The History Written on the Classical Greek Body

The History Written on the Classical Greek Body
Author: Robin Osborne
Publisher: Cambridge University Press
Total Pages: 277
Release: 2011-07-07
Genre: History
ISBN: 1107003202

Shows that history written on the basis of texts alone creates a misleading picture of classical Greece.

Body, Dress, and Identity in Ancient Greece

Body, Dress, and Identity in Ancient Greece
Author: Mireille M. Lee
Publisher: Cambridge University Press
Total Pages: 383
Release: 2015-01-12
Genre: Art
ISBN: 1316194957

This is the first general monograph on ancient Greek dress in English to be published in more than a century. By applying modern dress theory to the ancient evidence, this book reconstructs the social meanings attached to the dressed body in ancient Greece. Whereas many scholars have focused on individual aspects of ancient Greek dress, from the perspectives of literary, visual, and archaeological sources, this volume synthesizes the diverse evidence and offers fresh insights into this essential aspect of ancient society. Intended to be accessible to nonspecialists as well as classicists, and students as well as academic professionals, this book will find a wide audience.

The Expressiveness of the Body and the Divergence of Greek and Chinese Medicine

The Expressiveness of the Body and the Divergence of Greek and Chinese Medicine
Author: Shigehisa Kuriyama
Publisher: Princeton University Press
Total Pages: 159
Release: 2023-10-17
Genre: History
ISBN: 0942299930

An illuminating account of how early medicine in Greece and China perceived the human body Winner of the William H. Welch Medal, American Association for the History of Medicine The true structure and workings of the human body are, we casually assume, everywhere the same, a universal reality. But when we look into the past, our sense of reality wavers: accounts of the body in diverse medical traditions often seem to describe mutually alien, almost unrelated worlds. How can perceptions of something as basic and intimate as the body differ so? In this book, Shigehisa Kuriyama explores this fundamental question, elucidating the fascinating contrasts between the human body described in classical Greek medicine and the body as envisaged by physicians in ancient China. Revealing how perceptions of the body and conceptions of personhood are intimately linked, his comparative inquiry invites us, indeed compels us, to reassess our own habits of feeling and perceiving.

Classical Greece and the Birth of Western Art

Classical Greece and the Birth of Western Art
Author: Andrew Stewart
Publisher: Cambridge University Press
Total Pages: 0
Release: 2008-10-20
Genre: Art
ISBN: 0521853214

Addresses the 'Classical Revolution' in Greek art, its contexts, aims, achievements, and impact.

Defining Beauty

Defining Beauty
Author: Ian Dennis Jenkins
Publisher: British museum Press
Total Pages: 268
Release: 2015
Genre: Art
ISBN:

Greek sculpture is full of breathing vitality and yet, at the same time, it reaches beyond mere imitation of nature to give form to thought in works of timeless beauty. For over 2000 years the Greeks experimented with representing the human body in works that range from prehistoric abstract simplicity to the full-blown realism of the age of Alexander the Great. The ancient Greeks invented the modern idea of the human body in art as an object of sensory delight and as a bearer of meaning. Their vision has had a profound influence on the way the western world sees itself. Drawing on the British Museum's outstanding collection of Greek sculpture - including extraordinary pieces from the Parthenon and the celebrated representation of a discus thrower - and through a number of themed sections, this richly illustrated book explores the Greek portrayal of human character in sculpture, along with sexual and social identity. In athletics, the male body was displayed as if it was a living sculpture, and victors were commemorated by actual statues. In art, not only were mortal men and women represented in human form but also the gods and other beings of myth and the supernatural world. In a series of lively introductory chapters, written by a selection of academics, historians and artists, it is revealed how the Greeks themselves viewed the sculpture (which was vividly enhanced with colour), and how it was regarded and treated in later pagan antiquity. The revival of the Greek body in the modern era is also discussed, including the shock of the new effect of the arrival of the Parthenon sculptures in London at the beginning of the nineteenth century.

Hippocrates' Woman

Hippocrates' Woman
Author: Helen King
Publisher: Routledge
Total Pages: 341
Release: 2002-01-04
Genre: History
ISBN: 1134772211

Hippocrates' Woman demonstrates the role of Hippocratic ideas about the female body in the subsequent history of western gynaecology. It examines these ideas not only in the social and cultural context in which they were first produced, but also the ways in which writers up to the Victorian period have appealed to the material in support of their own theories. Among the conflicting tange of images of women given in the Hippocratic corpus existed one tradition of the female body which says it is radically unlike the male body, behaving in different ways and requiring a different set of therapies. This book sets this model within the context of Greek mythology, especially the myth of Pandora and her difference from men, to explore the image of the body as something to be read. Hippocrates' Woman presents an arresting study of the origins of gynaecology, an exploration of how the interior workings of the female body were understood and the influence of Hippocrates' theories on the gynaecology of subsequent ages.

