The History Of The Scottish Stage
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The Cheviot, the Stag and the Black, Black Oil
Author | : John McGrath |
Publisher | : A&C Black |
Total Pages | : 111 |
Release | : 2014-02-17 |
Genre | : Drama |
ISBN | : 1472537327 |
Strathoykel, Sutherland. "When the Sheriff and his men arrived, the women were on the road and the men behind the walls. The women shouted 'Better to die here than America or the Cape of Good Hope'. The first blow was struck by a woman with a stick. The gentry leant out of their saddles and beat at the women's heads with their crops." (John McGrath)
Publications of the Scottish History Society
Author | : Scottish History Society |
Publisher | : |
Total Pages | : 312 |
Release | : 1917 |
Genre | : Scotland |
ISBN | : |
A Contribution to the Bibliography of Scottish Topography
Author | : Sir Arthur Mitchell |
Publisher | : |
Total Pages | : 312 |
Release | : 1917 |
Genre | : Scotland |
ISBN | : |
The Scottish Historical Review
Author | : |
Publisher | : |
Total Pages | : 404 |
Release | : 1918 |
Genre | : Scotland |
ISBN | : |
A new series of the Scottish antiquary established 1886.
Bibliotheca Histrionica. A catalogue of the theatrical and miscellaneous library of Mr. J. Field ... which will be sold by auction, etc. [With the prices in MS.]
Author | : John FIELD (Collector of Dramatic Literature.) |
Publisher | : |
Total Pages | : 106 |
Release | : 1827 |
Genre | : |
ISBN | : |
Bibliotheca histrionica, a catalogue of the theatrical and miscellaneous library of mr. John Field ... which will be sold by auction
Author | : John Field (dramatic collector.) |
Publisher | : |
Total Pages | : 112 |
Release | : 1827 |
Genre | : |
ISBN | : |
"The Stage's Glory"
Author | : Berta Joncus |
Publisher | : Rutgers University Press |
Total Pages | : 723 |
Release | : 2011-05-13 |
Genre | : Biography & Autobiography |
ISBN | : 1644531259 |
John Rich (1692-1761) was a profoundly influential figure of the eighteenth-century London stage. As producer, manager, and performer, he transformed the urban entertainment market, creating genres and promotional methods still with us today. This volume gives the first comprehensive overview of Rich’s multifaceted career, appreciation of which has suffered from his performing identity as Lun, London’s most celebrated Harlequin. Far from the lightweight buffoon that this stereotype has suggested, Rich—the first producer of The Beggar’s Opera, the founder of Covent Garden, the dauntless backer of Handel, and the promoter of the principal dancers from the Parisian opera—is revealed as an agent of changes much more enduring than those of his younger contemporary, David Garrick. Contributions by leading scholars from a range of disciplines—theatre, dance, music, art, and cultural history—provide detailed analyses of Rich’s productions and representations. These findings complement Robert D. Hume’s lead article, a study that radically alters our perception of Rich. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.