The Homeric Narrator
Author | : Scott Douglas Richardson |
Publisher | : Vanderbilt University Press (TN) |
Total Pages | : 304 |
Release | : 1990 |
Genre | : Language Arts & Disciplines |
ISBN | : |
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Author | : Scott Douglas Richardson |
Publisher | : Vanderbilt University Press (TN) |
Total Pages | : 304 |
Release | : 1990 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Author | : Jonathan L. Ready |
Publisher | : Cambridge University Press |
Total Pages | : 334 |
Release | : 2013-12-19 |
Genre | : History |
ISBN | : 9781107687332 |
Jonathan L. Ready offers the first comprehensive examination of Homer's similes in the Iliad as arenas of heroic competition. This study concentrates primarily on similes spoken by Homeric characters. The first to offer a sustained exploration of such similes, Ready shows how characters are made to contest through and over simile not only with one another but also with the narrator. Ready investigates the narrator's similes as well. He demonstrates that Homer amplifies the feat of a successful warrior by providing a competitive orientation to sequences of similes used to describe battle. He also offers a new interpretation of Homer's extended similes as a means for the poet to imagine his characters as competitors for his attention. Throughout this study, Ready makes innovative use of approaches from both Homeric studies and narratology that have not yet been applied to the analysis of Homer's similes.
Author | : Irene J. F. de Jong |
Publisher | : B.R. Gruner Publishing Company |
Total Pages | : 340 |
Release | : 1987 |
Genre | : Language Arts & Disciplines |
ISBN | : |
The most important work on Homer?'s technique as narrator offers an overview of the trends in Homeric narratological scholarship over the last decade.
Author | : Robert J. Rabel |
Publisher | : University of Michigan Press |
Total Pages | : 272 |
Release | : 1997 |
Genre | : Achilles (Greek mythology) in literature |
ISBN | : 9780472107681 |
Argues that Homer, the poet of the Iliad, may be fully distinguished from the narrator of Homeric poetry
Author | : Zachary Mason |
Publisher | : Macmillan + ORM |
Total Pages | : 239 |
Release | : 2010-04-01 |
Genre | : Fiction |
ISBN | : 1429952490 |
A BRILLIANT AND BEGUILING REIMAGINING OF ONE OF OUR GREATEST MYTHS BY A GIFTED YOUNG WRITER Zachary Mason's brilliant and beguiling debut novel, The Lost Books of the Odyssey, reimagines Homer's classic story of the hero Odysseus and his long journey home after the fall of Troy. With brilliant prose, terrific imagination, and dazzling literary skill, Mason creates alternative episodes, fragments, and revisions of Homer's original that taken together open up this classic Greek myth to endless reverberating interpretations. The Lost Books of the Odyssey is punctuated with great wit, beauty, and playfulness; it is a daring literary page-turner that marks the emergence of an extraordinary new talent.
Author | : Deborah Beck |
Publisher | : University of Texas Press |
Total Pages | : 269 |
Release | : 2012-11-01 |
Genre | : Literary Criticism |
ISBN | : 029273882X |
The Iliad and the Odyssey are emotional powerhouses largely because of their extensive use of direct speech. Yet this characteristic of the Homeric epics has led scholars to underplay the poems’ use of non-direct speech, the importance of speech represented by characters, and the overall sophistication of Homeric narrative as measured by its approach to speech representation. In this pathfinding study by contrast, Deborah Beck undertakes the first systematic examination of all the speeches presented in the Homeric poems to show that Homeric speech presentation is a unified system that includes both direct quotation and non-direct modes of speech presentation. Drawing on the fields of narratology and linguistics, Beck demonstrates that the Iliad and the Odyssey represent speech in a broader and more nuanced manner than has been perceived before, enabling us to reevaluate our understanding of supposedly “modern” techniques of speech representation and to refine our idea of where Homeric poetry belongs in the history of Western literature. She also broadens ideas of narratology by connecting them more strongly with relevant areas of linguistics, as she uses both to examine the full range of speech representational strategies in the Homeric poems. Through this in-depth analysis of how speech is represented in the Homeric poems, Beck seeks to make both the process of their composition and the resulting poems themselves seem more accessible, despite pervasive uncertainties about how and when the poems were put together.