Bodies and Boundaries in Graeco-Roman Antiquity

Bodies and Boundaries in Graeco-Roman Antiquity
Author: Thorsten Fögen
Publisher: Walter de Gruyter
Total Pages: 326
Release: 2010-01-13
Genre: Literary Criticism
ISBN: 3110212536

In the Graeco-Roman world, the cosmic order was enacted, in part, through bodies. The evaluative divisions between, for example, women and men, humans and animals, “barbarians” and “civilized” people, slaves and free citizens, or mortals and immortals, could all be played out across the terrain of somatic difference, embedded as it was within wider social and cultural matrices. This volume explores these thematics of bodies and boundaries: to examine the ways in which bodies, lived and imagined, were implicated in issues of cosmic order and social organisation in classical antiquity. It focuses on the body in performance (especially in a rhetorical context), the erotic body, the dressed body, pagan and Christian bodies as well as divine bodies and animal bodies. The articles draw on a range of evidence and approaches, cover a broad chronological and geographical span, and explore the ways bodies can transgress and dissolve, as well shore up, or even create, boundaries and hierarchies. This volume shows that boundaries are constantly negotiated, shifted and refigured through the practices and potentialities of embodiment.

Gender, Identity and the Body in Greek and Roman Sculpture

Gender, Identity and the Body in Greek and Roman Sculpture
Author: Rosemary Barrow
Publisher: Cambridge University Press
Total Pages: 245
Release: 2018-10-11
Genre: Art
ISBN: 1108583865

Gender and the Body in Greek and Roman Sculpture offers incisive analysis of selected works of ancient art through a critical use of cutting-edge theory from gender studies, body studies, art history and other related fields. The book raises important questions about ancient sculpture and the contrasting responses that the individual works can be shown to evoke. Rosemary Barrow gives close attention to both original context and modern experience, while directly addressing the question of continuity in gender and body issues from antiquity to the early modern period through a discussion of the sculpture of Bernini. Accessible and fully illustrated, her book features new translations of ancient sources and a glossary of Greek and Latin terms. It will be an invaluable resource and focus for debate for a wide range of readers interested in ancient art, gender and sexuality in antiquity, and art history and gender and body studies more broadly.

Classical Greek Tactics

Classical Greek Tactics
Author: Roel Konijnendijk
Publisher: BRILL
Total Pages: 269
Release: 2017-10-23
Genre: History
ISBN: 900435557X

What determined the choices of the Greeks on the battlefield? Were their tactics defined by unwritten moral rules, or was all considered fair in war? In Classical Greek Tactics: A Cultural History, Roel Konijnendijk re-examines the literary evidence for the battle tactics and tactical thought of the Greeks during the 5th and 4th centuries BC. Rejecting the traditional image of limited, ritualised battle, Konijnendijk sketches a world of brutally destructive engagements, restricted only by the stubborn amateurism of the men who fought. The resulting model of hoplite battle does away with most received wisdom about the nature of Greek battle tactics, and redefines the way they reflected the values of Greek culture as a whole.

The Transformation of Athens

The Transformation of Athens
Author: Robin Osborne
Publisher: Princeton University Press
Total Pages: 323
Release: 2018-02-06
Genre: Art
ISBN: 1400889936

How remarkable changes in ancient Greek pottery reveal the transformation of classical Greek culture Why did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-fifth century BC are very different from those of the late sixth century. Did Greek potters have a different world to see—or did they come to see the world differently? In this lavishly illustrated and engagingly written book, Robin Osborne argues that these remarkable changes are the best evidence for the shifting nature of classical Greek culture. Osborne examines the thousands of surviving Athenian red-figure pots painted between 520 and 440 BC and describes the changing depictions of soldiers and athletes, drinking parties and religious occasions, sexual relations, and scenes of daily life. He shows that it was not changes in each activity that determined how the world was shown, but changes in values and aesthetics. By demonstrating that changes in artistic style involve choices about what aspects of the world we decide to represent as well as how to represent them, this book rewrites the history of Greek art. By showing that Greeks came to see the world differently over the span of less than a century, it reassesses the history of classical Greece and of Athenian democracy. And by questioning whether art reflects or produces social and political change, it provokes a fresh examination of the role of images in an ever-evolving world.