The History of the San Francisco Disaster and Mount Vesuvius Horror
Author | : Charles Eugene Banks |
Publisher | : |
Total Pages | : 31 |
Release | : 1906 |
Genre | : Bookbinding |
ISBN | : |
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Author | : Charles Eugene Banks |
Publisher | : |
Total Pages | : 31 |
Release | : 1906 |
Genre | : Bookbinding |
ISBN | : |
Author | : Charles Eugene Banks |
Publisher | : |
Total Pages | : 480 |
Release | : 1906 |
Genre | : Earthquakes |
ISBN | : |
A complete and authentic account of the terrible calamity that befell the city of the Golden Gate, stricken by earthquake and devasted by fire. Described and penned by eye-witnesses and those who worked to relieve the suffering. A vivid account of the eruption of Mount Vesuvius and other great historical catastrophes which have destroyed thousands of lives and laid whole countries in ruin.
Author | : Charles Eugene 1852-1932 Banks |
Publisher | : Wentworth Press |
Total Pages | : 478 |
Release | : 2016-08-27 |
Genre | : History |
ISBN | : 9781371010683 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Charles Eugene Banks |
Publisher | : |
Total Pages | : 472 |
Release | : 1906 |
Genre | : Earthquakes |
ISBN | : |
A complete and authentic account of the terrible calamity that befell the city of the Golden Gate, stricken by earthquake and devasted by fire. Described and penned by eye-witnesses and those who worked to relieve the suffering. A vivid account of the eruption of Mount Vesuvius and other great historical catastrophes which have destroyed thousands of lives and laid whole countries in ruin.
Author | : Richard 1859-1934 Linthicum |
Publisher | : |
Total Pages | : 414 |
Release | : 2016-09-10 |
Genre | : History |
ISBN | : 9781360787930 |
Author | : San Francisco Relief and Red Cross Funds, a Corporation |
Publisher | : |
Total Pages | : 184 |
Release | : 1911 |
Genre | : San Francisco (Calif.) |
ISBN | : |
Author | : Kevin Rozario |
Publisher | : University of Chicago Press |
Total Pages | : 324 |
Release | : 2019-05-23 |
Genre | : History |
ISBN | : 022623021X |
Turn on the news and it looks as if we live in a time and place unusually consumed by the specter of disaster. The events of 9/11 and the promise of future attacks, Hurricane Katrina and the destruction of New Orleans, and the inevitable consequences of environmental devastation all contribute to an atmosphere of imminent doom. But reading an account of the San Francisco earthquake of 1906, with its vivid evocation of buildings “crumbling as one might crush a biscuit,” we see that calamities—whether natural or man-made—have long had an impact on the American consciousness. Uncovering the history of Americans’ responses to disaster from their colonial past up to the present, Kevin Rozario reveals the vital role that calamity—and our abiding fascination with it—has played in the development of this nation. Beginning with the Puritan view of disaster as God’s instrument of correction, Rozario explores how catastrophic events frequently inspired positive reactions. He argues that they have shaped American life by providing an opportunity to take stock of our values and social institutions. Destruction leads naturally to rebuilding, and here we learn that disasters have been a boon to capitalism, and, paradoxically, indispensable to the construction of dominant American ideas of progress. As Rozario turns to the present, he finds that the impulse to respond creatively to disasters is mitigated by a mania for security. Terror alerts and duct tape represent the cynical politician’s attitude about 9/11, but Rozario focuses on how the attacks registered in the popular imagination—how responses to genuine calamity were mediated by the hyperreal thrills of movies; how apocalyptic literature, like the best-selling Left Behind series, recycles Puritan religious outlooks while adopting Hollywood’s style; and how the convergence of these two ways of imagining disaster points to a new postmodern culture of calamity. The Culture of Calamity will stand as the definitive diagnosis of the peculiarly American addiction to the spectacle of destruction.