The Humour Of America
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| Author | : Angus Evan Abbott |
| Publisher | : Prabhat Prakashan |
| Total Pages | : 424 |
| Release | : 2018-03-01 |
| Genre | : Fiction |
| ISBN | : |
Dive into the rich tapestry of American humor with "The Humour of America" by Angus Evan Abbott and Charles Edmund Brock. Embark on a delightful journey through the heartland of American comedy with this charming collection of humorous tales and anecdotes. From the witty observations of Mark Twain to the irreverent humor of Dorothy Parker, this anthology celebrates the diverse voices that have shaped the landscape of American humor. With Angus Evan Abbott and Charles Edmund Brock as your guides, you'll explore the vast and vibrant world of American comedy, from the uproarious antics of frontier characters to the sharp wit of urban satirists. Through carefully selected stories and illustrations, Abbott and Brock showcase the timeless appeal of American humor and its enduring legacy. Themes of wit, satire, and absurdity abound in this anthology, inviting readers to laugh, reflect, and celebrate the unique spirit of American comedy. Whether you're a fan of classic humor or a newcomer to the genre, "The Humour of America" offers something for everyone, with its timeless tales and timeless charm. With its engaging prose and delightful illustrations, "The Humour of America" has earned praise from readers and critics alike for its celebration of the American comedic tradition. Abbott and Brock's careful curation and insightful commentary make this anthology a must-have for anyone who appreciates the lighter side of life. Whether you're looking to escape into a world of laughter or simply seeking to brighten your day, "The Humour of America" promises to entertain and delight. Join Abbott and Brock on a journey through the laughter-filled landscape of American humor, and discover why it continues to captivate audiences around the world. Experience the joy of American humor. Let "The Humour of America" by Angus Evan Abbott and Charles Edmund Brock tickle your funny bone and lift your spirits. Order your copy today and discover the timeless wit and charm of American comedy.
| Author | : Constance Rourke |
| Publisher | : New York Review of Books |
| Total Pages | : 284 |
| Release | : 2004-02-29 |
| Genre | : History |
| ISBN | : 9781590170793 |
Stepping out of the darkness, the American emerges upon the stage of history as a new character, as puzzling to himself as to others. American Humor, Constance Rourke's pioneering "study of the national character," singles out the archetypal figures of the Yankee peddler, the backwoodsman, and the blackface minstrel to illuminate the fundamental role of popular culture in fashioning a distinctive American sensibility. A memorable performance in its own right, American Humor crackles with the jibes and jokes of generations while presenting a striking picture of a vagabond nation in perpetual self-pursuit. Davy Crockett and Henry James, Jim Crow and Emily Dickinson rub shoulders in a work that inspired such later critics as Pauline Kael and Lester Bangs and which still has much to say about the America of Bob Dylan and Thomas Pynchon, Bill Clinton and George W. Bush.
| Author | : Elwyn Brooks White |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1941 |
| Genre | : American Wit And Humour |
| ISBN | : |
| Author | : Mark Twain |
| Publisher | : Good Press |
| Total Pages | : 465 |
| Release | : 2023-11-20 |
| Genre | : Humor |
| ISBN | : |
The Humour of America serves as a vibrant anthology capturing the essence of American wit and satire through a spectrum of literary forms, from essays to short stories and playful poems. This collection, showcasing the diverse traditions of American humor, spans over two centuries of literary history, featuring seminal pieces from a broad array of authors who have deftly employed humor to critique society, reflect on national identity, or simply entertain. The anthology's curation highlights the evolution of American humor, demonstrating its role in shaping and challenging perspectives on culture, politics, and daily life. The contributing authors, including Mark Twain, Harriet Beecher Stowe, and Benjamin Franklin, among others, are titans of American literature, each bringing a unique voice and vision to the anthology. Their backgrounds reflect a mosaic of American society, with works that emerged amidst pivotal movements such as the transcendentalist era, the abolitionist movement, and the early phases of modern American literature. These writers collectively underscore the complexity and richness of America's literary heritage, offering insights into the nation's evolving sense of humor and its cultural fabric. The Humour of America is an essential anthology for readers seeking to explore the depth and diversity of American humor. It offers a unique opportunity to engage with the works of renowned authors side by side, providing an educational journey through the landscape of American satire and wit. This collection not only invites readers to appreciate the literary genius of its contributors but also fosters a dialogue on the enduring power of humor to connect, critique, and celebrate the human experience.
| Author | : Bennett Cerf |
| Publisher | : |
| Total Pages | : 688 |
| Release | : 1958 |
| Genre | : |
| ISBN | : |
| Author | : Rebecca Krefting |
| Publisher | : JHU Press |
| Total Pages | : 360 |
| Release | : 2014-09 |
| Genre | : History |
| ISBN | : 1421414295 |
A professor of American Studies—and stand-up comic—examines sharply focused comedy and its cultural utility in contemporary society. Outstanding Academic Title, Choice In this examination of stand-up comedy, Rebecca Krefting establishes a new genre of comedic production, “charged humor,” and charts its pathways from production to consumption. Some jokes are tears in the fabric of our beliefs—they challenge myths about how fair and democratic our society is and the behaviors and practices we enact to maintain those fictions. Jokes loaded with vitriol and delivered with verve, charged humor compels audiences to action, artfully summoning political critique. Since the institutionalization of stand-up comedy as a distinct cultural form, stand-up comics have leveraged charged humor to reveal social, political, and economic stratifications. All Joking Aside offers a history of charged comedy from the mid-twentieth century to the early aughts, highlighting dozens of talented comics from Dick Gregory and Robin Tyler to Micia Mosely and Hari Kondabolu. The popularity of charged humor has waxed and waned over the past sixty years. Indeed, the history of charged humor is a tale of intrigue and subversion featuring dive bars, public remonstrations, fickle audiences, movie stars turned politicians, commercial airlines, emergent technologies, neoliberal mind-sets, and a cavalcade of comic misfits with an ax to grind. Along the way, Krefting explores the fault lines in the modern economy of humor, why men are perceived to be funnier than women, the perplexing popularity of modern-day minstrelsy, and the way identities are packaged and sold in the marketplace. Appealing to anyone interested in the politics of humor and generating implications for the study of any form of popular entertainment, this history reflects on why we make the choices we do and the collective power of our consumptive practices. Readers will be delighted by the broad array of comic talent spotlighted in this book, and for those interested in comedy with substance, it will offer an alternative punchline.
