of the reader and keep him or her reading. For the next hundred years this form of journalism continued, later spilling over into radio and television news. Along the way, the "yellow journalism" wars of the 1880s and 1890s produced bold headlines, eye-catching illustrations, exaggeration of news events, and even false quotes and misleading information. Sensational reporting continued with muckraking reporting in the early 1900s as journalistic crusaders worked to expose municipal corruption, corporate greed, and misconduct in American business.
Author | : Kevin White |
Publisher | : NYU Press |
Total Pages | : 277 |
Release | : 1993 |
Genre | : History |
ISBN | : 0814792588 |
White contends that The Great American Man was constructed in the 1920s as a response to the appearance of The Flapper and to the same crumbling of Victorian culture that freed her. Previously, men were expected to acquire character and become Christian gentlemen; since then, they have been expected to acquire personality and to become a performing self. Paper edition (9258- 8), $15. Annotation copyright by Book News, Inc., Portland, OR
Author | : David Allyn |
Publisher | : Routledge |
Total Pages | : 408 |
Release | : 2016-05-23 |
Genre | : History |
ISBN | : 1134934807 |
When Helen Gurley Brown's Sex and the Single Girl hit bookstores in 1962, the sexual revolution was launched and there was no turning back. Soon came the pill, the end of censorship, the advent of feminism, and the rise of commercial pornography. Our daily lives changed in an unprecedented time of sexual openness and experimentation. Make Love, Not War is the first serious treatment of the complicated events, ideas, and personalities that drove the sexual revolution forward. Based on first-hand accounts, diaries, interviews, and period research, it traces changes in private lives and public discourse from the fearful fifties to the first tremors of rebellion in the early sixties to the heady heyday of the revolution. Bringing a fresh perspective to the turbulence of these decades, David Allyn argues that the sexual revolutionaries of the '60s and '70s, by telling the truth about their own histories and desires, forced all Americans to re-examine the very meaning of freedom. Written with a historian's attention to nuance and a novelist's narrative drive, Make Love, Not War is a provocative, vivid, and thoughtful account of one of the most captivating episodes in American history. Also includes an 8-page insert.