The History Of Music Art And Science
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| Author | : Peter Pesic |
| Publisher | : MIT Press |
| Total Pages | : 357 |
| Release | : 2022-09-13 |
| Genre | : Music |
| ISBN | : 0262543907 |
A wide-ranging exploration of how music has influenced science through the ages, from fifteenth-century cosmology to twentieth-century string theory. In the natural science of ancient Greece, music formed the meeting place between numbers and perception; for the next two millennia, Pesic tells us in Music and the Making of Modern Science, “liberal education” connected music with arithmetic, geometry, and astronomy within a fourfold study, the quadrivium. Peter Pesic argues provocatively that music has had a formative effect on the development of modern science—that music has been not just a charming accompaniment to thought but a conceptual force in its own right. Pesic explores a series of episodes in which music influenced science, moments in which prior developments in music arguably affected subsequent aspects of natural science. He describes encounters between harmony and fifteenth-century cosmological controversies, between musical initiatives and irrational numbers, between vibrating bodies and the emergent electromagnetism. He offers lively accounts of how Newton applied the musical scale to define the colors in the spectrum; how Euler and others applied musical ideas to develop the wave theory of light; and how a harmonium prepared Max Planck to find a quantum theory that reengaged the mathematics of vibration. Taken together, these cases document the peculiar power of music—its autonomous force as a stream of experience, capable of stimulating insights different from those mediated by the verbal and the visual. An innovative e-book edition available for iOS devices will allow sound examples to be played by a touch and shows the score in a moving line.
| Author | : William Chappell |
| Publisher | : |
| Total Pages | : 512 |
| Release | : 1874 |
| Genre | : Music |
| ISBN | : |
| Author | : Julian Colbeck |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 393 |
| Release | : 2014-09-01 |
| Genre | : Music |
| ISBN | : 1480397237 |
(Technical Reference). More than simply the book of the award-winning DVD set, Art & Science of Sound Recording, the Book takes legendary engineer, producer, and artist Alan Parsons' approaches to sound recording to the next level. In book form, Parsons has the space to include more technical background information, more detailed diagrams, plus a complete set of course notes on each of the 24 topics, from "The Brief History of Recording" to the now-classic "Dealing with Disasters." Written with the DVD's coproducer, musician, and author Julian Colbeck, ASSR, the Book offers readers a classic "big picture" view of modern recording technology in conjunction with an almost encyclopedic list of specific techniques, processes, and equipment. For all its heft and authority authored by a man trained at London's famed Abbey Road studios in the 1970s ASSR, the Book is also written in plain English and is packed with priceless anecdotes from Alan Parsons' own career working with the Beatles, Pink Floyd, and countless others. Not just informative, but also highly entertaining and inspirational, ASSR, the Book is the perfect platform on which to build expertise in the art and science of sound recording.
| Author | : James Haar |
| Publisher | : Princeton University Press |
| Total Pages | : 408 |
| Release | : 2014-07-14 |
| Genre | : Music |
| ISBN | : 1400864712 |
As a distinguished scholar of Renaissance music, James Haar has had an abiding influence on how musicology is undertaken, owing in great measure to a substantial body of articles published over the past three decades. Collected here for the first time are representative pieces from those years, covering diverse themes of continuing interest to him and his readers: music in Renaissance culture, problems of theory as well as the Italian madrigal in the sixteenth century, the figures of Antonfrancesco Doni and Giovanthomaso Cimello, and the nineteenth century's views of early music. In this collection, the same subject is seen from several angles, and thus gives a rich context for further exploration. Haar was one of the first to recognize the value of cultural study. His work also reminds us that the close study of the music itself is equally important. The articles contained in this book show the author's conviction that a good way to address large problems is to begin by focusing on small ones. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
| Author | : Eliane Strosberg |
| Publisher | : |
| Total Pages | : 256 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : |
The intent of this volume is to provide an enticing review, for a general audience, of the very broad topic of connections between art and science; and the writing is deliberately casual and narrative rather than scholarly or encyclopedic. The scope is narrowed somewhat by emphasis on Western culture (with some examples from other civilizations) and by exclusion of literature. After overview chapters, the author delves into some specifics of architecture, decoration, painting and cognition, graphic design, and the performing arts, before concluding with a chapter on art and science symbiosis. The text is attractively produced and illustrated with some 200 (small) diagrams, photos, and reproductions. Strosberg is co-founder of Recontres Art et Science, an association in Paris that sponsors conferences and other events in collaboration with UNESCO. This work was originally published in French, in Paris, in 1999 by UNESCO (although its connection with that agency's mission is not entirely clear). c. Book News Inc.
