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| Author | : Andrew Swatland |
| Publisher | : Cambridge University Press |
| Total Pages | : 330 |
| Release | : 2002-05-02 |
| Genre | : History |
| ISBN | : 9780521893411 |
The first comprehensive account of the Lords and politics in the reign of Charles II.
| Author | : Tim Harris |
| Publisher | : Cambridge University Press |
| Total Pages | : 288 |
| Release | : 1987 |
| Genre | : History |
| ISBN | : 9780521398459 |
Annotation A study of the political activities, attitudes and motives of ordinary London people in an era of public confusion and anxiety. The author analyzes both the tumulus in the streets of Charles II's capital and the war of words between loyal and factious Londoners that filled the air.
| Author | : Mike Bartlett |
| Publisher | : Dramatists Play Service, Inc. |
| Total Pages | : 107 |
| Release | : 2016-05-16 |
| Genre | : Drama |
| ISBN | : 0822232383 |
THE STORY: The Queen is dead: After a lifetime of waiting, the prince ascends the throne. A future of power. But how to rule? Mike Bartlett’s controversial play explores the people beneath the crowns, the unwritten rules of our democracy, and the conscience of Britain’s most famous family.
| Author | : Clyve Jones |
| Publisher | : Boydell Press |
| Total Pages | : 402 |
| Release | : 2009 |
| Genre | : History |
| ISBN | : 184383717X |
This institutional history charts the development and evolution of parliament from the Scottish and Irish parliaments, through the post-Act of Union parliament and into the devolved assemblies of the 1990s. It considers all aspects of parliament as an institution, including membership, parties, constituencies and elections.
| Author | : John Morrill |
| Publisher | : OUP Oxford |
| Total Pages | : 112 |
| Release | : 2000-08-10 |
| Genre | : History |
| ISBN | : 0191606502 |
First published as part of the best-selling The Oxford Illustrated History of Britain, John Morrill's Very Short Introduction to Stuart Britain sets the Revolution into its political, religious, social, economic, intellectual, and cultural contexts. It thus seeks to integrate what most other surveys pull apart. It gives a graphic account of the effects of a century-long period during which population was growing inexorably and faster than both the food supply and the employment market. It looks at the failed attempts of successive governments to make all those under their authority obedient members of a unified national church; it looks at how Charles I blundered into a civil war which then took on a terrifying momentum of its own. The result was his trial and execution, the abolition of the monarchy, the house of lords, the bishops, the prayer book and the celebration of Christmas. As a result everything else that people took for granted came up for challenge, and this book shows how painfully and with what difficulty order and obedience was restored. Vividly illustrated and full of startling detail, this is an ideal introduction to those interested in getting into the period, and also contains much to challenge and stimulate those who already feel at home in Stuart England. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
| Author | : Edward Hyde Earl of Clarendon |
| Publisher | : |
| Total Pages | : 671 |
| Release | : 1888 |
| Genre | : Great Britain |
| ISBN | : |
| Author | : Harold M. Weber |
| Publisher | : University Press of Kentucky |
| Total Pages | : 306 |
| Release | : 2014-10-17 |
| Genre | : History |
| ISBN | : 081315667X |
The calculated use of media by those in power is a phenomenon dating back at least to the seventeenth century, as Harold Weber demonstrates in this illuminating study of the relation of print culture to kingship under England's Charles II. Seventeenth-century London witnessed an enormous expansion of the print trade, and with this expansion came a revolutionary change in the relation between political authority—especially the monarchy—and the printed word. Weber argues that Charles' reign was characterized by a particularly fluid relationship between print and power. The press helped bring about both the deconsecration of divine monarchy and the formation of a new public sphere, but these processes did not result in the progressive decay of royal authority. Charles fashioned his own semiotics of power out of the political transformations that had turned his world upside down. By linking diverse and unusual topics—the escape of Charles from Worcester, the royal ability to heal scrofula, the sexual escapades of the "merry monarch," and the trial and execution of Stephen College—Weber reveals the means by which Charles took advantage of a print industry instrumental to the creation of a new dispensation of power, one in which the state dominates the individual through the supplementary relationship between signs and violence. Weber's study brings into sharp relief the conflicts involving public authority and printed discourse, social hierarchy and print culture, and authorial identity and responsibility—conflicts that helped shape the modern state.
| Author | : Randy Robertson |
| Publisher | : Penn State Press |
| Total Pages | : 290 |
| Release | : 2015-10-20 |
| Genre | : Literary Criticism |
| ISBN | : 0271036559 |
Censorship profoundly affected early modern writing. Censorship and Conflict in Seventeenth-Century England offers a detailed picture of early modern censorship and investigates the pressures that censorship exerted on seventeenth-century authors, printers, and publishers. In the 1600s, Britain witnessed a civil war, the judicial execution of a king, the restoration of his son, and an unremitting struggle among crown, parliament, and people for sovereignty and the right to define “liberty and property.” This battle, sometimes subtle, sometimes bloody, entailed a struggle for the control of language and representation. Robertson offers a richly detailed study of this “censorship contest” and of the craft that writers employed to outflank the licensers. He argues that for most parties, victory, not diplomacy or consensus, was the ultimate goal. This book differs from most recent works in analyzing both the mechanics of early modern censorship and the poetics that the licensing system produced—the forms and pressures of self-censorship. Among the issues that Robertson addresses in this book are the workings of the licensing machinery, the designs of art and obliquity under a regime of censorship, and the involutions of authorship attendant on anonymity.
| Author | : Paul Lay |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 336 |
| Release | : 2020-01-09 |
| Genre | : History |
| ISBN | : 178185257X |
'A compelling and wry narrative of one of the most intellectually thrilling eras of British history' Guardian. ***************** SHORTLISTED FOR THE CUNDILL HISTORY PRIZE 2020 England, 1651. Oliver Cromwell has defeated his royalist opponents in two civil wars, executed the Stuart king Charles I, laid waste to Ireland, and crushed the late king's son and his Scottish allies. He is master of Britain and Ireland. But Parliament, divided between moderates, republicans and Puritans of uncompromisingly millenarian hue, is faction-ridden and disputatious. By the end of 1653, Cromwell has become 'Lord Protector'. Seeking dragons for an elect Protestant nation to slay, he launches an ambitious 'Western Design' against Spain's empire in the New World. When an amphibious assault on the Caribbean island of Hispaniola in 1655 proves a disaster, a shaken Cromwell is convinced that God is punishing England for its sinfulness. But the imposition of the rule of the Major-Generals – bureaucrats with a penchant for closing alehouses – backfires spectacularly. Sectarianism and fundamentalism run riot. Radicals and royalists join together in conspiracy. The only way out seems to be a return to a Parliament presided over by a king. But will Cromwell accept the crown? Paul Lay narrates in entertaining but always rigorous fashion the story of England's first and only experiment with republican government: he brings the febrile world of Oliver Cromwell's Protectorate to life, providing vivid portraits of the extraordinary individuals who inhabited it and capturing its dissonant cacophony of political and religious voices. ***************** Reviews: 'Briskly paced and elegantly written, Providence Lost provides us with a first-class ticket to this Cromwellian world of achievement, paradox and contradiction. Few guides take us so directly, or so sympathetically, into the imaginative worlds of that tumultuous decade' John Adamson, The Times. 'Providence Lost is a learned, lucid, wry and compelling narrative of the 1650s as well as a sensitive portrayal of a man unravelled by providence' Jessie Childs, Guardian.