Author | : Irene J. F. de Jong |
Publisher | : Cambridge University Press |
Total Pages | : 652 |
Release | : 2001-11-22 |
Genre | : History |
ISBN | : 9780521464789 |
Comprehensive commentaries on the Homeric texts abound, but this commentary concentrates on one major aspect of the Odyssey--its narrative art. The role of narrator and narratees, methods of characterization and scenery description, and the development of the plot are discussed. The study aims to enhance our understanding of this masterpiece of European literature. All Greek references are translated and technical terms are explained in a glossary. It is directed at students and scholars of Greek literature and comparative literature.
Author | : Jenny Strauss Clay |
Publisher | : Cambridge University Press |
Total Pages | : 147 |
Release | : 2011-02-10 |
Genre | : History |
ISBN | : 1139494651 |
Moving away from the verbal and thematic repetitions that have dominated Homeric studies and exploiting the insights of cognitive psychology, this highly innovative and accessible study focuses on the visual poetics of the Iliad as the narrative is envisioned by the poet and rendered visible. It does so through a close analysis of the often-neglected 'Battle Books'. They here emerge as a coherently visualized narrative sequence rather than as a random series of combats, and this approach reveals, for instance, the significance of Sarpedon's attack on the Achaean Wall and Patroclus' path to destruction. In addition, Professor Strauss Clay suggests new ways of approaching ancient narratives: not only with one's ear, but also with one's eyes. She further argues that the loci system of mnemonics, usually attributed to Simonides, is already fully exploited by the Iliad poet to keep track of his cast of characters and to organize his narrative.
Author | : Robert Louis Fowler |
Publisher | : Cambridge University Press |
Total Pages | : 448 |
Release | : 2004-10-14 |
Genre | : History |
ISBN | : 9780521012461 |
The Cambridge Companion to Homer is a guide to the essential aspects of Homeric criticism and scholarship, including the reception of the poems in ancient and modern times. Written by an international team of scholars, it is intended to be the first port of call for students at all levels, with introductions to important subjects and suggestions for further exploration. Alongside traditional topics like the Homeric Question, the divine apparatus of the poems, the formulae, the characters and the archaeological background, there are detailed discussions of similes, speeches, the poet as story-teller and the genre of epic both within Greece and worldwide. The reception chapters include assessments of ancient Greek and Roman readings as well as selected modern interpretations from the eighteenth century to the present day. Chapters on Homer in English translation and Homer in the history of ideas round out the collection.
Author | : Homer |
Publisher | : Simon and Schuster |
Total Pages | : 432 |
Release | : 2013-10-01 |
Genre | : Poetry |
ISBN | : 1451674198 |
From Stephen Mitchell, the renowned translator whose Iliad was named one of The New Yorker’s Favorite Books of 2011, comes a vivid new translation of the Odyssey, complete with textual notes and an illuminating introductory essay. The hardcover publication of the Odyssey received glowing reviews: The New York Times praised “Mitchell’s fresh, elegant diction and the care he lavishes on meter, [which] brought me closer to the transfigurative experience Keats describes on reading Chapman’s Homer”; Booklist, in a starred review, said that “Mitchell retells the first, still greatest adventure story in Western literature with clarity, sweep, and force”; and John Banville, author of The Sea, called this translation “a masterpiece.” The Odyssey is the original hero’s journey, an epic voyage into the unknown, and has inspired other creative work for millennia. With its consummately modern hero, full of guile and wit, always prepared to reinvent himself in order to realize his heart’s desire—to return to his home and family after ten years of war—the Odyssey now speaks to us again across 2,600 years. In words of great poetic power, this translation brings Odysseus and his adventures to life as never before. Stephen Mitchell’s language keeps the diction close to spoken English, yet its rhythms recreate the oceanic surge of the ancient Greek. Full of imagination and light, beauty and humor, this Odyssey carries you along in a fast stream of action and imagery. Just as Mitchell “re-energised the Iliad for a new generation” (The Sunday Telegraph), his Odyssey is the noblest, clearest, and most captivating rendition of one of the defining masterpieces of Western literature.