| Author | : Tom McLeish |
| Publisher | : |
| Total Pages | : 372 |
| Release | : 2019 |
| Genre | : Philosophy |
| ISBN | : 0198797990 |
The Poetry and Music of Science examines aspects of science and art that bear close comparison - for example the art of the novel and the art of scientific experimentation. The book eavesdrops on conversations between scientists on how new theories arise, and listens to artists' and composers' witness of their own creative processes.
| Author | : Harvey E. White |
| Publisher | : Courier Corporation |
| Total Pages | : 452 |
| Release | : 2014-04-15 |
| Genre | : Science |
| ISBN | : 0486794008 |
Comprehensive and accessible, this foundational text surveys general principles of sound, musical scales, characteristics of instruments, mechanical and electronic recording devices, and many other topics. More than 300 illustrations plus questions, problems, and projects.
| Author | : Jay Belloli |
| Publisher | : Reaktion Books |
| Total Pages | : 168 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : |
The Universe documents a celebration (winter 2000 through spring 2001) intended to mark twelve centuries of humanity's artistic and scientific description of the galactic system in which we live. Co-organized by eight institutions in Southern California, including the Huntington Library, Norton Simon Museum, Southwest Chamber Music, California Institute of Technology, Armory Center for the Arts, Art Center College of Design, New Pasadena Gallery, and Pacific Asia Museum, the exhibitions and events documented in this full-color volume present a huge range of stunning images, from ninth-century European illuminated manuscripts and Renaissance books to the great astronomical photographs of the last 160 years, including images from the NASA/Jet Propulsion Laboratory in Pasadena. Bringing the theme up to the present day, the book includes work by foremost contemporary American artists including Robert Rauschenberg and Rockne Krebs, specially commissioned for the occasion. Little-known archival materials include photographs from the collections of astronomers Edwin Hubble and George Ellery Hale (who initiated Palomar Observatory), rare books by Galileo, and metal celestial spheres, as well as European Old Master paintings and Asian representations of the universe. Essays by prominent historians of science and members of the curatorial team are marked by an interdisciplinary approach reflecting the origins of cosmological thought and the integrated relationship between art and science that existed at earlier moments in history. These explore the development of cosmology, the medieval quadrivium, Asian creation myths, the history of astronomical photography, cosmic symbols in twentieth-century art, and the development of technology for space exploration.
| Author | : N. Alan Clark |
| Publisher | : |
| Total Pages | : 316 |
| Release | : 2015-12-21 |
| Genre | : Education |
| ISBN | : 9781940771335 |
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
| Author | : J. Q. Davies |
| Publisher | : University of Chicago Press |
| Total Pages | : 264 |
| Release | : 2016 |
| Genre | : History |
| ISBN | : 022640207X |
What does it mean to hear scientifically? What does it mean to see musically? This volume uncovers a new side to the long nineteenth century in London, a hidden history in which virtuosic musical entertainment and scientific discovery intersected in remarkable ways. Sound Knowledge examines how scientific truth was accrued by means of visual and aural experience, and, in turn, how musical knowledge was located in relation to empirical scientific practice. James Q. Davies and Ellen Lockhart gather work by leading scholars to explore a crucial sixty-year period, beginning with Charles Burney’s ambitious General History of Music, a four-volume study of music around the globe, and extending to the Great Exhibition of 1851, where musical instruments were assembled alongside the technologies of science and industry in the immense glass-encased collections of the Crystal Palace. Importantly, as the contributions show, both the power of science and the power of music relied on performance, spectacle, and experiment. Ultimately, this volume sets the stage for a new picture of modern disciplinarity, shining light on an era before the division of aural and visual knowledge.