| Author | : Daniel Wickberg |
| Publisher | : Cornell University Press |
| Total Pages | : 341 |
| Release | : 2015-06-18 |
| Genre | : History |
| ISBN | : 0801454379 |
Why do modern Americans believe in something called a sense of humor and how did they come to that belief? Daniel Wickberg traces the cultural history of the concept from its British origins as a way to explore new conceptions of the self and social order in modern America. More than simply the history of an idea, Wickberg's study provides new insights into a peculiarly modern cultural sensibility.The expression "sense of humor" was first coined in the 1840s and the idea that such a sense was a personality trait to be valued developed only in the 1870s. What is the relationship between Medieval humoral medicine and this distinctively modern idea of the sense of humor? What has it meant in the past 125 years to declare that someone lacks a sense of humor? How is the joke, as a twentieth-century quasi-literary form, different from the traditional folktale? Wickberg addresses these questions, among others, using the history of ideas to throw new light on the way contemporary Americans think and speak.The context of Wickberg's analysis is Anglo-American; the specifically British meanings of humor and laughter from the sixteenth century forward provide the framework for understanding American cultural values in the nineteenth and twentieth centuries. The genealogy of the sense of humor is, like the study of keywords, an avenue into a significant aspect of the cultural history of modernity. Drawing on a wide range of sources and disciplinary perspectives, Wickberg's analysis challenges many of the prevailing views of modern American culture and suggests a new model for cultural historians.
| Author | : James E. Caron |
| Publisher | : Penn State Press |
| Total Pages | : 357 |
| Release | : 2021-04-19 |
| Genre | : Humor |
| ISBN | : 0271090332 |
Stephen Colbert, Samantha Bee, John Oliver, and Jimmy Kimmel—these comedians are household names whose satirical takes on politics, the news, and current events receive some of the highest ratings on television. In this book, James E. Caron examines these and other satirists through the lenses of humor studies, cultural theory, and rhetorical and social philosophy, arriving at a new definition of the comic art form. Tracing the history of modern satire from its roots in the Enlightenment values of rational debate, evidence, facts, accountability, and transparency, Caron identifies a new genre: “truthiness satire.” He shows how satirists such as Colbert, Bee, Oliver, and Kimmel—along with writers like Charles Pierce and Jack Shafer—rely on shared values and on the postmodern aesthetics of irony and affect to foster engagement within the comic public sphere that satire creates. Using case studies of bits, parodies, and routines, Caron reveals a remarkable process: when evidence-based news reporting collides with a discursive space asserting alternative facts, the satiric laughter that erupts can move the audience toward reflection and possibly even action as the body politic in the public sphere. With rigor, humor, and insight, Caron shows that truthiness satire pushes back against fake news and biased reporting and that the satirist today is at heart a citizen, albeit a seemingly silly one. This book will appeal to anyone interested in and concerned about public discourse in the current era, especially researchers in media studies, communication studies, political science, and literary and cultural studies.
| Author | : Ted Gournelos |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 290 |
| Release | : 2011-08-01 |
| Genre | : Social Science |
| ISBN | : 1617030074 |
A Decade of Dark Humor analyzes ways in which popular and visual culture used humor-in a variety of forms-to confront the attacks of September 11, 2001 and, more specifically, the aftermath. This interdisciplinary volume brings together scholars from four countries to discuss the impact of humor and irony on both media discourse and tangible political reality. Furthermore, it demonstrates that laughter is simultaneously an avenue through which social issues are deferred or obfuscated, a way in which neoliberal or neoconservative rhetoric is challenged, and a means of forming alternative political ideologies. The volume's contributors cover a broad range of media productions, including news parodies (The Daily Show with Jon Stewart, The Colbert Report, The Onion), TV roundtable shows (Politically Incorrect with Bill Maher), comic strips and cartoons (Aaron McGruder's The Boondocks, Jeff Danzinger's editorial cartoons), television drama (Rescue Me), animated satire (South Park), graphic novels (Art Spiegelman's In the Shadow of No Towers), documentary (Fahrenheit 9/11), and other productions. Along with examining the rhetorical methods and aesthetic techniques of these productions, the essays place each in specific political and journalistic contexts, showing how corporations, news outlets, and political institutions responded to-and sometimes co-opted-these forms of humor.
| Author | : Tracy Wuster |
| Publisher | : University of Missouri Press |
| Total Pages | : 502 |
| Release | : 2017-12-01 |
| Genre | : Literary Criticism |
| ISBN | : 0826274110 |
Mark Twain, American Humorist examines the ways that Mark Twain’s reputation developed at home and abroad in the period between 1865 and 1882, years in which he went from a regional humorist to national and international fame. In the late 1860s, Mark Twain became the exemplar of a school of humor that was thought to be uniquely American. As he moved into more respectable venues in the 1870s, especially through the promotion of William Dean Howells in the Atlantic Monthly, Mark Twain muddied the hierarchical distinctions between class-appropriate leisure and burgeoning forms of mass entertainment, between uplifting humor and debased laughter, and between the literature of high culture and the passing whim of the merely popular.
